Rare CD: Roxxi "Drive It To Ya Hard"

I don't know much about this one, the band's release from 1963. Here are details I found at Amazon:
Audio CD (July 1, 1991)
Original Release Date: 1963
Number of Discs: 1
Label: Dead Line

Sold on ebay for $280.

Review: Green Day "21st Century Breakdown"

I've never disliked Green Day, but I can't say that I've been an avid fan, especially after the lackluster follow-ups to 1994's smash hit "Dookie". That began to change in 2004 with the release of their excellent "comeback" concept album "American Idiot". Now, 5 years later, "21st Century Breakdown" makes me want to buy a Green Day T-shirt to wear with pride.

"American Idiot" was a huge success at the critic and commercial level - these kinds of records, appearing after a decade of being together, create a fear in the fanbase that the last hurrah has been achieved...how in the world are they going to possibly top "American Idiot"? I must admit I had the same concern myself. With each passing year of nothing new from Billie Joe and the gang, I grew closer to writing off "American Idiot" as a fluke and concluding that the band had nothing more to say.

This could not have been more wrong. "21st Century Breakdown" is stupendous. I know it disturbs many of the old school Green Day fans, but the band's new musical direction (a logical extension of where they were headed with "American Idiot") takes their game to the next level. I believe this record will cement Green Day as a force to be reckoned with in the rock world.

Not only is the music on "21st Century Breakdown" some of the most accessible and melodic of their career, but the layers of lyrical depth have me believing that Green Day could be this generation's U2. The record is another concept album of sorts, tracing the history of a young couple (Christian and Gloria) through the first decade of the new millennium.

Produced by Butch Vig along with the band, and mixed by Chris Lord-Alge, "21st Century Breakdown" is a sonic masterpiece. The band continues to experiment by adding piano and strings to their crunchy and punchy guitars, and their harmony vocals have never been more abundant and effective. There are almost too many good songs to pick favorites, but I'll go with "Viva La Gloria", "21 Guns", "Before the Lobotomy", and the title track. "Before the Lobotomy" is particularly cool because it starts out as an acoustic ballad that is 'covered' by the more traditional sounding Green Day towards the end of the song.

Absolutely terrific record. Don't let the current single "Know Your Enemy" fool you - it is one of the more simplistic and banal tracks. I am puzzled why it was selected as a single when so many of the other songs are far superior.

iPOD-worthy: 2, 3, 4, 5, 7, 11, 13, 15, 16, 18

Green Day on MySpace. Official site.

Check out the video for the single "Know Your Enemy":
Know Your Enemy

Review: Ace Noface "Toxic Charm"

A lot of people are under the impression that piano-based music just can't rock...Ace Noface proves just how false this assertion can be. His excellent new release, "Toxic Charm", pounds its way into your head with its infectious melodies and lyrical urgency. No doubt this urgency stems from the fact that Ace Noface has tragically been diagnosed with ALS (Lou Gehrig’s disease).

Musically, we're dealing with some very catchy stuff - the vocals have a clear, warm tone that sound like a cross between Jason Falkner and Ben Folds, and the harmony vocals are plentiful and well placed. But beyond the engaging melodies are some of the most thought-provoking lyrics in music today. Ace Noface is unafraid to explore the themes that most musicians wouldn't dare touch, from religion to the cowardliness of bigotry, to deep contemplations on the meaning of it all. Much like Freddie Mercury on Queen's masterful "Innuendo", Ace Noface boldly shares his most intimate thoughts knowing that the hands of fate are tightening up around his throat. Those of us who take our health for granted can all learn a lesson hearing what someone in this unique position has to say. He's also a great storyteller, getting into the head of the notorious Toronto bicycle thief Igor Kenk on "2000 Bicycles".

Amazingly, Ace Noface crafted "Toxic Charm" literally note by note, as it was written with just one finger due to his disability. This is completely undetectable after hearing the layers upon layers of musical complexity, which effortlessly weave standard pop progressions with threads of jazz and prog rock. Highlights include "Regret", "Whiskey Bottle", and "Gotta".

Pick up this CD from Ace Noface if you are a fan of Ben Folds, Keane, Mêlée, or Five for Fighting. "Toxic Charm" is easily one of the best piano-driven rock CDs of the year so far, musically and lyrically.

iPOD-worthy: 1, 2, 3, 5, 8, 9

Ace Noface on MySpace. Official site. Get it.

Donate to the ALS Association.

Review: Chickenfoot "Chickenfoot"

It is refreshing to see a classic hard rock act get the A-list treatment in terms of promotion. I seem to find signs of Chickenfoot everywhere - even on the (gasp) radio! For those of you who have recently been rescued from a desert island, Chickenfoot is rock's latest supergroup comprised of one half Van Hagar (Sammy Hagar and Mike Anthony), guitar wizard Joe Satriani, and Red Hot Chili Pepper drummer Chad Smith.

The pros: The chemistry between these guys is fantastic and their individual talents gel well to produce a modern rock feel - the record sounds great. Sammy's vocals are still incredible after all these years of tequila-drenched wailing and to say that Satriani is amazing with the guitar is a vast understatement. The packing is pretty cool, too, with the heat-activated digipak whose artwork shows up after warming up.

The cons (you know there have to be significant cons when one of the pros commends the packaging!): The biggest drawback is that the songs are mediocre at best, lacking the meaty hooks and sing-a-long choruses that make arena rock songs memorable. There isn't enough of the trademark Hagar and Anthony harmony vocals, which may have been avoided as a conscious effort not to sound too much like Van Hagar. Finally, Sammy seems to be on a 'man on a mission' with his lyrics to prove that older does not mean wiser (with rare exception).

Like the band's ridiculous name, the Chickenfoot CD is attention getting, but leaves you scratching your head and asking, "What? This is the best they could do?" For me, Chickenfoot is one of this year's biggest musical disappointments - it is a clucking bore! There is an abundance of talent in this coop spinning out of control - if it can be centered to revolve around strong melodious hooks, they will truly earn the title "superGROUP".

iPOD-worthy: 5, 8, 9

Chickenfoot on MySpace. Official site.

Get the Chickenfoot mp3 album for only $3.99 at Amazon.

Review: Tieweb "Indier Than Thou"

Virginia-based Tieweb, featuring Justin Fazzari on vocals & guitar, Chris Aylward on bass & vox, Eric Bayles on lead guitar, and Steve Quesenberry on drums, claims to be putting the "die" in indie rock. They refer to themselves as the "most quirky band on the planet"; with influences ranging from Herbie Hancock to Phish to The Pixies, I think they are deserving of that title. Their latest effort, "Indier Than Thou", recorded by Washington Area Music Association (WAMA) award-winning producer Marco Delmar, is a sonic treat that defies genre classification.

Tieweb hastens to engage the listener right away with the rousing rocker, "Way Out", and follows it up with the vastly different but equally likable track called "Fade". I found my mind wandering during the subsequent tunes, but the upbeat acoustic rocker "Up and Down" captured my attention once again. They saved my favorite track for last...another peppy acoustic-driven gem called "Baby Don't Cry". Definitely the most accessible and catchy track on "Indier Than Thou", "Baby Don't Cry" is a perfect summer charmer. Overall, Tieweb is refreshing and innovative indie pop, and they weave some tangled, albeit interesting melodies along the way.

The CD art claims to make you "hipper" (more hip?) by listening to this music - I must admit that I do indeed feel cooler driving down the road with Tieweb blasting out of the speakers. "Indier Than Thou" is for fans of Frank Black/Pixies, Spoon, and Thee Makeout Party.

iPOD-worthy: 1, 2, 6, 10

Tieweb on MySpace. Official site.

Review: Mike Herrera's Tumbledown

Mike Herrera's Tumbledown is a side project for the frontman of the punk rock band MxPx. His self-titled debut is described as "Pop-Punk-a-Billy", so I wasn't too sure what to expect when I popped the CD into my player. Turns out that it sounds like what the Soggy Bottom Boys (the fictional bluegrass band from "O Brother, Where Art Thou?") may have recorded if they formed today rather than during the 1930s.

Tumbledown is a unique mash-up of punk, rockabilly, and country rock that may be likened to a collaboration between MxPx and Hank Williams. It is not something I would pick off the music menu routinely, but this style is refreshing to have every now and then. I don't think anyone could have pulled off the idea with greater success than Herrera. Herrera's voice is remarkably adaptive and makes this unusual blend of genres really work, at times with amazing results. He reminds me of a vibrant version of Mike Ness (Social Distortion). Lyrically, Herrera channels a lot of George Thorogood, with plenty of songs about hard luck, fightin' and drinkin' - if you ever need a good drinking soundtrack, "Tumbledown" more than qualifies. The energy and intrigue that imbues this project keeps it interesting, and the guitar work is extraordinary.

Check out Tumbledown if you like Stray Cats, Mojo Nixon, Beat Farmers, Social Distortion, or if you have a musically adventurous spirit that wonders what John Denver might have sounded like if he were adopted by The Ramones. I bet you are curious now, so go get a six-pack and check them out now.

iPOD-worthy: 4, 5, 8

Mike Herrera's Tumbledown on MySpace. Official site.

Review: Superdrag "Industry Giants"

Have you ever bumped into an old friend that you haven't seen or heard from in about 10 years or so? You get to talking and you feel this sudden rush of euphoria as you listen to the familiar voice and relive the good old days? But as the conversation goes on, your heart begins to sink as you realize that your friend has changed and is not the same person you remember liking so much. Before long it occurs to you that you really don't have much at all in common anymore. You begin to glance at your watch every two or three minutes, growing restless and waiting for the encounter to end. This is what listening to the new album by Superdrag was like.

iPOD-worthy: 3, 4, 7

Superdrag on MySpace. Official site.

Review: The Campbell Strokes Sunshine Recorder "Makes Your Ears Smile"

The name of this "band", taken from a 19th century meteorological device used to quantitate sunshine, is quite a mouthful. But The Campbell Strokes Sunshine Recorder (let's call them CSSR for short, shall we?) isn't a "band" after all, but rather a one man recording project - none other than Andy Morten, whose had an extensive musical history collaborating and drumming for bands like The Nerve, Bronco Bullfrog, and Leonardo's Bicycle.

Ask Andy what CSSR sounds like and he'll reply, "Someone who can't actually sing or play any instruments properly and should have stayed behind his drumkit but has lots of lovely friends egging him on and wants to be the new Fairfield Parlour." After hearing his CD I'd have to argue his description is a tad too self-effacing! While the vocals are lightweight, he can certainly carry a tune that fits his brand of mellow pop very nicely, and the instrumentation is more than adequate.

"Makes Your Ears Smile" is all about optimism and lots of - yes, you guessed it - sunshine. In addition to naming his "band" after a sunshine recorder, "Makes Your Ears Smile" features song titles such as "She Looks Good In The Sun" and "Feel The Sunshine", making it clear that Andy is a morning person. The CD is brimming with such happy and gay pop that you are just waiting for tune about rainbows and unicorns to radiate from your speakers. The sunny songs mentioned above are indeed two of the highlights, and I'd add the catchy "Track One" and "You Can Make Me Smile" to that list, the latter being the closest CSSR comes to rocking out.

The CD will appeal to fans of Cherry Twister, The Merrymakers, and pagan Sun-god worshippers. Easy light pop to cheer up your day.

iPOD-worthy: 1, 2, 6, 9

The Campbell Strokes Sunshine Recorder on MySpace.

Review: Lisa Bianco "Post-Data"

On her new record, Lisa Bianco "takes on the new and constantly evolving relationship between people and a data-saturated world, searching for the personal connection that breathes life into humanity...and music". The NYC singer/songwriter has exhaled a refreshing collection of insightful and charming songs on "Post-Data".

Vocally, Bianco is somewhere between Tanya Donelly (Throwing Muses, Belly) and Nina Gordon (Veruca Salt). Musically, she crafts accessible songs that are generally pop rock or folk rock, and she often adds an alternative edge that gives the tunes just the right amount of umph. Whether she is encouraging the listener with empathetic balladry ("Sideways"), or ranting with angst about our proclivity for virtual relationships ("Post Data/We Communicate"), her voice is up to the task and finds the right groove to fit the mood.

With each spin of this disk, I appreciate more and more the sensibility that went into making this record. The first third is captivating and draws the listener in with its interesting lyrics and piercing hooks; while the middle third demands the listener invest a little bit more time for the hooks to sink in, the final third is an in-your-face melodic rock fest that leaves you wanting more.

Check out this CD if you like KT Tunstall, Nina Gordon, or Meredith Brooks. I can find at least one element in each song that makes it a keeper, so narrowing the list for the top picks is an exercise in futility. Bianco is a rising star whose music deserves to stand out above the other zeroes and ones on your mp3 player.

iPOD-worthy: 1, 2, 3, 4, 5, 7, 9, 10

Lisa Bianco on MySpace. Official site.

Review: The Seldon Plan "Lost and Found and Lost"

The Baltimore power pop scene is about to get a shot in the arm with the latest from The Seldon Plan. This band specializes in "whimsical, nostalgic indie pop" and their latest record, "Lost and Found and Lost", "tells the story of expectant hope and recession blues". "Lost and Found and Lost" is their third record, and for The Seldon Plan the third may well be the charm.

The Seldon Plan established a good reputation in pop circles with 2007's record, "The Collective Now", which was named a top 40 record of that year by The Big Takeover, and one of the "Best Baltimore albums of 2007" by The Baltimore Sun. "Lost and Found and Lost" will serve to solidify that reputation. The band, a tad older and wiser now, have created a highly consistent, soaring piece of indie pop. Each song features lush arrangements, well-crafted harmonies, and intelligent lyrics. The vocals are gentle and soothing with richly textured music to match..."Lost and Found and Lost" goes down nice and smooth, with no bitter aftertaste. There is a host of creative extras peppered into the songs, such as a bit of trumpet here or cello there, some well placed hand claps or la-las, all of which keep things fresh and surprising.

Some interesting bits of trivia about the new songs can be found on the band's official site. For example, three of the songs are direct “responses” to other famous tunes. My favorite tune on the CD, the acoustic based “Philadelphia and a Moment”, is a response to Fleetwood Mac’s classic “Sara”.

I'd recommend The Seldon Plan for fans of Death Cab For Cutie, Pernice Brothers, Nada Surf, or The Churchills. And, if you are near Baltimore, go catch their CD release party at the Metro Gallery on June 27. All eyes are on them...

iPOD-worthy: 2, 3, 5, 6, 7, 8, 12

The Seldon Plan at MySpace. Official site.

Review: SKooBER "SKooBER" [EP]

Heads up on a great new power pop release by the New York band SKooBER - their EP is available FOR FREE on Noisetrade.com (see below). You'll hear this band's influences all through their songs; influences from such pop rock masters such as Cheap Trick, The Raspberries, and Enuff Z’nuff. SKooBER is a duo of exceptional musical chemistry: Tawni Bates sings over the pop rock played by Andy Weaver. Andy cranks out catchy and crunchy riffs that Tawni's Blondie-esque voice is perfectly suited.

Generally these tracks are rockin' and bursting with hooks, but my picks to highlight are "Sucks To Be You" and "Don't Be The One To Leave". Fans of 50s rock will be enamored with the retro feel of "On and On and On". SKooBER will appeal to folks who like Kelly Jones, Letters To Cleo, and Vibeke. Go check them out today!

SKooBER on MySpace. Official site.

Or try here.

Review: Justin Trawick "Starting Over" [EP]

The folk rock genre has exploded in recent years; the "Starting Over" EP is Justin Trawick's bid to add his brand of "urban folk rock" to this bandwagon. Trawick doesn't really bring anything new to the increasingly cluttered table of eclectic artists wielding beat up acoustic guitars, but certainly can be counted as a worthy addition. He's opened for some notable headliners (including Bob Schneider, Jill Sobule, Edwin McCain), and won the “Emerging Artist Competition” at the 2006 Takoma Park Folk Festival.

Trawick infuses an intriguing blend of bluegrass, honky tonk, and even funk into his folk rock sound, so the record is anything but uninteresting. There's not a lot of hooks to keep your attention, but the wild mixture of styles and his distinctive, passionate vocals make things memorable. A particularly fun track that I keep going back to is "Moving On".

Trawick's formula is to not follow a formula. He is free and inventive, and he no doubt puts on a fantastic live show. This EP should attract fans of Jason Mraz, Andrew Ripp, and Ryan Adams.

Justin Trawick on MySpace. Official site.

Review: Rock Kills Kid "Are You Nervous?"

Lucky me to find a gem like this in the $1 bin. Rock Kills Kid plays classic 80s synth pop with a modern rock edge. It is a combination that takes great skill to execute without sounding dated, but this band makes the blend seem natural. Best of all, the music is grounded in melodic sensibility.

The singer (Jeff Tucker) sounds a lot like Bono at times, but the music is reminiscent of landmark 80s acts like A Flock of Seagulls, The Cure, or The Psychedelic Furs. You could say they do what bands like The Killers do, but with much catchier and accessible songs.

Highlights include the driving 5-star opener, "Paralyzed", the midtempo "Hideaway", the funky "Midnight", and very U2-esque title track. Their 2006 CD is only a penny used at Amazon.com.

iPOD-worthy: 1, 2, 3, 4, 9

Rock Kills Kid on MySpace. Official site.

New stuff from Dan Weir

New from Dan Weir:

"I posted a new demo to my MySpace page. “The Girl Who Lit the Northern Lights” is a fight song for girls of all ages, and one in particular. It’s POWERPOP -- for fans of The Jam, early Joe Jackson, XTC, etc. Recorded by Me, Myself & iMac. I’m planning an open-mic tour of San Francisco this summer with Ray Wilcox (Orphan Town, Zircus, Tang) under the name, Mr. Microphone".

Finally, Dan also has a column about lyricism and overcoming writer's block on a songwriting blog(Serve the Song) here.

Brandon Schott "Homegrown Recordings" Free mp3

From Too Poppy...

Here's the latest Brandon Schott Homegrown Recordings: click here

Also don't miss last month's, which included a cover of Michael Penn's "Perfect Candidate": click here.

Review: Tinted Windows "Tinted Windows"

If I were to assemble a rock supergroup, I don't think I would have ever dreamed up the combination that constitutes Tinted Windows. We have Taylor Hanson (Hanson (duh)) doing the lead vocals, James Iha (Smashing Pumpkins) on guitar, Adam Schlesinger (Fountains of Wayne, Ivy) on bass, and Bun E. Carlos (Cheap Trick) beating the skins.

It is easy to take shots at this band, and many critics have ripped them apart already. I won't argue that the songs are musically simple with lyrics that are just one rung up the evolutionary ladder of your typical Hanson tune (ok, maybe down a rung in some cases - "Cha Cha"). Surprisingly, most of the songs were written by Schlesinger, but are devoid of his usual humor and clever wordplay. I guess you could say he tailored the songs for Taylor. But the point of this record is not lyrical sophistication - it is supposed to be light, fun, and catchy...and on those three criteria, Tinted Windows is wildly successful.

The record is buoyant 70s bubblegum pop with a modern rock kick, not unlike what The Raspberries might be doing today. And Taylor's voice fits the rock groove very well. "Kind of a Girl" is the perfect summer sonnet sure to energize your mood: a by-the-book melodic rocker. Other highlights include "Messing With My Head" and "Nothing To Me".

Call it low brow, musical junk food, a guilty pleasure - regardless, the feel good pop rock of Tinted Windows will be blasting out of my car speakers all summer.

iPOD-worthy: 1, 2, 3, 4, 9

Tinted Windows on MySpace. Official site.

Check out the video for "Kind of a Girl":

Review: Braxton Parker "CD Preview"

Braxton Parker is yet another example that justifies my love of the Philly music scene. Keep an eye on this guy to blast onto the scene in a big way.

The CD preview I was sent totally blew me away - each of the three tracks is a mini masterpiece of modern pop rock perfection. Braxton Parker, whose voice sounds like a cross between Cliff Hillis and Ryan Cabrera, aims to please with his box full of hooks and head full of pop sensibilities. His voice effortlessly swings into falsetto and back, allowing his melodies to be more creative than most vocalists. Moreover, he has recruited some top notch talent to round out the sound - check it out for yourself by visiting his MySpace page (link below). While the energetic and instantly memorable "City Lights" is the most impressive track to date, the midtempo sweetness of "Everything Changes" and the driving alt rock groove behind "Not Yet" prove he is no one trick pony.

If you like Train, Lifehouse, or Ryan Cabrera, you'll love Braxton Parker.

I am brimming with optimism that the full-length release will build on the quality of these three tracks. If he's saving all his brightest lights to round out the CD, the debut release by Braxton Parker promises to be a strong contender for the best of the year. It could do what "Yourself and Someone Like You" did for Matchbox 20.

Artist bio:
"Somewhere between indie and mainstream you'll find Braxton Parker. An accomplished unsigned artist with an intense and profitable touring schedule, die hard DIY work ethic, and strong regional fan base, Braxton released his EP in April 2007 to great reception. Since its completion, the songs have been picking up a slew of radio, internet, satellite plays and press support. Friend and producer, Ted Comerford (Army of Me, Virginia Coalition, Zox) brought in the right players, including members from Ben Kweller for the project. With Comerford producing and Paul David Hager (Avril Lavigne, Butch Walker, American Hi-Fi) on board, Braxton Parker was set to show what he's got. Since his start as a solo artist in July 2006, Parker has already managed to secure a regular spot on tours all over the country with Billboard Live and Ellis Entertainment. He has also had the honor of sharing the stage with artists such as Bon Jovi, Yellowcard, Dashboard Confessional, Guster, and New Found Glory."

Braxton Parker on MySpace. Get it.

Review: Fastball "Little White Lies"

Fastball returns with their fifth studio album, "Little White Lies". By and large, I enjoy the pop songwriting craft and trademark harmonies of Miles Zuniga and Tony Scalzo, which rival The Rembrandts in quality and creativity. I got hooked on them during the splash of their breakthrough record, "All the Pain Money Can By" (1998), which remains one of my favorite melodic rock records of that day. I did not enjoy the follow-up ("The Harsh Light Of Day") so much, but loved 2004's "Keep Your Wig On". So the band historically has been hit and miss for me - but when they hit they knock it out of the park.

I will have to rank "Little White Lies" among the misses. It takes some great swings, and it is always great to hear this team play, but I'm just not enamored with this record after a couple spins. I am confident in time the other tracks will grow on me as the hooks sink in, but I don't like to have to put that kind of effort into enjoying a CD.

Fastball slides right across home plate with the infectious opener, "All I Was Looking for Was You", which is written like it was intended to be a do or die single and has all the elements of pop rock perfection. Unfortunately, there aren't too many tracks that reach the caliber of this one, although some come close. The title track is an groovy little number that makes you want to shake some booty, followed by the very catchy and smart "Mono to Stereo." "We'll Always Have Paris" and "She's Got The Rain" are two more highlights, but the rest, while good, just isn't grabbing me as fast as some of their previous stuff.

iPOD-worthy: 1, 4, 5, 7, 9

Fastball on MySpace. Official site.

Review: Blue October "Foiled"

With their new album out now, I figured it was high time I checked out what the big stink is about Blue October. Their previous (2006) effort is abundantly available in the used CD bins now, so I could give it a listen without spending a lot of money. After a spin, I see why there is a lot of Blue October being unloaded by audiophiles - beyond the big radio singles "Hate Me" and "Into the Ocean", there is not a lot here that stays fresh.

"Foiled" is an eclectic record, and while a few people might like the constant shifts in sound and speed, others will find it creates a disconnect. The band also incorporates a lot of unexpected sounds (from techno beats to strings); I can admire the adventurous spirit to be daring with the sonic landscape, but too often the choices are not judicious and these elements stick out like a sore thumb. A number of other things foil the record for me. First, the vocals - Justin Furstenfeld displays a striking resemblance to Peter Gabriel; this works well for some of the songs (most effectively "Into the Ocean"), but not so well for the harder songs. He shouts too much or uses distortion on the vocals and it just doesn't sound right. Second, there are not too many hooks in the tunes that make me want to go back and listen anytime soon. The vibe is dark and the hodgepodge of disparate sonic elements is like a musical Frankenstein lurching through the fog.

However, the lyrics will make you remember some of these songs - the word choice is unorthodox at times (I don't recall too many songs with cockroach imagery in them). Often a tormented soul, Furstenfeld deserves credit for laying it all out there with interesting words and even more interesting perspective. Highlights beyond the singles include the near bouncy "Overweight" and the touching acoustic ballad, "18th Floor Balcony".

iPOD-worthy: 3, 5, 8, 13

Blue October on MySpace. Official site.

Video for "Hate Me"

News: Henry Lee Summer busted

Sad story of the fall of a mighty good 80s pop rocker...





Hoosier rocker Henry Lee Summer charged in meth possession case

Hoosier rocker Henry Lee Summer was charged today with methamphetamine possession in connection with a traffic stop in which he allegedly tossed the drug out the window and resisted arrest.

Summer, 53 — whose real name is Henry Lee Swartz — led police on a brief chase late Tuesday through a subdivision just north of Indianapolis Motor Speedway, according to a probable cause affidavit. After he stopped, the affidavit says, he lay on the ground but pulled his hands away when Indianapolis Metropolitan Police Department officer Kevin LaRussa tried to cuff him.

Full story here.

Review: Valley Lodge "Semester At Sea"

Valley Lodge burst onto the power pop scene in 2005 with a smashing self-titled debut. This long-awaited follow-up, "Semester At Sea", continues to blaze the same trail, but runs down the path with a great deal more noise and speed. In the band's own words, "It’s power pop meets pop rock meets your best friend’s parents going out of town when you are sixteen and think that they won’t notice if you threw a pool party. Oh, and it’s 1978 and you are hooked on glue."

There's an abundance of swagger and cockiness here, but the band's confidence in their work is well-justified. The vocals are a cross between Marc Bolan (T. Rex) and Tom Petty, and the guitars a cross between Cheap Trick and AC/DC. But what really rocks the boat on "Semester At Sea" is some incredible drumming. The band launches from the dock and makes serious waves with four consecutive tracks that exude awesomeness, bowling the listener over with rousing guitars, jubilant harmonies, and thundering drums. While the drums and guitar riffs on "The Door" sound a lot like Marilyn Manson's "Beautiful People", the track is clearly more of an arena rocker paying homage to 80s rock. The ride stays strong with the driving "When The Rain Comes" and catchy "Baby It's A Shame". The boys revisit the Joan Jett and the Blackhearts stadium drumbeat and hand claps in the crowd pleasers, "Comin' Around" and "My Baby". The record slacks off a bit towards the end as the band comes to port, with the last decent track being a sloppy and strangely entertaining cover of Bob Welch's "Sentimental Lady".

Valley Lodge is the Hummer of the pop rock world - big and brash with a 'get out of my way or I'll run your ass over' attitude. "Semester At Sea" is straight up rock and roll with a nod to glam, for fans of Cheap Trick, OK Go, Dumb Dog Run, and Sloan.

iPOD-worthy: 1, 2, 3, 4, 7, 8, 9

Valley Lodge on MySpace. Official site. Get It.

Review: Calico Brothers "Tell It To The Sun"

"Tell It To The Sun" is the full-length debut album from New Zealand's Calico Brothers, who made quite a splash on the indie jangle-pop scene with their 2008 EP, "God Left Town". The band is true to its name - composed of three brothers, one cousin, and one friend, all of whom are strumming out some of the most harmonious acoustic pop this side of The Traveling Wilburys.

This country pop party kicks off with what has become my favorite track, the title track. Bright and breezy, shining with harmonica, harmonies, and banjo, "Tell It To The Sun" taps into every positive quality that alt country pop has to offer. I am hard pressed to think of a more appropriate song for a lazy sunny Sunday. The guys keep slinging the hooks and harmonies one after another, as if they're in endless supply. While I find myself gravitating more to the upbeat numbers like "Is There Anyone There" and "Weight Around My Heart", there are several easy-going ballads here if you're in the mood for something slow and tranquil. A highlight of the latter is the Beatle-esque ""Up For Air". "Tread Carefully" is another standout that starts subtly (carefully), then builds ever so gently into a flowering climax.

With just the right amount of country flair adorning their melodious harmonies, the Calico Brothers should appeal to fans of The Jayhawks, The Thorns, and Grapes of Wrath. No need to "tread carefully" when debating on whether to purchase this one!

iPOD-worthy: 1, 2, 6, 7, 9

Calico Brothers on MySpace. Get it here.

Review: Alias "Never Say Never"

Many of us remember Alias as a one hit wonder from 1990 ("More Than Words Can Say"). Alias formed when Freddy Curci (vocals) re-teamed with Steve DeMarchi (guitars) after their old band's (Sheriff) hit ("When I'm With You") experienced a unexpected resurgence and took the top spot on the American charts in 1988 (the tune originally stalled at #61 in the US in 1983).

The self-titled Alias record is now considered a classic in many AOR circles, and I'll admit it is one of my favorites of the era. I was disappointed that the advent of grunge caused their 1992 follow up release to be shelved. But here we are, 17 years later (!) and, thanks to the folks at Angelmilk Records, the long delayed second Alias record is now available.

I thought "Never Say Never" would sound far too anachronistic - but it is a sonic surprise that holds up quite well to modern AOR artists like Eclipse or Stereoside, and those who are keeping the AOR flame alive, like Jimi Jamison, Tesla, or Journey's latest incarnation. Freddy Curci is in top form, with his distinctive pipes making almost any song a joy to hear, and Steve DeMarchi is ahead of the curve on where guitar tones were going those days.

"Never Say Never" contains the 13 tracks originally slated for release, plus 4 bonus tracks of hard to find Alias tunes from movie soundtracks or international releases. One word of caution: Freddy Curci fans who have "Dreamer's Road" may be disappointed that five of the tracks are duplicated - among these are some of the strongest cuts on the record, such as "Give Me A Reason To Stay", the power ballad "All I Want Is You", the tender acoustic ballad, "Diamonds", and two of the bonus tracks, "Perfect World" and "Into the Fire".

The record is unmistakeably Alias, and it truly is a welcome treat for the ears to hear Freddy Curci's distinctive vocals complementing the catchy, crunchy riffs of DeMarchi's guitars. There are plenty of memorable melodies and perfect harmonies, and tunes like "Woman Enough", "Wild Wild One", "Bare Necessity", and "Call Me" fit comfortably with the creme of the crop of Alias' debut. Fitting for the time, they do slip into silly cock rock mentality for a handful of tracks ("XTCOI"), but luckily this is kept to a minimum.

"Never Say Never" is not only an Alias fan's dream come true, but should also appeal to any fan of high quality AOR. The record is like finding a lost treasure that you once owned but misplaced and almost forgotten. "Never Say Never" goes beyond bringing the melodic rock of the late 80s back to life - it stirs nostalgic feelings, but also feels strangely contemporary.

For those interested in Freddy Curci , he was involved in a project called Zion recently; our less than thrilled review of that one is here.

iPOD worthy: 1, (4), 5, 6, 8, (9, 11, 14, 15), 17
Tracks in ( ) are duplicates found on Freddy Curci's "solo" effort, "Dreamer's Road" (1994).

Alias on MySpace.

Rare CD: Pearl Jam "Reenk Roink"

"Pearl Jam - Reenk Roink (Alternate version of "Ten") CD

In November of 1991, my freshman year in college, I was a DJ at WNUR in Evanston, Illinois.

My friend Jamie did an interview with Mike McCready and Dave Abbruzzese of Pearl Jam before their show at the Aragon Ballroom in Chicago with Smashing Pumpkins and Red Hot Chili Peppers that I engineered for her.

Nice guys. They thought I was funny and gave me a t-shirt with Mookie Blaylock on it. I still have it somewhere, if it would be of interest.

Because of the above, I somehow ended up with this cd in my possession, which is a "Reenk Roink" version of the band's first album Ten. There appear to have been only a few dozen of these discs ever made.

I have confirmed that the DISP-001152 1 serial number on the disc's inner circle matches the information on pjcollectors.com. I've uploaded a picture of the disc matrix.

There is blue marker on the disc face, listing the band name, album title and the words "Reeenk Roink."

While the jewel case face has a crack in it, I would be happy to put this disc in a new jewel case for the auction winner or leave it in its original case.

There is no booklet or tray card.

Five Horizons wrote the following about this cd:

"Never fear, vinyl haters, there are also rare CD's in the collector's book. The first on the list is the infamous "Reenk Roink" CD, which was a first run pressing copy of "Ten" that was hand-decorated by the band (Jeff and Ed seem to have shared chores) and handed out to clubs, radio stations, etc...These are super-rare; there were allegedly only 10, but I've seen more than that turn up on eBay over the past few years. There are probably no more than two dozen. You need to be VERY CAREFUL that you are buying a real one, and not a fake, as I've seen several questionable examples of this CD float around. If you're in the market for one of these, get to know what they are supposed to look like by watching and not bidding on some auctions. Ask around, see if people on a mailing list or BBS have one that they can scan for you...This is my favorite collectible; it's like holding a piece of Pearl Jam history in your hand."

If you have any questions about this collectable, I am happy to answer them for you. In my e-research I've read a lot about scams and people trying to pass off fakes of this item, but hopefully the fact that I sell items under my own name will give this auction some added validity.

Jon Solomon"

Sold for $1,651.02 on ebay (33 bids).

Review: Simon Felton "Failing In Biology"

Simon Felton is a member (vocals/bass) of the UK indie pop band Garfields Birthday (reviewed on BMF here). "Failing In Biology" marks his first solo release, which in many ways is another candle on the cake of Garfields Birthday.

That statement is meant as a compliment, as parallels drawn to Garfields Birthday are a good thing in my book! There continues to be a strong Connells vibe here with a perfect blend of guitar driven pop and more reflective, mellow pop. For instance, Felton kicks things off the peppy "Mister Magic Eyes", which features some boisterous guitar and rollicking drums. Quick to follow is the bouncy "In The Attic", a snappy number that should have your toes tapping along to the beat. "It's Not Rocket Science", one of the contenders for my favorite track, is a pleasant midtempo number with a hook that quickly gets under your skin. In contrast, the closing track "Neptune's Fountain" is a breezy acoustic affair that has a certain charm that makes me want to play it again.

Overall, a very solid release from Mr. Felton that should not only please fans of Garfields Birthday, but also anyone who enjoys classic Connells, The Judybats, or what Morrissey has been doing lately. Watch for "Failing In Biology" to drop on May 18, 2009 on Pink Hedgehog.

As an aside, Felton's debut CD gets my vote for coolest album title of the year so far!

iPOD-worthy: 1, 2, 4, 7, 10

Simon Felton on MySpace. Official site.

Review: Paloalto "Heroes and Villains"

Imagine if Radiohead did not veer off the path of dreamy rock with drama and hooks galore as they did after "OK Computer". That is what the LA-based band Paloalto sounds like. If someone told me that "Heroes and Villains" was a follow up to Radiohead's pop rock masterpiece "The Bends", I may have just believed them. Yes, lead singer James Grundler sounds remarkably like Thom Yorke, but the comparison goes beyond his vocal tone. Paloalto specializes in grand soaring songs with heady lyrics, lush arrangements, and hooks that penetrate slow but sure.

"Heroes and Villains" was released in 2003, one of those rare sophomore releases that actually improves on the debut (2000's self-titled release was no slouch, by the way). Outside of the gorgeous song "Breathe In", which was featured on the FOX TV show called "The O.C.", the public did not get to hear much of this CD. I'm trying to change that..."Heroes and Villains" really deserved to be a breakthrough for this band. Produced by musical mastermind Rick Rubin (The Cult, Tom Petty, Red Hot Chili Peppers, many more), this CD is a work of art from beginning to end and it is no wonder that I find myself going back to again and again. If you enjoy Radiohead's "Pablo Honey" or "The Bends", you will love Paloalto. Standout tracks include "Fade Out/In", "Breathe In", "Throwing Stones", and "Seed".

Paloalto on MySpace.

While the band is no longer active as Paloalto, James Grundler and Tommy Black (bass) are making new music as Golden State.

Golden State on MySpace. Official site.

Review: Andrew Ripp "Fifty Miles To Chicago"

"Fifty Miles To Chicago" is the debut record from - surprise - Chicago's singer/songwriter Andrew Ripp. Ripp has recruited a fine assortment of established musicians to "create an organic album reminiscent of those made in the 70s and by artists like Otis Redding, Bob Dylan, and Hank Williams". These were not the artists that came to mind as I listened to "Fifty Miles To Chicago", but there is a palpable spirit of getting down to basics so that the purity of the music and vocal can shine. Some of the notable guests on this record include producer Dan Lavery (former bass player for Tonic) and musicians Pete Maloney (Dishwalla, Tonic), keyboard player Will Hollis (Eagles), and steel guitar player Eric Heywood (Ray LaMontagne).

Andrew Ripp delivers the best of both worlds on "Fifty Miles To Chicago"; his voice is soulful and emotive, fluctuating between grit and tenderness as demanded by the lyrics, and providing perfect accompaniment whether his tune is bright and poppy or slow and sober. Things kick off with my favorite track of the bunch, the infectious and groovy "Get Your Smile On". It is hard not to do so against the backdrop of this hip, Jason Mraz style romp. Other songs, such as "Just Another Song About California" or "On My Way", feature a subtle country flavor, bordering on Jayhawks turf. You will also hear something akin to Gavin DeGraw in his more piano driven pieces, including "Tim's Song" and "The Privileged Life". Ripp sounds like a nephew of Joe Cocker on the amazing "But You Saved My Life", and then gears down for the spine-tingling closer, "Dresden Wine". This ballad builds softly with mesmerizing piano, climbing slow and sure to a dazzling climax that should leave you speechless.

If you like Ray LaMontagne, Gomez, John Mayer, then you are surely doing to dig Andrew Ripp. This guy has some serious talent and doesn't waste it on hookless, bland tunes.

iPOD-worthy: 1, 2, 3, 6, 7, 10, 11

Andrew Ripp on MySpace. "Get Ripp'd" here.

Review: The Goodfight "Good and Evil"

The Goodfight is a one man rock and roll show from Athens, GA...this man is Jonathan Rich. This sophomore release is a "double EP" entitled, "Good & Evil" and follows the debut record, "Home Again". Why double EP rather than full-length CD? Jonathan explains, "Originally, I was just going to put out an EP with six songs on it, but the project kept evolving and taking shape. I found myself continually deconstructing it and putting it back together again and again, month after month after month. In the middle of writing I had a kid, flipped a house, and started a clothing company. At some point during the process, the idea of a double EP that, when put together, formed an LP surfaced."

Now with that cleared up (?), let's just get to the 12 tracks on the CD. As one might surmise, there is a distinct dichotomy between the two halves of "Good & Evil". Side one is called "We are far too easily pleased" and consists of mostly catchy rock with preachy song titles such as "Honesty Is The Best Policy" and "Those Pills and That Bottle Are A Trap" that almost make me feel like my mother is going to sing these songs to me. Other titles I believe I've seen in fortune cookies ("Success Doesn't Fix Everything"). The second side is called "Holiday" and is comprised of more unplugged, but deeply textured pieces that are more of an art than pop music. So side one will appeal to the popsters who crave instant gratification; side two to those who are more into quiet, fine dining.

As Jonathan Rich elaborates, "I thought it would be interesting to build a massive divide between the two EPs, while still telling a story that was central". And this is exactly what he does on "Good & Evil". Readers who know me will have guessed by now that I am way more into the songs on side one. Favorites include the snappy "I Put You In A Box But I'm The One That's Boxed In", the highly melodic "She's Too Pretty To Be So Ugly", and the slow burner "Mirrors Don't Lie But People Do". And, just to showcase my occasional inclination towards musical sophistication, I will also highlight "Revolution" from side two.

I recommend The Goodfight to fans of Dashboard Confessional, Death Cab for Cutie, and Snow Patrol. As a bonus, The Goodfight is offering a sticker, button, poster, and screen printed sack for the first 300 sold. Even more important, Rich is living up to his band moniker's name - as part of The Goodfight10000, all revenue generated by physical and digital sales of "Good & Evil" will be given to Living Water International to help fund projects that build wells and provide poverty stricken communities in countries all over the world access to clean water. Good on you, Jonathan, and best of luck!

iPOD-worthy: 2, 3, 4, 10

The Goodfight on MySpace. Official site.

Review: Deathray "Deathray" [2000]

I am speculating that Deathray is one of those bands that never got a fair shot because of their name. If you knew nothing about them, what would you guess a band named Deathray would sound like? Metal?

Deathray is far from bone crushing guitars and howling screeches; in fact, two of their members used to be in the indie band Cake (Greg Brown, guitar and Victor Damiani, bass). But Deathray doesn't sound like Cake either...Deathray is 80% pop rock and 20% space rock. So I am guessing the name plays on their tendency to incorporate some soaring, atmospheric textures in their sound. Vocalist Dana Gumbiner reminds me of Owsley quite a bit, and some of this band's songs are as catchy as something Owsley might write as well.

The CD is quite good and I am surprised it didn't get more attention in 2000. Opening track "My Lunatic Friends" is a crowd pleaser, a modern day Cheap Trick meets Weezer sounding rocker with big hooks and well done harmony vocals. "What Would You Do?", "Now That I Am Blind", and the mildly eclectic "Someone After You" are additional highlights. The rest is not bad, but not strong enough to demand repeated listens...not immediately, anyway. The CD is available for a single fat penny (used at Amazon.com). There is a second CD out there and I am inclined to check it out if I can find it. Too bad these guys called it quits in 2007 - one listen to their debut and you'll agree they had a budding chemistry and tremendous potential.

Check out Deathray if you like Abandoned Pools, Guided By Voices, or Eels. Pop rockers should at least check out the tracks I've highlighted, especially "My Lunatic Friends".

iPOD-worthy: 1, 3, 7, 8

Deathray on MySpace. Official site.

Review: Webstirs "So Long"

On hiatus since 2001, Chicago-based pop rockers The Webstirs return with their fourth release entitled, "So Long". Indeed, 8 years is a long time, but the songwriting talents and performance skills of The Webstirs have only gotten better with age.

Songwriters Preston Pisellini (guitars/vocals) and Mark Winkler (keyboards/vocals) have teamed up with their long-time producer Matt Allison to deliver the twelve pop gems comprising "So Long". The Webstirs specialize in writing infectious pop melodies that have a strong Beatles or Brian Wilson flavor, while retaining a very contemporary sound. "So Long" is thoroughly engaging and entertaining from beginning to end.

Things get underway (and close) with an instrumental piece that serves to cleanse the musical palate. Without further ado, the bright and brassy "Wesley Station" kicks the CD into high gear, showcasing the band's knack to fuse crunchy and jangly guitar riffs. Like many of the other songs that follow, the mix of key pop ingredients is perfect - horns and other dramatic orchestration blend in very effectively with the crisp guitars and plentiful harmonies. Imagine a jam session between Jellyfish and Weezer! "Somewhere to Start" flexes some more guitar muscle, but remains grounded in a solid sing-a-long hook. But the band isn't all about guitars, as evidenced by the bouncy piano of the delightfully catchy "Malaise" and the equally enjoyable "Calendar Faces". "Apparition Shrine" sounds like it would fit most comfortably on a Weezer record. "Still Drowning" is one of my favorite cuts, its driving bass and jamming guitar riff hitting all the right buttons - sounds a bit like AC/DC jamming with Jason Falkner!

"So Long" is so good, I am so looking forward to getting tangled up in the rest of The Webstirs' CDs. Highly recommended for fans of Britpop, Jellyfish, Superdrag, and Fastball.

iPOD-worthy: 2, 3, 5, 8, 9, 10, 11

The Webstirs on MySpace. Official site. Get CD here.

Rare CD for sale! BOB DYLAN "Songs From the Soundboard '97" - 2 CD

I'm selling some rare CDs! Contact me for info and with your best price.

Here we have BOB DYLAN "Songs From the Soundboard '97" - 2 CD LIVE set!

Disc One: Absolutely Sweet Marie; Man in the Long Black Coat; Tough Mama; Under the Red Sky; Silvio; Stone Walls & Steel Bars; Mr. Tamborine Man; Tangled Up In Blue; Stuck Inside of Mobile; Blind Willie McTell; Leopard Skin Pillbox Hat

All recorded live from the soundboard 23.08.97 at Wolftrap - Vienna Virginia

Disc Two: Like A Rolling Stone; Don't Think Twice, It's Alright; Alabama Getaway; Babe, It Ain't No Lie; Not Fade Away; I Want You; You Ain't Going Nowhere; Rovin' Gambler; Long Black Veil; One of Us Must Know; Babe, It Ain't No Lie (II); I've Got A Secret

All recorded live at Wolftrap on various dates

Incredible cuts for collectors!

Rare CD for sale! PEARL JAM "Attenzione"

I'm selling some rare CDs! Contact me for info and with your best price.

Here we have PEARL JAM "Attenzione" (1994, Italy Import)

Tracks: Even Flow; Once; State of Love & Trust; Alive; Why Go; Porch; Attenzione/Jeremy; Breathe; I've Got A Feeling; Hunger Strike/Leash

Recorded LIVE IN ITALY during "10 European Tour", Feb 1992

Rare CDs FOR SALE! - Radiohead "Glastonbury"

I'm selling some rare CDs! Contact me for info and with your best price.

Here we have RADIOHEAD "Glastonbury 2003 (Holland)" (Brute Force Records).

Tracks (live): There There; 2+2=5; Lucky; The National Anthem; Talk Show Host; Where I End and You Begin; Climbing Up The Walls; The Gloaming; No Surprises; Fake Plastic Trees; Sit Down, Stand Up; Go To Sleep; Sail to the Moon; Paranoid Android; Idioteque; Everything In It's Right Place; Street Spirit

Recorded Live @ Glastonbury Holland, 2003

Review: Jack Butler "Fit the Paradigm"

"Fit the Paradigm" is the brand new debut album from the Stirling-based quartet calling themselves Jack Butler. True to the record's title, these guys are very much aligned with modern rock paradigms exemplified by groups like Franz Ferdinand, The Killers, and Modest Mouse. If you can't get enough of this type of music, then Jack Butler is right up your alley. My main problem is that if you've heard one song by one of these groups, you've pretty much heard them all.

But Jack Butler takes admirable strides to break the mold here and set themselves apart. They are more hook-centric than their counterparts and their musicianship rivals any of the aforementioned artists. Jack Butler decorates their driving rock songs with plenty of feisty funk, unorthodox percussion, intelligent lyrics, and touches of 80s effects. Lead vocalist Liam Kelly exhibits an intriguing combination with his voice: he has that distinctive John Lydon sneer, but can falsetto like nobody's Mika. Definitely a dynamic and booty shaking disc. Standout tracks include "Hit It Out of the Park, Son", "Are You A Hustler?" and "He Got No Game". "Velvet Prose" also has potential, but the hook dulls quickly due to too much repetition.

While I don't think Jack Butler hit it out of the park with this one, "Fit the Paradigm" is certainly no strike out. Another chance at bat and they may just nail it.

iPOD-worthy: 1, 3, 10

Jack Butler on MySpace.

Check out the video for "Hit it Out the Park, Son"

Rare CD: Review: Franke and the Knockouts "Below the Belt"

"Below the Belt" was the 1982 sophomore effort from this short-lived AOR band from Jersey, better known for their initial hit "Sweetheart" (which graced the top 10 in 1981). Franke (Previte) and the Knockouts released 3 CDs total and many consider them to be lost gems of the era. They are also known for "discovering" drummer Tico Torres, who played with them in 1983-4 before joining Bon Jovi. Curiously, there is a song on "Below the Belt" called Gina, who in Bon Jovi's lyrical lexicon, "dreams of running away".

Franke and the Knockouts really should have been more than a one hit wonder - maybe a three or four hit wonder. Franke Previte wrote some excellent melodies, and sang them with an exceptional voice that sounded a lot like Mike Reno (Loverboy) with a touch of Lou Gramm. Musically, Franke and the Knockouts also sounded a lot like classic Foreigner.

"Below the Belt" had a moderate hit with the cozy balled, "Without You (Not Another Lonely Night)". Some other cool lost AOR cuts on this record include the punchy "Never Had It Better" and the mellow mid-tempo number, "Morning Sun (Dream On)". Of course, no AOR record is complete without a Survivor-ish anthem for the rebellious at heart; "Keep On Fighting" fills that quota, complete with plenty of thumping bass.

Proving that good tunes eventually find more than a few ears, Previte later went on to win an Academy Award since some of his early songs, "(I've Had) The Time of My Life" and "Hungry Eyes" were recorded by other artists for 1987's huge "Dirty Dancing" soundtrack. The original versions recorded by Franke and the Knockouts can be found together on their "Sweetheart Collection" disc, but you'll need to take out a loan to pay for it. "Below the Belt" don't come any cheaper.

iPOD-worthy: 1, 2, 5, 7

Franke and the Knockouts - official site.

And look here - a video for "Without You"!

Review: Lloyd Dobler Effect "Lloyd Dobler Effect"

"I am looking for a dare-to-be-great situation", states offbeat hero Lloyd Dobler in "Say Anything". In many ways, the Washington D.C.-based band Lloyd Dobler Effect are doing the same with their music and achieving impressive levels of success. They've performed more than 1,400 shows in 39 states and 14 countries (including three Armed Forces Entertainment Tours), were named Boru Vodka's Defend the Bar Band winner, won the 99.1 WHFS Big Break Contest, and were voted one of the top ten best bands in the DC area in a Washington Post reader's poll.

Just a few songs in, it is easy to see why this young band is earning so many accolades already. Their self-titled debut has been over 4 years in the making, but the results speak for themselves. The album bears the stamps of perfectionism and professionalism from start to finish - it is evident that lots of meticulous thought and attention to detail has gone into every single track. Lead singer Phil Kominsky's tone has a Rob Thomas quality to it - a good mix of muscle and heart. His vocals are remarkably amenable to the diverse blend of rock and pop genres heard on this record. There's a little something for everyone - modern rock, pop rock, pop, Latin, blue eyed soul, and alternative. But the one things these guys have that unifies the varying musical styles is a solid and memorable hook.

The first three tracks are outstanding pop rockers, belted out with the kind of confident swagger that you'd expect from a band much more seasoned than these guys. "Spain" sounds like what Maroon 5 would do with Santana - we hear some of this again on the genre-shifting opus, "Stranger". "Release Me" and "The Past" and two more of the catchy, upbeat tracks that return to straight up pop rock, my preferred style. The disc closes with a streak of strong tunes right up my alley, such as the mid-tempo "Empty Reach", the driving "Going Back To The End", the attitude-laden "Harvard", and rousing "I Have The Touch".

Lloyd Dobler Effect have dared to be great in delivering their fresh blend of musical styles; their painstaking efforts in producing this excellent debut should pay off in high dividends. It won't surprise me in the least if Lloyd Dobler Effect becomes a household name by the end of the year. Recommended if you like matchbox twenty, Seven and the Sun, O.A.R., and Maroon 5.

iPOD-worthy: 1, 2, 3, 5, 8, 11, 12, 13, 15

Lloyd Dobler Effect on MySpace. Official site.

News: Shake Some Action! - free songs, new blog

This is really cool out of the box thinking...check out this exciting news from Shake Some Action! (previous record review here):

"We’re going to invite you into the studio with us so you can see and
hear what we’re up to from day one. We'll be blogging and twittering
as we go, posting videos, photos and rough mixes so you’ll see and
hear our progress as it happens.

We’ll also be working a little differently. Instead of working on a
bunch of songs at once, we’ll be working on one at a time until the
song is finished. As soon as it’s mixed we’ll post it online as a
free download. Then we’ll start working on the next song. Eventually
we’ll shortlist the best dozen songs and release it as our next
record.

Along the way we’ll be asking for your feedback and ideas and we’ll
incorporate as many of those into the record as we can. Instead of
locking you out of the process until it’s over, we’re inviting you to
be part of it. We hope you enjoy the ride!

We just posted our first song this past weekend, and it's
available for download now right here. We
just released the second song, with many more to come."

I love what I hear so far! --BMF

Review: Rob Thomas "Something to Be"

I've had a number of people ask me what I thought of the solo effort by Rob Thomas of matchbox twenty. Honestly, the first single, "Lonely No More", pretty much scared me away from this 2005 release. This track had an R&B flavor and seemed to me to be a sellout and transparent attempt for Rob Thomas to attract Justin Timberlake fans. I give him props for making his solo effort a true departure from what we expect out of the matchbox twenty frontman, but this sort of music is not my cup of tea. Many people compliment him on his ability to experiment and grace new musical genres, which is fair, but I find it to be a disorienting record that at the end of the day just doesn't have the hooks and melodies to keep my attention.

However, there are a few tracks on "Something To Be" that are reasonably good and would have been suitable as matchbox twenty b-sides. These include the follow-up singles, "This Is How a Heart Breaks" and "Ever the Same", as well as the ballad "When The Heartache Ends". I much preferred the engaging solo effort by Paul Doucette's Break and Repair Method (see here).

It will be interesting to hear what Rob Thomas does next - his second solo record is entitled "Cradle Song" and should be out later this year.

iPOD-worthy: 1, 3, 5

Rob Thomas: Official site.

Review: Danny Echo "Danny Echo"

I've had a thirst for some straight up, good ol' rock and roll for some time now - Danny Echo, a Vancouver-based band, really hit the spot with their explosive brand of classic rock and pop. Their first, self-titled full-length release is pure dynamite.

Danny Echo writes and performs each song on this record as if it were going to be the radio-friendly single. The skeleton for each of these 10 songs is a structure of solid melody, but fleshing it out is plenty of guitar muscle and vocal grit. So Danny Echo comes rushing out of the gate as more of a melodic rock band to me, with some sprinkling of powerpop here and there.

Danny Echo counts the Rolling Stones, The Who, Beatles, Radiohead, and U2 as influences; this is a diverse list of some of the kings of classic and modern rock. You'll hear a touch of them all among the tracks on this fine debut, but to my ears Danny Echo has injected something novel into the mix that really makes this record shine.

Vocally, Danny Echo resembles Noel Gallagher of Oasis somewhat, but nowhere near as nasally and mundane. His vocal tone is more colorful and his delivery has a greater emotional impact. Musically, this is downright catchy, punchy, no nonsense rock. The CD plays great in its entirety because there ain't a dud in the bunch, but highlights for me where largely stacked up front, with "Out of Style", "Killing Me", and "Tomorrow Today". I also really enjoyed the soaring and inspirational mid-tempo treat, "Barely Getting By".

If there is any hope for someone to stand up and save rock and roll in its truest and purist form, Danny Echo is a strong contender to lead that campaign. If there is any justice in the musical world, 2009 will be the year that the music of Danny Echo bounces back for everyone to hear and enjoy.

iPOD-worthy: 1, 2, 3, 5, 7, 8

Danny Echo on MySpace. Official site.