Scott Gagner "Sweet Child 'o Mine" (Guns N' Roses)
In honor of their induction into the Rock N Roll Hall Of Fame, this week we'll feature indie singer/songwriter Scott Gagner's stripped down version of the Guns N' Roses classic, "Sweet Child o' Mine" here. Be sure to check out his excellent original music too (reviewed here).
Sheryl Crow also did a nice cover of this one:
Showing posts with label Sheryl Crow. Show all posts
Showing posts with label Sheryl Crow. Show all posts
Friday, April 13, 2012
Tuesday, November 30, 2010
Kneejerk: My Chemical Romance – Kid Rock
Welcome to the latest edition of KNEEJERK, where we preview some new major label releases and give our short, "kneejerk" reaction...
My Chemical Romance - “Danger Days: The True Lives of the Fabulous Killjoys”
The music world has patiently waited four long years for the follow up to My Chemical Romance’s crossover smash, “The Black Parade”. Like Green Day, this band’s punk roots have grown into a tree with many branches. Incorporating punk, modern rock, pop, metal, and even dance rock, into innovative concept albums, My Chemical Romance is one of the most creative bands on the scene today. Best of all, nearly every song they write is imbued with a strong sense of melody that makes them hard to forget. “Danger Days” is nothing short of brilliant and in my opinion even surpasses “The Black Parade”, which I thought would be impossible to achieve. There are a few weak tracks near the end of this 60 min opus, but you won’t find a more consistently awesome modern rock record this year. Most of you have heard the single, “Na Na Na” already, which is good, but there is even better material waiting for you on the record. Second single “Sing” is great, but don’t miss “Bulletproof Heart”, “The Only Hope For Me Is You”, “Save Yourself, I’ll Hold Them Back”, and the beautiful 80s-flavored “Summertime”. With “Danger Days”, My Chemical Romance proves they deserve to wear the crown as kings of modern rock.
Kid Rock – “Born Free”
The new one by the big mouthed, undershirt wearing Detroit rocker takes a sharp turn into more accessible territory – as he sings on “Slow My Roll”, he “turns around and settles down”. In doing so, he risks alienating fans expecting more of his rap metal rock hybrids. Will a new fan base flock to replace them? My bets are on “no”. Kid Rock has considerably mellowed out on “Born Free”, producing generic country-flavored rock songs. The approach could have worked if only the songs were interesting and if Kid Rock was a better singer. Perhaps trying to capitalize on their previous success with “Picture”, he teams up again with Sheryl Crow on the sleepy “Collide” (which also features on Bob Seger…on piano). Country rock fans without high expectations are likely to enjoy this left turn, but most listeners are going to be as bored as Kid Rock appears on the cover. If you are curious, I’d direct your attention to the title track, “Care”, and “When It Rains”. And for a good chuckle, check out “For The First Time (In A Long Time)”, where Kid Rock attempts to sing in falsetto.
My Chemical Romance - “Danger Days: The True Lives of the Fabulous Killjoys”
The music world has patiently waited four long years for the follow up to My Chemical Romance’s crossover smash, “The Black Parade”. Like Green Day, this band’s punk roots have grown into a tree with many branches. Incorporating punk, modern rock, pop, metal, and even dance rock, into innovative concept albums, My Chemical Romance is one of the most creative bands on the scene today. Best of all, nearly every song they write is imbued with a strong sense of melody that makes them hard to forget. “Danger Days” is nothing short of brilliant and in my opinion even surpasses “The Black Parade”, which I thought would be impossible to achieve. There are a few weak tracks near the end of this 60 min opus, but you won’t find a more consistently awesome modern rock record this year. Most of you have heard the single, “Na Na Na” already, which is good, but there is even better material waiting for you on the record. Second single “Sing” is great, but don’t miss “Bulletproof Heart”, “The Only Hope For Me Is You”, “Save Yourself, I’ll Hold Them Back”, and the beautiful 80s-flavored “Summertime”. With “Danger Days”, My Chemical Romance proves they deserve to wear the crown as kings of modern rock.
Kid Rock – “Born Free”
The new one by the big mouthed, undershirt wearing Detroit rocker takes a sharp turn into more accessible territory – as he sings on “Slow My Roll”, he “turns around and settles down”. In doing so, he risks alienating fans expecting more of his rap metal rock hybrids. Will a new fan base flock to replace them? My bets are on “no”. Kid Rock has considerably mellowed out on “Born Free”, producing generic country-flavored rock songs. The approach could have worked if only the songs were interesting and if Kid Rock was a better singer. Perhaps trying to capitalize on their previous success with “Picture”, he teams up again with Sheryl Crow on the sleepy “Collide” (which also features on Bob Seger…on piano). Country rock fans without high expectations are likely to enjoy this left turn, but most listeners are going to be as bored as Kid Rock appears on the cover. If you are curious, I’d direct your attention to the title track, “Care”, and “When It Rains”. And for a good chuckle, check out “For The First Time (In A Long Time)”, where Kid Rock attempts to sing in falsetto.
Wednesday, August 11, 2010
Kneejerk: John Mellencamp - Sheryl Crow - Black Crowes
Kneejerk is a new feature here on BMF - we preview some new releases and give our short, "kneejerk" reaction...
John Mellencamp "No Better Than This"
"No Better Than This" marks John Mellencamp's debut record for Rounder. These thirteen new tracks, produced by the acclaimed T. Bone Burnett were recorded live using a half-century year-old Ampex tape recorder and vintage microphone. Mellencamp says of the album, "It was absolutely the most fun I've ever had making a record in my life. It was about making music - organic music made by real musicians - that's heartfelt and written from the best place it can come from". When I see the name T. Bone Burnett these days, I think boring and slow, and this new one from the great John Mellencamp is no exception. Continuing along the lines of his last 2 releases, this CD is also full of intimate roots rock that sounds very old-fashioned - nothing wrong with that as long as the songs are interesting. Unfortunately, there isn't much on this record that makes me want to come back for a second listen anytime soon. However, the record makes for interesting background music for a Sunday morning. The graceful and modestly melodic "Save Some Time To Dream" was the highlight for me. Dylan fans might appreciate the folksy feel of "Thinking About You" and "Clumsy Ol' World". Here's hoping for a return to the classic Mellencamp sound next time around...
Sheryl Crow "100 Miles From Memphis"
Another huge disappointment from Crow, even moreso than her last record, "Detours" (review here). This record, her seventh, was supposed to capture the soul and passion of music, best exemplified on the opening track "Our Love Is Fading". But all of the horns and blue-eyed soul in the remaining tracks amounts to window dressing on a condemned house because the songs lack any interesting hook as a foundation. A couple of senseless covers also bring down the record - she does a sleepy, lifeless version of Terence Trent D'Arby's "Sign Your Name" and a note by note reiteration of "I Want You Back" as a tribute to the late Michael Jackson, who gave her a start as a backup singer. Keith Richards can't even save the reggae-influenced "Eye To Eye", which goes in one ear and out the other, lacking any ability to get trapped in your mind. Let's hope for next time Crow takes her own advice as she sings on "Peaceful Feeling": "When you fly off in the wrong direction, turn it around, see your own reflection".
Black Crowes "Croweology"
The latest from Black Crowes is not a new studio effort, but rather a collection of greatest hits and deep tracks reworked in a more or less acoustic style. The music of the Black Crowes lends itself well to this format and overall the record, with its mix of recognizable and not-so recognizable songs, is an engaging listen. "Croweology" does stretch the limits of your attention though - it is a double album because most songs exceed five minutes and some clock in at near ten minutes. There is little point in songs like "She Talks To Angels" - which were acoustic-based to begin with - but reworkings of "Jealous Again", "Under A Mountain", and "Soul Singing" are very enjoyable. Not for the casual fan, but it is a great way to cleanse the palate after listening to today's overly processed rubbish.
John Mellencamp "No Better Than This"
"No Better Than This" marks John Mellencamp's debut record for Rounder. These thirteen new tracks, produced by the acclaimed T. Bone Burnett were recorded live using a half-century year-old Ampex tape recorder and vintage microphone. Mellencamp says of the album, "It was absolutely the most fun I've ever had making a record in my life. It was about making music - organic music made by real musicians - that's heartfelt and written from the best place it can come from". When I see the name T. Bone Burnett these days, I think boring and slow, and this new one from the great John Mellencamp is no exception. Continuing along the lines of his last 2 releases, this CD is also full of intimate roots rock that sounds very old-fashioned - nothing wrong with that as long as the songs are interesting. Unfortunately, there isn't much on this record that makes me want to come back for a second listen anytime soon. However, the record makes for interesting background music for a Sunday morning. The graceful and modestly melodic "Save Some Time To Dream" was the highlight for me. Dylan fans might appreciate the folksy feel of "Thinking About You" and "Clumsy Ol' World". Here's hoping for a return to the classic Mellencamp sound next time around...
Sheryl Crow "100 Miles From Memphis"
Another huge disappointment from Crow, even moreso than her last record, "Detours" (review here). This record, her seventh, was supposed to capture the soul and passion of music, best exemplified on the opening track "Our Love Is Fading". But all of the horns and blue-eyed soul in the remaining tracks amounts to window dressing on a condemned house because the songs lack any interesting hook as a foundation. A couple of senseless covers also bring down the record - she does a sleepy, lifeless version of Terence Trent D'Arby's "Sign Your Name" and a note by note reiteration of "I Want You Back" as a tribute to the late Michael Jackson, who gave her a start as a backup singer. Keith Richards can't even save the reggae-influenced "Eye To Eye", which goes in one ear and out the other, lacking any ability to get trapped in your mind. Let's hope for next time Crow takes her own advice as she sings on "Peaceful Feeling": "When you fly off in the wrong direction, turn it around, see your own reflection".
Black Crowes "Croweology"
The latest from Black Crowes is not a new studio effort, but rather a collection of greatest hits and deep tracks reworked in a more or less acoustic style. The music of the Black Crowes lends itself well to this format and overall the record, with its mix of recognizable and not-so recognizable songs, is an engaging listen. "Croweology" does stretch the limits of your attention though - it is a double album because most songs exceed five minutes and some clock in at near ten minutes. There is little point in songs like "She Talks To Angels" - which were acoustic-based to begin with - but reworkings of "Jealous Again", "Under A Mountain", and "Soul Singing" are very enjoyable. Not for the casual fan, but it is a great way to cleanse the palate after listening to today's overly processed rubbish.
Tuesday, May 20, 2008
Review: Stevie Nicks "Trouble in Shangri-La"
I really hate having to write a bad review for such an iconic figure, but -dammit- you put out a piece of crap we're gonna call you on it. "Trouble in Shangri-La" (2001) is likely to please only the most die hard Stevie Nicks fans.
Stevie assembled an impressive team to help her with this solo effort, including Sheryl Crow (fresh off the heels of her successful first albums), "Heartbreaker" Mike Campbell, one-hit wonder Macy Gray (remember "I Try"?), Sarah McLachlan, and ace producer Chris Lord-Alge. And according to the linear notes, we have Tom Petty to thank for this mess, who evidently inspired Stevie to write these songs in 1995.
So what is the problem? It's a dream team but the songs are nightmares. Stevie sounds like Stevie should - commendable after all these years - but hearing her voice rasp its way through one snore of a track after another is just a heartbreaking waste. Sadly, she penned most of these snores herself, with only "Love Changes" and "Love Is" hitting a chord with me. "Love Is" features some trademark backing vocals from Sarah McLachlan, which definitely help elevate the track a bit from its slumber. The standout track, "Every Day" was written by other folks. For you Sheryl Crow fans, you may be pleased that she contributes backing vocals on a number of tracks and wrote the tune, "It's Only Love". One listen to it, though, and you'll realize why she gave it away. "Fall From Grace" is the only real rocker, but consistent with most of the other tunes, is completely forgettable.
iPOD-worthy: 5, 9, 13
Stevie Nicks - official site.
Check out the music video for "Sorcerer" (with Sheryl Crow):
Thursday, February 14, 2008
Review: Sheryl Crow "Detours"
I was so looking forward to this release. After the ballad rich and subdued "Wildflower" release, Sheryl Crow promised a more rocking upbeat follow up. In a way, that is not a lie, as "Detours" is much better paced than the sleepy (although beautiful) "Wildflower." But this new release is no masterpiece like "C'mon C'mon" or her self-titled effort from 1996. On the contrary, I think it is one of her worst and least appealing CDs since the awful "Globe Sessions" CD.The first six songs or so are nothing but blatant political statements, which I have no problem with, but it is hard to get into a song about gas. Like her colleague Don Henley, they are preaching to the choir with tunes like this and there is little offered with regard to a solution. Besides, there are no hooks and she provides little incentive for the listener to want to replay this half of the record.
This record was talked up as a return to roots because it reunited Crow with her producer (Bill Bottrell) from her breakthrough 1993 debut, "Tuesday Night Music Club." While you can clearly hear his influence permeating the tracks, I'm afraid they have failed to recapture the magical chemistry that made those songs work, mostly because this batch of songs is not as strong.
The second half is much better, with songs Crow really sinks her teeth into. They are more personal, and maybe that is why they come out sounding better. And in some of these tracks we hear more of the girl who just wants to have fun, like the "Ob-La-De" influenced track, "Out of Our Heads" or the safe acoustic ditty, "Detours." "Diamond Ring" is a haunting and poignant statement on that final step in the relationship, no doubt influenced by her experience with Lance Armstrong.
iPOD-worthy: 6, 7, 10, 11, 13
Sheryl Crow - official site.
Check out the video for the single, "Love Is Free," which I think is one of the worst, most annoying songs she has ever written.
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