Review: Jimi Jamison “Never Too Late”

Melodic rock/AOR

If anyone needs no introduction in the melodic rock arena, it is Jimi Jamison. In addition to his solo career and early work with Cobra, Jamison helped maintain Survivor in the 80s limelight with huge hits like “Burning Heart”, “High On You”, “The Search Is Over”, and “Is This Love”. Jamison is singing once again with Survivor, but finds his voice in such demand that he’s somehow made the time for several outstanding side projects, such as Kimball Jamison (with Toto’s Bobby Kimball) and One Man’s Trash (with Fred Zahl).

During the Kimball Jamison project, he started working with Swedish songwriter and producer Erik Mårtensson (W.E.T., Eclipse, etc). An AOR pairing that seems like a match made in heaven, Jamison and Mårtensson deliver yet another infectious release full of rockers and ballads on “Never Too Late”.

“Everybody’s Got A Broken Heart” provides an energizing start to “Never Too Late”, sounding very much like a hit that Survivor could have had in the 80s – a wonderfully nostalgic track with a modern flair. “The Great Unknown” is another signature inspirational anthem that Jamison can add to his collection alongside “Burning Heart” and “Reach”. The title track is similar in theme, but has a pleasant mid-tempo pace that will have listeners nodding along to the beat. Fans of “American Heartbeat” (pre-Jamison Survivor) will detect a familiarity in the thumping keyboard intro to “Street Survivor”, but the song soon explodes with a racing rhythm and a rebel’s lyric. On the power ballad side, be sure to check out “The Air I Breathe” and the heartbreaking “Heaven Call Your Name”.

“Never Too Late” is another solid addition to the impressive Jamison discography that will appease old school fans and new fans of the melodic rock genre. His voice still sounds like one of the best in the business, proving once again that no matter who writes the songs, Jamison can make them sound like gold.

Jimi Jamison – Official site.

Check out the video for "Never Too Late":

Review: Bobby Kimball and Jimi Jamison “Kimball Jamison”

Melodic rock/AOR
The teaming up of Bobby Kimball (Toto) and Jimi Jamison (Survivor) promises to be one of the most discussed alliances in the AOR world. Their debut record, simply entitled “Kimball Jamison” comes out on Frontier Records October 18.

Fans expecting the classic 80s AOR sound epitomized by their home bands are going to be in for a surprise. The big melodic choruses and lyrical content have been conserved, but the music has been catapulted into the modern age. The guitars sound fresh and gritty, constituting some of the hardest edge rock either of these guys has ever been associated with in the past. In my opinion, the results are fantastic and give this project a unique identity to call its own, rather than a strict mash up of the styles of Toto and Survivor.

Of course we are dealing with two titans in the vocal arena – Kimball and Jamison sound absolutely amazing, and take turns at lyrical lines in nearly every song making it a true 50/50 split of talent. Even better, most of song were written to contain a few sweet spots where Kimball or Jamison can really hold that high note and shine. For this we can thank ace songwriters such as Richard Page (Mr Mister), Jim Peterik (Survivor), Randy Goodrum (Steve Perry, Toto), John Waite, Erik Martensson (W.E.T.) and Robert Sall (Work of Art).

The guys come out with both guns blazing on “Worth Fighting For”, where loud guitars enhanced by keyboards drive a thundering song that wonders about whether we found that special someone (a sequel to “Is This Love”, perhaps?). Followed by the aggressive “Can’t Wait For Love” (video below), we have a superb introduction to what Kimball Jamison is all about. This is the kind of song I bet Survivor fans were hoping for on their last album “Reach”. Fans of either singer should be smiling ear to ear by now, but there are more gems to follow. While each song has its moments, the ones that really stand out for me include the mid-tempo treat laced with great backing vocals, “I Did Everything Wrong”, “We Gotta Believe”, and the majestic power ballad “Find Another Way”. But perhaps the best here is the encouragement anthem “Get Back In The Game” – this splendid rocker should find a home on the “Rocky VII” soundtrack.

I hope this is not a one-off record. The chemistry between Kimball and Jamison, coupled with their instincts for potent melodies and their sheer vocal power, makes the pair an unbeatable melodic rock dream team.

iPOD-worthy: 1, 2, 5, 6, 7, 8, 10

Sites for: Bobby Kimball and Jimi Jamison

Check out the video “Can’t Wait For Love”

Odds and Ends

Each week I use this space to post some mini-reviews, cool tracks, random thoughts, neat news, or whatever else I damn well please.

MiniReview

House of Lords “Big Money” - House of Lords debuted in 1989 with the release of the self-titled album, a record which is still regarded as one of the best arena rock releases of the 80s, up there with frontrunners like Whitesnake, Deep Purple, and Van Halen. The band has a varied and spotty catalogue ever since, with frequent lineup changes and oscillating musical styles to match. Some releases are downright catchy arena rock whereas others are less melodious prog rock. This month the band will add “Big Money” to its discography, which feels like a blend of their mixed melodic and prog rock past. The trademark vocals of James Christian sound finer than ever, and he is surrounded by updated guitar sounds and pounding beats. James teamed up again on the songwriting with long-time friend and partner Mark Baker along with the other band members Jimi Bell and BJ Zampa for this release. While “Big Money” rocks through and through, several of the tunes are overly long and burdened with less than compelling riffs. Standouts include “First To Cry”, “The Next Time I Hold You”, “Run For Your Life”, and “Once Twice”. More info on House of Lords can be found here.

Surprise of the week
Motley Crue guitarist Mick Mars is recording with latest American Idol winner James Durbin. Get the scoop here.

News
R.E.M. has broken up. Hard to believe…read about it from the band member’s perspectives here.

New “best of” collection coming from Paul Simon October 24. Details and track listing here.

Get a taste of the Lou Reed and Metallica project, “Lulu” here. It’s only 30 seconds, but confirms my worst fears about this collaboration.

Love this article at Popdose about Survivor’s underrated ballad “Ever Since The World Began” (video below).

INXS have sacked their singer JD Fortune for the second time. Story here.

Where are they now? Colin Hay (Men At Work) released a new video. Check it out here.

Toto collides with Survivor – Kimball Jamison. Debut video!


Random iPOD song of the week
Survivor “Ever Since The World Began” from the album “Eye of the Tiger”


Reminder: we’re now on Twitter! Follow us for even more updates, news, and reviews!

Rare CD: Worrall "Worrall"

"This is the nearly impossible to find self titled release from Canadian melodic rock/AOR group WORRALL - the times that this title appears on EBay are few and far between (I actually doublechecked to make sure that my own copy didn't wind up in my sell boxes by accident!) It is rare! Band was: Steve Worrall (lead vocals, guitars), Rick Worrall (lead vocals, keyboards), Chris Brockway (bass) and a cat called Big Mac on drums. Really - I'd say that all of the elements of great melodic rock are here - strong vocals, catchy songs, more than a few great ripping guitar moments, and enough hard edge to please the hair metal folks - this is KILLER!!!

This one is highly recommended if you liked the melodic rock style of BLVD (Boulevard) and Harem Scarem - backing vocals here from non other than Jimi Jamison!! (Survivor!)

Includes:

1. Best Is Still to Come
2. Shadow of a Life
3. You Know
4. Summertime Radio
5. Catch Me
6. Take a Look Around
7. Heat of the Night
8. I Can't Stop
9. Hard Times
10. Suspicious Heart
11. Ordinary Man"

Sold for $108.50 on ebay.

Review: Jami Jamison "Crossroads Moment"

If there is one AOR record you are going to buy this year, Jimi Jamison's latest, "Crossroads Moment" is the one worth your money. For those not familiar, Jimi Jamison was one of the lead singers for one of the greatest pop rock bands ever...Survivor. During Jimi's tenure, the band cemented its status beyond one hit wonder, churning out hit after hit on records "Vital Signs" and "When Seconds Count", not to mention a couple of theme songs from some very famous movies. After Survivor disbanded in the mid 90s, he gained further fame with his hit for the TV show Baywatch...but most people probably remember that show for things other than the theme song. Jimi Jamison has released a couple of solo efforts, but nothing quite like "Crossroads Moment". The major difference this time around is that he's teamed up once again with AOR legend and a founding member of Survivor, the one and only Jim Peterik.

So it is little surprise that "Crossroads Moment" sounds more like a true Survivor record than the ill-fated "Reach" record a couple years ago. "Reach" was a collaboration between Jimi Jamison and Survivor founder and guitarist Frankie Sullivan. It was mediocre at best, sounding contrived and insincere...more like merely a vehicle for Frankie to showcase fretboard gymnastics.

I appreciate that Peterik can put his ego aside and just be the unsung hero of the record. As always, Peterik puts the quality of the music at the top of his priorities. The batch of songs he came up with are nothing short of brilliant AOR, many with a modern edge. The quality of the songs seem to have brought out the best in Jimi Jamison as a vocalist, who sounds much better here than on his last effort, "Reach". Jamison's voice always sounds good, but when he is singing songs by Jim Peterik, something magical happens and it just goes into a different league. And when these guys harmonize, the sound of classic 80s Survivor comes out to greet you like a old familiar friend. I can't think of a better treat for fans who have been waiting so long for something like this to happen. A part of me is curious as to how this record would have sounded with Frankie's guitar on it, but Peterik does an amazing job with the guitar duties. I wouldn't have changed a note.

Many records stack the best tracks right up front. This is a great way to capture a listener's attention, but sometimes it spoils the listener and leaves the rest of the tracks sounding lackluster at best. Not the case here - "Crossroads Moments" starts reasonably strong with slow burners like "Battersea" and "Can't Look Away". But these are just teasers...the best cuts off this record are yet to come. The title track and "Till The Morning Comes" sound like they could have come straight off "When Seconds Count", propelled by some classic Peterik keyboard and a very tasty guitar solo. "Lost" sounds like a modern day "The Search Is Over", sung with great emotion and hair-raising harmony vocals, but an even more stirring ballad comes later with "As Is". Fans will also love the guitar on "Love The World Away", which uses the same effect heard on "Didn't Know It Was Love" from the criminally ignored Survivor release "Too Hot To Sleep". The cream of the crop include "Make Me A Believer", "Behind The Music", "She's Nothing To Me" (arguably the catchiest track on the record), and "That's Why I Sing".

I really hope this collaboration continues and that "Crossroads Moment" is just the beginning of a new chapter in AOR history. But I have no idea how Jim and Jimi are going to top this one.

iPOD-worthy: 1, 3, 4, 6, 7, 8, 9, 10, 11, 12

Jimi Jamison on MySpace. Official site.

Check out this recent interview of Jimi Jamison and Jim Peterik discussing the record at melodicrock.com.

Video for When Rock Was King.

New music: Jimi Jamison "When Rock Was King"

Wow - this one really brings back the memories. Check it out if you grew up loving 80s rock and AOR. Jimi Jamison and Jim Peterik (Survivor) pull out all the stops and collect all of their 80s friends on this new music video. The song will appear on Jamison's new solo record, dropping next week. Send me a copy, boys!