Showing posts with label John Mellencamp. Show all posts
Showing posts with label John Mellencamp. Show all posts

Wednesday, August 11, 2010

Kneejerk: John Mellencamp - Sheryl Crow - Black Crowes

Kneejerk is a new feature here on BMF - we preview some new releases and give our short, "kneejerk" reaction...



John Mellencamp "No Better Than This"

"No Better Than This" marks John Mellencamp's debut record for Rounder. These thirteen new tracks, produced by the acclaimed T. Bone Burnett were recorded live using a half-century year-old Ampex tape recorder and vintage microphone. Mellencamp says of the album, "It was absolutely the most fun I've ever had making a record in my life. It was about making music - organic music made by real musicians - that's heartfelt and written from the best place it can come from". When I see the name T. Bone Burnett these days, I think boring and slow, and this new one from the great John Mellencamp is no exception. Continuing along the lines of his last 2 releases, this CD is also full of intimate roots rock that sounds very old-fashioned - nothing wrong with that as long as the songs are interesting. Unfortunately, there isn't much on this record that makes me want to come back for a second listen anytime soon. However, the record makes for interesting background music for a Sunday morning. The graceful and modestly melodic "Save Some Time To Dream" was the highlight for me. Dylan fans might appreciate the folksy feel of "Thinking About You" and "Clumsy Ol' World". Here's hoping for a return to the classic Mellencamp sound next time around...


Sheryl Crow "100 Miles From Memphis"

Another huge disappointment from Crow, even moreso than her last record, "Detours" (review here). This record, her seventh, was supposed to capture the soul and passion of music, best exemplified on the opening track "Our Love Is Fading". But all of the horns and blue-eyed soul in the remaining tracks amounts to window dressing on a condemned house because the songs lack any interesting hook as a foundation. A couple of senseless covers also bring down the record - she does a sleepy, lifeless version of Terence Trent D'Arby's "Sign Your Name" and a note by note reiteration of "I Want You Back" as a tribute to the late Michael Jackson, who gave her a start as a backup singer. Keith Richards can't even save the reggae-influenced "Eye To Eye", which goes in one ear and out the other, lacking any ability to get trapped in your mind. Let's hope for next time Crow takes her own advice as she sings on "Peaceful Feeling": "When you fly off in the wrong direction, turn it around, see your own reflection".


Black Crowes "Croweology"

The latest from Black Crowes is not a new studio effort, but rather a collection of greatest hits and deep tracks reworked in a more or less acoustic style. The music of the Black Crowes lends itself well to this format and overall the record, with its mix of recognizable and not-so recognizable songs, is an engaging listen. "Croweology" does stretch the limits of your attention though - it is a double album because most songs exceed five minutes and some clock in at near ten minutes. There is little point in songs like "She Talks To Angels" - which were acoustic-based to begin with - but reworkings of "Jealous Again", "Under A Mountain", and "Soul Singing" are very enjoyable. Not for the casual fan, but it is a great way to cleanse the palate after listening to today's overly processed rubbish.

Wednesday, July 15, 2009

Mellencamp Signed Guitar Contest

Live Daily have launched an exclusive John Mellencamp signed guitar contest. One grand prize winner will win a copy of the new live CD "Life Death Live And Freedom" along with a Fender Squire Telecaster guitar signed by John Mellencamp.

Don’t miss your chance to score the new release and a sweet piece of rock memorabilia.

One Grand Prize:
- Autographed Fender Squire Telecaster guitar arctic white
- Life Death Live and Freedom CD

Five Runner-up Prizes:
- Life Death Live and Freedom CD

Enter here

Sunday, June 28, 2009

Review: John Mellencamp "Life, Death, Live And Freedom"


About a year ago, we wrote a rather tepid review covering the latest from pop folk rocker John Mellencamp, entitled "Life Death Love and Freedom" (click here to refresh your memory). Mellencamp is back already with a new release, but not new material. As the name obviously implies, "Life, Death, LIVE And Freedom" simply features live versions of eight of the tunes we've experienced on "Life Death Love and Freedom". The big question that comes to mind of course is WHY?

The answer is that a live performance usually breathes new life into songs. "Life Death Love and Freedom" was an unmelodious and dark reflection on the topics in its title, and it made for a pretty uneasy and dull studio recording. However, "Life, Death, LIVE And Freedom" gives Mellencamp the opportunity to redeem himself on some of the tracks and he seizes this opportunity. Mellencamp remains an outstanding live performer and he takes no prisoners on these gritty tracks, catapulting some of these tunes to a whole new level. In most cases, he is like a doctor injecting a powerful shot of medicine into a comatose song, bringing it back to the land of the living with a vengeance. Case in point are the tracks, "If I Die Sudden" and "Jena" - I was less than thrilled with the studio originals, but the live versions are fantastic. In contrast, some of the tracks, including "My Sweet Love", sound much better on the studio release than this live release to me. Finally, there are some that sound good whether recorded live or in the studio (the excellent "Longest Days").

I wish they would have made this a companion piece that was included in the original release rather than a stand alone product; I can't imagine anyone but the most devoted fan purchasing this CD, and it is going to do next to nothing to help Mellencamp climb the charts once again. However, it is an important artistic piece from an enduring legend in rock music who is not afraid to explore the more disquieting aspects of life, in which pop music just isn't an appropriate backdrop.

iPOD-worthy: 1, 4, 7

John Mellencamp on MySpace. Official site.

Here’s an mp3 cleared for giveaway: If I Die Sudden (Live radio edit)

Sunday, July 20, 2008

Review: John Mellencamp "Life Death Love and Freedom"


"Life is short even in its longest days" sings John Mellencamp on his 2008 release, "Life Death Love and Freedom". I have been a big Mellencamp fan since the Cougar days and thought his previous record, "Freedom's Road" was excellent. With "Life Death Love and Freedom", John Mellencamp takes a hard exit off "Freedom's Road" to deliver the antithesis: a strange and dark record that makes little effort to be melodic. If you are looking for a traditional sunny and catchy Mellencamp record to brighten your summer, you will not find it here.

Truth be told, I am having a hard time digesting this record. The songs are rooted in folk and blues, which would be fine, but they are far from memorable. In fact, some are downright irritating. Consider "If I Die Sudden" - a candid song instructing us what to do with Mellencamp's corpse. Some would make a good case that unmelodious music is fitting with the subject matter, but, as John warns, life is short...too short to waste on songs like this.

The record is rather unique in the extensive Mellencamp catalogue. Similarities exist in "Big Daddy" and "Trouble No More". The unique elements would have been welcome if they were just better songs. The record is consistent and cohesive, but in this case, it means the suffering just takes too long to end. The refreshing blast of all things Mellencamp that fans would expect just never comes, which is a real shame since lyrically this record is one of his best.

There were a couple of tracks that did not give me the urge to hit fast forward. The opener, "Longest Days" is a sober and sparse tune, setting the serious tone for what is to come. But it is engaging, sounding like an early Bob Dylan piece without the harp. It would have made a great rocker. "My Sweet Love" sticks out like a sore thumb on this release being the closest the listener gets to the type of stuff they'd expect from John Mellencamp. "Mean" is a bit brilliant in being the nicest request to jerks to stop being jerks. I also think the last couple of tracks are OK, especially enjoying the lyric on "For The Children".

This one sounds like Johnny Cash Mellencamp and for a melodic rock fan, I warn you to proceed with caution on this one.

iPOD-worthy: 1, 2, 11, 13, 14

John Mellencamp: Official site.