Kelly Jones Releases Debut Christmas Single

Acclaimed Pop Singer-Songwriter Kelly Jones Releases Debut Christmas Single “Kissing Santa On Christmas Eve”

 

Make room in the Seasonal Songbook for a brand new classic . . . “Kissing Santa On Christmas Eve,” by pop singer-songwriter Kelly Jones (reviewed here) wraps its irresistible hooks around the playful notion of a secret midnight tryst with Ol’ St. Nick himself.

 

Written by Jones and produced by Mike Viola, the song has the familiar, but fresh sound of a timeless holiday favorite. A shimmering two-and-a-half minute bauble with flashes of Spector’s “Wall of Sound,” E.L.O and even '80s Madonna, it delivers its fun yuletide message in a gloriously ornate pop arrangement and ties it up with a bow of winking sensuality.

 

Best known for her acclaimed pop album SheBANG! (2008), Kelly Jones has released three solo albums, as well as a duet EP with Mike Viola, while collaborating with such artists as Daniel Lanois, Buddy Miller, Adam Schlesinger and Brian Blade. With a songwriting style and a warm, soulful singing voice that echoes everything from ‘60s girl groups to ‘70s Laurel Canyon singer-songwriters to ‘80s New Wave, Jones is that rare artist who can sound retro and completely modern at the same time.

 

“Kissing Santa On Christmas Eve” marks her debut holiday release. Available in online stores December 4th, 2012.

Review: Marissa Levy “63 Songs About Joe” [EP]

Pop rock
Silly love songs – what’s wrong with that? Nothing, if Marissa Levy is the one singing them. Born in my home state of Maryland and honing her songwriting and musical chops in New York, Levy is a pop rock dream come true. But the first thing you’re probably wondering is how short these songs must be if she squeezed 63 of them onto a single EP? Well, she may have written 63 songs about Joe, but only 5 made the cut here.

It has been five years since Levy’s last effort, “Charmed and Dangerous”. For her new EP, she recruited power pop guru Mike Viola, who has been featured here on BMF many times. Viola’s talents are the perfect match for Levy’s songwriting skills – the production is excellent and the backing vocals are outstanding. Viola has cast the same magical spell on Levy’s craft that he’s done for Kelly Jones and Mandy Moore – pure pop wizardry. Levy’s vocals are sweet as chocolate and you’ll hear copious amounts of Beatles and Beach Boys influences in her tunes.

You couldn’t ask for a better springtime song than the perky feel-good opener, “A Love Song”. Levy’s folky side leaks through to good effect on the milder “Growing Up To Do” – her fragile yet firm vocal, the backing vocal accents, and enchanting melody make this one another favorite. She could be mistaken for Lisa Loeb on the tender and catchy “Heartbreak Liar”. “The Magic” is also beautifully crafted with a mild retro feel and more trademark Viola harmonies. Rounding out this set is “Breathing Fire” – a perfect example of how an artist can get a little darker without compromising on melody.

There isn’t a bad apple in the bunch. All I can say to sum up…bring on the other 58 songs! “63 Songs About Joe” was released on April 5 - you can order it through her web site.

Marissa Levy on MySpace. Official site.

Listen to “A Love Song”

Review: Ned Brower “Great To Say Hello”

Most of us know Ned Brower as the drummer and a vocalist for one of our favorite power pop bands, Rooney (see reviews here). Brower also has some modeling and acting credits under his belt (Big Fat Liar, Dawson’s Creek, Not Another Teen Movie), and now the multitasker is testing the waters with a solo record.

Brower’s debut record, ““Great To Say Hello”, was produced by none other than pop maestro Mike Viola, who put his indelible stamp on many of these songs. There are plenty of catchy hooks and ear pleasing harmonies to go around, more than enough to satiate any fan of Rooney, but Brower injected enough of himself into the record to make it a clear standout from Rooney material. In general, the record is peppy and bright, like the cover art. “Underneath Your Spell” is a sublime classic pop gem with a hint of 70s bubblegum flavor. You’ll fall in love with its bouncy melody and the warm and fuzzy harmonies. Other pop rocking highlights include “Hide Your Secrets Away” and “The Alleyway”. “Mine and Mine Alone” is also a standout, breaking up the stream of power pop with a funky groove and juicy chorus that will win you over in a heartbeat. I’m also a sucker for father-son tunes, so have to give props to “Father To Son”.

Given the outstanding solo albums from Taylor Locke and now Brower, it gives us a greater appreciation of the massive talent tied up in Rooney. Lucky for us fans of power pop, this abundance of talent can be dealt out in more than one venue.

iPOD-worthy: 1, 3, 5, 6, 8

Ned Brower on MySpace. Official site. Get it on iTUNES.

Listen to “Underneath Your Spell”

Review: Mandy Moore "Amanda Leigh"

I never really gave Mandy Moore a second thought - nice voice, but her discography generally is comprised of unremarkable, corporate teen pop. But then I heard that her new 2009 album, "Amanda Leigh" was making some noise in the power pop circuit, propelled by the fact that one of our modern day power pop heroes (Mike Viola) had a huge hand in writing, performing, and recording this record. With that backdrop, I had to tuck my tail between my legs and get my first Mandy Moore disc.

What a pleasant surprise. "Amanda Leigh" is a clear deviation from her past recordings, so long-time Moore fans should be forewarned: this is what REAL music sounds like! Moore has matured, and Mike Viola's stamp is on every track here - keeping the music organic, throwing out the dumb drum machines, and incorporating his staples of harpsichord and (sigh) toy piano. Moore and Viola were inspired by 70s singer/songwriters, especially Paul McCartney, and you'll definitely hear that influence among these tracks.

By far and away, the best track is "I Could Break Your Heart Any Day Of The Week", but I would cite "Love to Love Me Back" and "Nothing Everything" as additional standouts. Most of the songs are exceptionally well-crafted and pay homage to their 70s idols by incorporating plenty of memorable hooks and harmony. Unfortunately, the CD is pretty damn dull in the middle, but it starts and ends very well.

Moore has sold over 8 million albums worldwide and now I can say that I am not ashamed that I own one of them. "Amanda Leigh" is not likely to outsell her previous work, but I applaud the new artistic direction her music has taken and look forward to where she is going.

Check out "Amanda Leigh" if you enjoy Kelly Jones, Lisa Loeb, or Mike Viola.

iPOD-worthy: 2, 3, 8, 9, 10

Mandy Moore on MySpace. Official site.

Check out the video for "I Could Break Your Heart Any Day Of The Week".

Review: Kelly Jones “SheBANG!”

Any disc bearing the names Mike Viola (Candy Butchers) or Adam Schlesinger (Fountains Of Wayne, Ivy) makes my ears salivate. Now I will have to add Kelly Jones (NOT the Stereophonics frontman) to this list. Their collaboration, “SheBANG!”, is a 28 minute blast of some of the highest caliber power pop I’ve heard in recent years.

“SheBANG!” is a contemporary sounding tribute to the golden oldies of the 60s and 70s. Even the artwork radiates a retro feel, with its Polaroid photos and Kelly’s hairstyle and dress. Every track is a joy to listen to – instantly likable and begging for replay. The pop craftsmanship alone makes this disc remarkable, but Kelly’s wonderfully sweet and velvety voice make “SheBANG!” stand up beyond measure. At times you’ll hear the innocence of Sheryl Crow, the cute coyness of Jill Sobule, and the gentle angst of Tracy Bonham. Kelly is a formidable power pop princess and her harmonies with the distinctive vocals of Mike Viola are sublime.

It is hard to pick favorites among such a strong set of tunes, but my picks would include the bouncy piano-driven number, "There Goes My Baby", an ultra catchy tune that sets a perky mood at the beginning of the disc. I also love the rich textures and melodies in "Fire Escape", and the punchy song Kelly co-wrote with Adam, "Crazy Talk". "Subway Song" is Kelly's answer to the Hollies' hit "Bus Stop" or Replacement's "Skyway". "Over Thinking" is another really fun one, a bonus if you happen to love omnichord.

I’ve already compiled my Top 10 list for 2008, but “SheBANG!” will be a strong contender for the Top of 2009. They say that big things come in small packages. The 30 minutes you spend with “SheBANG!” will surely blow you away.

iPOD-worthy: 1, 2, 3, 4, 5, 7, 10

Kelly Jones on MySpace. Official Site.

Review: Major Labels "Aquavia"

The Major Labels is the latest collaborative offering from modern power pop kings Bleu and Mike Viola. These guys are veritable fountains of pop songwriting goodness, impressively churning out new material almost faster than we blogs can keep up. However, the Major Labels project hints at a well running dry. There are some really cool tunes that have arisen from this project (noted below), but overall it is a lot of filler. It is not a record I would put on to listen start to finish, but the few tracks I selected for the ol' iPOD will be a pleasure to listen to again and again.

In keeping with the record's theme, which is a well-delivered punch that satirizes the asinine corporate music business, the Major Labels have made the entire record available for free if you send them three email addresses. Details at their MySpace site.

iPOD-worthy: 2, 4, 8

The Major Labels on MySpace.

Review: Mike Viola "Lurch"

If you’ve never heard of Mike Viola, perhaps you have heard the song “That Thing You Do” from the Tom Hanks movie of the same name. Or perhaps you’ve heard of the band he fronts called, The Candy Butchers. Or his E.L.O.-like band L.E.O. Still no?

Well if you are a fan of modern power pop, you must become familiar with Mike Viola and/or The Candy Butchers. He’s been consistently cranking out top-notch pop nuggets for the better part of this decade, most featuring his storybook style of writing. His signature voice has just the right amount of rasp to put the power in the pop, but not so much rasp that it grates on the ears. Nearly every track on every CD he’s released has a little something that makes you want to come back and replay it – they are THAT catchy.

“Lurch” is his latest independent release (2007), currently available through his official web site. For me, “Lurch” did not have the immediate appeal that his prior releases had, but the many songs that work are true gems. Any fan of Mike Viola should be thrilled with this CD, and newcomers should also be hooked. Others who will be intrigued by “Lurch” includes fans of harpsichord (especially on “Snowman In Tompkins Park”), and fans of the Addams Family theme song (check out the tribute riff on “Girly Worm”). I prefer his masterful modernization of the sunny 70s pop vibe, shimmering through in tracks like “All Bent out of Shape”, “The Strawberry Blonde,” and “So Much Better.” The intricate harmonies on these tracks will blow you away and having you singing along for days.

Mike Viola on MySpace. Official site.

iPOD-worthy: 3, 4, 8, 10, 11, 12

Check out a live performance of “Girly Worm”:

Review: L.E.O. "Alpacas Orgling"

Bleu + Mike Viola + Andy Sturmer (Jellyfish) + Hanson (!) + many others in power pop = what?

As you may surmise from the band name, you get E.L.O. reincarnated! You won't believe your ears. This record is a true time machine and will take you back to the pop rock genius of E.L.O. And they are not a cheesy tribute band doing lame E.L.O. cover tunes...these are all originals, written as if someone unearthed a time capsule of a new E.L.O. Greatest Hits package that never saw the light of day.

It is astonishing how much they have managed to sound like Jeff Lynne without Jeff Lynne. "Alpacas Orgling" (2006) is virtual pop perfection from beginning to end. Just skip over the useless "Overture" and stop after track 8. Well, there is a cover of E.L.O.'s big hit "Don't Bring Me Down," but it is one of those "bonus" tracks way at the end of the record...which is a pet peeve of mine. There is no need to do this...just make it a track already so we don't have to cue to the damn thing.

All the shimmering pop brilliance of E.L.O. is captured in this effort: lush harmonies, orchestral backing, and downright catchy melodies. Thankfully, the disco-infused E.L.O. is not present...just the straight up pop rock form. If you were not a fan of E.L.O., you probably won't dig this record too much. If you were a fan, you'll be rejoicing.

iPOD-worthy: 2-8.

L.E.O. at MySpace