I'll mention the disclaimer now...I am a big fan of David Gilmour and Pink Floyd. Easily one of the greatest and most influential guitarists, Gilmour exhibits pure genius with tone, style, and execution. I've enjoyed where he's taken Pink Floyd after Waters left and dig his solo efforts too. But I find myself having a hard time appreciating his latest solo release, "On an Island" (2006). The songs just don't bring anything deeply engrossing to the table and are overly long. I realize Gilmour and Floyd are not strangers to avoiding conventional time frames on their tunes, but if you are going to make a long song you need to make it engaging...that is what I find lacking in this batch.
The closest he gets to Floyd is "Take a Breath," but even that pales in comparison to previous work. There are some isolated moments of sublime beauty in a few of the long, drawn out songs, but the listener is required to be too patient in waiting for them to surface. Speaking of being patience, I guess what adds insult to injury is that we had to wait since 1994 (Pink Floyd's "The Division Bell") to hear more from Gilmour.
The single, "Smile" is a pleasant enough acoustic-driven ditty, but not what most fans would expect or want from Gilmour. I like it, though.
Excellent band...excellent CD cover...excellent reviews by melodicrock.com and many others...how could I go wrong? I popped this into the player with high expectations (perhaps too high) and began scratching my head. What am I missing here?
Toto is famous for their extraordinary musicianship and songwriting skills. That comes through loud (louder than any other Toto release I've heard) and clear...but dammit...the songs just ain't there. I can't get into any of these, with possible exception of "King of the World" and "Simple Life." I've always liked Toto more when they incorporated their prog into well crafted rock songs with hooks. If you are a fan of the prog aspect of Toto, especially their earlier days when they weren't afraid to crank up the guitars, this CD is probably going to appeal to you a lot more than it did to me. Hate to say it, but I was very disappointed. The CD is hugely forgettable.
The Sundays released "Blind" in 1992, the follow-up to their successful 1990 debut, "Reading, Writing, and Arithmetic." I recall enjoying the soothing and unique sound of the lead vocalist Harriet Wheeler, so I picked this CD up from a $1 bin a couple weeks ago. I should have left it there. The tunes are infinitely boring and generally all sound the same. Disappointing to say the least. Still, it was not a waste of a dollar as I would have easily paid a buck for the last track...their excellent rendition of the Rolling Stone's classic, "Wild Horses." Harriet does an outstanding job on this one...just wish she and the band would write material of their own that sounded half as good. The lead single from "Blind" is also OK ("Love"). Otherwise, 5 out of 5 yawns.
The good news is that Paul Westerberg is writing songs again, but the bad news is there is neither an album nor a tour in the immediate future. The reclusive Minneapolis icon took to the stage last night (Sept. 23) at the city's First Avenue for an installment of "The Craft," a Rock and Roll Hall of Fame chat-and-sing series a la VH1's "Songwriters."
I was really excited to listen to this CD, despite that fact that REO Speedwagon has done little for me since their mid- to late 80s hey day. "Find Your Own Way Home" (2007) has been hailed as a fine return to form, a terrific comeback for a band that has sold an astonishing 40 million records since their formation in the early 70s. They even scored their first chart "hit" since 1990 with the single and third track on this release, "I Needed To Fall" (it got to 25 on the BillBoard Adult Contempory chart). It was very nice to see a seasoned band score like that in today's sorry music climate.
That said, despite my best effort, I just can't click with most of the rest of the tunes on this release. The first 3 tracks are awesome and ooze with all the things one would expect from REO. But then comes track 4, "Dangerous Combination," which will make you scratch your head and wonder if a Keith Urban track did not get put on this CD by mistake. Surprisingly, it was co-written by the AOR mastermind Jim Peterik (Survivor, Pride of Lions), but clearly is half-assed, bottom-of-his-pile fluff with generic riffs and silly lyrics. Other tracks try to recapture the "old" REO, with some fine solo guitar work in a bluesy bar vibe, but those songs just lack the flair of the analogous tunes from very early REO. They stick out in a bad way from the more melodic tunes comprising the bulk of the CD, disrupting the flow and making the band sound like they are in the midst of an identity crisis.
Another strange thing - Kevin Cronin just doesn't sound like Kevin Cronin on many of these songs (ballads excluded). I'm not saying that is a bad thing...actually, there is more of an edge and urgency in the vocals that I find very appealing. I hope they try again, staying focused on generating more like the tracks I deemed iPOD-worthy.
Most of you no doubt remember the hit that made Autograph famous, that great anthem rocker of the 80s, "Turn Up the Radio". The CD that followed the one with that hit is now highly sought after due to its scarcity. "That's the Stuff" was originally released in 1985, and the CD in 2001 (on Spitfire).
Check what it is going for at Amazon.com. ($60 today)
UPDATE (1-27-08): One sold for $47.56 0n ebay (14 bids). UPDATE (1-31-08): One sold for $51.00 on ebay (11 bids). UPDATE (2-1-08): One sold for $53.50 on ebay (12 bids).
If the Cult's 2001 reunion album, "Beyond Good and Evil," was a heavily produced, muscular rock affair, the band took the opposite approach on the forthcoming "Born Into This," due Oct. 2 via New Wilderness/Roadrunner. The Cult cut the disc in 36 days with a mind toward re-embracing its punk-rooted past.
"Our last record, with all respect to [producer] Bob Rock ... we were guilty as much as he was, it was an overproduced record. We just went too far with it. It took about a year-and-a-half to make [and] an exorbitant amount of money," singer Ian Astbury tells Billboard.com. "This one was far more economic. We didn't want to get entrenched in debates of whether this is working or is this not working. If anything got a little bit drawn out, we just moved on to the next track.
Since 1994, Collective Soul has been churning out disc after disc of high quality melodic rock. Say anything else about them, but you can't knock their consistency. This is their 7th record in 13 years! This latest effort, "Afterwords" (2007) continues the trend and rocks with Ed Roland's distinctive voice, jamming riffs, and lofty choruses.
Actually, I am not all that crazy about the first single, "Hollywood," but the rest of the CD is, by and large, really good. Nothing new or earth-shattering, but why should these guys fix something that hasn't been broke for the last decade?
While the tracks can be downloaded from iTUNES, be warned that those hunting for the actual CD will only find it at Target (unless you want to shell out more $$ for the identical import version form Amazon).
"At the prompting of several friends I have put together a bunch of mostly unheard stuff that I’ve done over the years. I’ve decided to make them available here on the web site for free to any and all total fanatics out there"
The stuff spans Danny's career and is generally worth the memory space.
From the Inside put out their one and only release out so far in 2004 (Frontiers, a AOR haven in Italy). FTI is led by Danny Vaughn, a name with which most AOR and melodic rock fans should be very familiar. Danny was the main man behind the now classic AOR outfits Waysted and Tyketto. Tyketto's self-titled debut remains a masterpiece of the genre. Danny has gone on to record under the names of Vaughn, From the Inside, and most recently, simply Danny Vaughn. He's also recently joined The Illegal Eagles, a tribute band of sorts for the Eagles. Where does the guy find the time? Incidentally, most of his work, past and present, is generally rare and hard to find, and will fetch a price higher than most new CDs.
Out of all his post-Tyketto efforts, I think FTI is the best work Danny's accomplished. All the key ingredients are there that would have made this a true follow-up to the 1991 Tyketto classic, which "Strength in Numbers" failed to do. The songs are strong with big meaty hooks, and surprisingly the fretboard gymnastics and keyboard synths do not make the record sound too dated. It's just really good, upbeat rock n roll - an AOR lover's dream. One thing that stands out on this release is excellent backup vocals. The best news is that the team behind FTI is working on a second CD now, expected to be released in summer of 2008.
Many folks do not realize that Matthew Sweet put out a couple albums before his breakthrough "Girlfriend," the 1991 single that catapulted Sweet from generic late 80s pop rock to "alternative." No doubt it was helped with the wicked cool anime music video. To me, Sweet is and always was a pop rock artist and there is not much "alternative" about him at all. At any rate, his 1989 A&M release, "Earth" gets very lackluster reviews from fan and nonfans alike. I recently picked it up for a buck at a Used CD store and it was not as bad as the reviews made it out to be. Especially the first half of the disc, the songwriting is classic Matthew Sweet with pleasant harmonies and sing-a-long hooks.
The standard iPod line has been rebranded as iPod Classic, and a 160 GB model for $350 was introduced. The 80 GB version is a bit thinner, comes in an optional all-metal casing and retails for $250. Both will be in stores this weekend.
Aerosmith plans to hit the studio on Nov. 1 to begin recording its next album..."I'm not sure who the producer is gonna be or what (studio) we're gonna do it in," Perry tells Billboard.com. "We may use a few different producers. I don't know. All I know is that the heart and soul of the thing is us getting in the studio and seeing what comes out."
Researchers at Liverpool John Moores University, whose report appeared in the Journal of Epidemiology and Community Health, studied a sample of North American and British rock and pop stars and concluded they are more than twice as likely to die a premature death as ordinary citizens of the same age.
I am not familiar with 2am, but remain impressed at what this rare and hard to find CD can fetch at ebay. One sold over the Labor Day weekend for $152.51.
Who are these guys? According to the ebay listing, this British AOR CD was released in 1987. 2am are Mark Thomas and Dave Lloyd (Ex Rage).
I could not find them on Amazon.com, but could find the CD at GEMM for an astounding $245!
I am curious - send a comment if you know something...
Buckcherry, the LA roots-rock band is back. Actually core members Josh Todd (vocals) and Keith Nelson (guitar) are the only original members in the outfit that recorded "15" (released in 2006). But you'd never know it, since Todd's vocals and Nelson's licks are the real trademark to Buckcherry in my opinion.
Buckcherry is known for their overt musical tributes to sex, drugs, and rock n roll. "15" carries on this tradition full steam ahead, but the songs are catchier than ever. I actually didn't care too much for the hit single, "Crazy Bitch," but a lot of other people liked it for some reason. There are lots of tunes on "15" that are far better, like the follow-up single "Everything." I love the tone of the voice and the guitars, and prefer Buckcherry when they discipline their testosterone and write about something more thoughtful. Similarly, when they put more effort into the hooks rather than just see how loud and fast they can play, the results can be startling. "Carousel" and "Sorry," the rare slower spots on the record, are also outstanding.