Review: John Taglieri “The Very Best Of John Taglieri: The Songs That Should Have Made Me Rich”

Rock

John Taglieri, a name that is synonymous with “unsung hero of rock”, has been featured numerous times here at Now This ROCKS! both as a solo artist and with his band, TAG (click here). Now one of New Jersey’s most underrated songwriters has condensed nothing but the best of his prolific career into one retrospective CD entitled, “The Very Best Of John Taglieri…The Songs That Should Have Made Me Rich!!!” As the title suggests, John himself seems a bit amazed and befuddled that his talents haven’t been more lucrative. And while this greatest non-hits package isn’t going to radically change his financial status, it does offer the uninitiated a terrific one-stop shop to become acquainted with Taglieri’s work.

To date, Taglieri has released nine records beginning with 1999’s masterful AOR debut, “Leap Of Faith”. His retrospective (marking his 10th record in 12 years) contains two songs from each of his first nine releases and two brand new tracks. It is hard to pick out highlights from a best of collection, but try these on for size: “Leap Of Faith”, “Reason To Believe”, “How Will I Know”, “After Farewell”, and “Make Me Believe”. If you can imagine a mix of Springsteen and Bon Jovi, with a touch of Sister Hazel, be sure to check these out.

Perhaps more important than fame and fortune, Taglieri has been able to sustain his music career on his own terms. He’s traveled the world playing his songs his way, toured with Rik Emmett, Sister Hazel, Edwin McCain, Butch Walker and many others, and got many pats on the back along the way. It may be just as well that he’s never struck it rich – all too often the monetary success kills the independent artist and in that context, we all would have lost.

John Taglieri – Official site.

Melodic rock CD of the week: Sargant Fury

By Stephen Kasenda

SARGANT FURY “Still Want More” (1991)

I have to admit, the band's name is really a joke, and I thought at first, they're just another average and forgettable band. When I first heard their ballad, "Don't You Know", from an old compilation tape, I had an interest in finding out what kind of band this is and what type of music they play. When I got the chance to hear their debut from start to finish, I was completely surprised, if not shocked, with the energy, rawness, and high quality musicianship on this record. This Hanover-based act played solid melodic hard rock/heavy metal inspired by the American sound of White Lion and Dokken, blended with their hometown's senior bands, Victory and Pink Cream 69.

The twelve tracks present here are mostly uptempo, pretty good if you're looking for an adrenaline pumping album in the traditional heavy metal way. "Still You Want More" has a nice harmonic chorus and mesmerizing tones. In my opinion, this is a big opener and their finest moment. "No. 9" and "Stand Up" are also killer tracks with outstanding solos by the duo Steffan/Grosser. The English singer, Andrew "Mac" Dermott, is also a phenomenal front man, with a strong raspy timbre and a large range - his capability was shining all over the album. "Do You Remember" and "Just One Night" both have an exciting and memorable chorus, and these two songs are the most potential chart-breakers. It's a shame they didn't get the recognition they deserved.

Handled by Tommy Newton from Victory, the production level is very good and the arrangements are massive with no unnecessary fillers at all. This is a forgotten gem you have to buy if you're a fan of big vocal, huge guitars, and melodic composition. A classy debut by a truly great band!

Read more of Stephen’s features at MetalMusicArchives.

Rare CD: Brass Kitten "E-Z-N Pretty"

BRASS KITTEN "E-Z-N Pretty"

1990 Glam sleaze rock with sound of 80s hairbands

Sold for $92.78 on ebay.

Review: Jakob Samuel “Pastpresent”

Pop rock

Jakob Samuel supplies the powerful vocals for the Swedish hard rock band called The Poodles (review here). He is doing his own thing for the first time, calling his debut solo record “Pastpresent”. “Pastpresent” is much tamer than his work with The Poodles, featuring poppy keyboards, sax, and sappier lyrics. But the melodies are the gorgeous and, considered with his emotive vocals, “Pastpresent” is going to thrill fans of lighter pop rock.

“Stars and Grace” is a sweeping and uplifting number in the vein of Robbie Williams’ best work, a brilliant song from father to child. “Carry On” is equally satisfying, and its blend of Jellyfish and ABBA influences make it one of my favorites on the record. “Even If” is another bouncy piano-driven tune sure to lift your spirits. You’ll hear some Supertramp coming through on the soothing tune “Together”. The carnival atmosphere and memorable chorus makes “Vagabond Shows” a fun listen too. Some of the other songs take a little longer to show their charms, and others sound dreadfully dated.

Probably not a record for most Poodles fans, but if you appreciate thoughtful, catchy songs, there are more than a few winners on “Pastpresent”.

Jakob Samuel – Official site.

Check out the video for “Stars and Grace”

Review: October Rage “Outrage”

Modern rock

October Rage was formed by brothers Nick and William Roberts in 2008. Based in New South Wales in Australia, this modern rock band is poised to take the globe by storm.

In September 2009 the band headed to Melbourne to track their debut single, "Silver Line" with world renowned producer Adrian Hannan (The Androids, Taxiride, etc). The single was mastered by Martin Pullan (Deep Purple, Split Enz, Jimmy Barnes) at Edensound Studio. Soon after, the band won a contest that allowed them to open for Bon Jovi in Sydney, Australia on the band's "Circle Tour." In September 2010 the band recorded more with Hannan to complete their debut album "Outrage”.

“Outrage” is one impressive debut record. Nearly every cut slams meaty riffs and driving rhythm into your ears, with each song leaving you eager to hear another. The vocals are perfect for modern rock, reminding me of Saliva or Daughtry at times. But October Rage is not all about bombast – these guys write with hooks and melody in mind, building compelling verses that erupt into arena-styled choruses. The band also isn’t all about the rage so to speak, as they can belt out acoustic based rockers and power ballads like nobody’s business. I enjoyed just about everything here, but standouts include the blistering “Set You Free”, “Wayside”, “Home”, and the radio-friendly single “Silverline”. On the slower side, check out “Into The Night” and “Under The Wind”. 

In June 2012, October Rage headed to the US, supporting acts like Saliva, Steel Panther, and Sevendust. Fans of modern hard rock are doing themselves a disservice if they aren’t checking out October Rage. “Outrage” is one of the best debuts in the genre.

October Rage – Official site.

Melodic rock CD of the week: Stryper

By Stephen Kasenda

STRYPER “Murder By Pride” (2009)

I can say that "Murder By Pride" is truly a homage to the fans. Michael Sweet opened up his ears after harsh critics railed on them for the comeback album, "Reborn", for being too modern and quite far from their origins. "Murder By Pride", without leaving the idealism and passion for evolving, ambitiously recreates the classic atmosphere that was told by Sweet as an album with lots of melodies, lots of screams, and lots of guitars. Michael Sweet was responsible for the whole songwriting process and kudos to him for keeping the fire burning.

"Eclipse Of The Son" decently opens the album, a safe uptempo track where I can hear a mix of Stryper's classic vibe with some newer elements. A pretty solid song, but "4 Leaf Clover" is the real mood pumper. This track is heavy and modern but still allows your ears to easily recognize the Stryper's pattern from the rhythm. Up next is Boston's classic, "Peace of Mind", a fun cover track with Tom Scholz contributing some guitars - I like this song. "Alive" is a great power ballad, the title track has a powerful punchy chorus and already became a concert regular, and "I Believe" is a good contemporary track (and probably you'll agree when I say Michael Sweet listened to a lot of Creed when he wrote this song). "Love Is Why" is another sparkling gem and "My Love (I'll Always Show)" is such a beautiful mid-tempo track, closing the album with style. Out of twelve songs, perhaps only "Mercy Over Blame" and "Everything" are decent fillers.

While I don't think "Reborn" is disastrously ugly, "Murder By Pride" is a real contender to be a strong release like "To Hell With The Devil" and "In God With Trust", two that earned the band fame and fortune. Like I said earlier, this is tribute to the long-time fans and I would say their hunger should be fulfilled. I'm just hoping that this isn't their peak yet and Sweet and the gang will continue to deliver ultra high-quality releases in the future. Highly recommended!

Read more of Stephen’s features at MetalMusicArchives.

Review: Arrow Haze “Music Factory”

Rock

Arrow Haze is a Belgium-based rock band inspired by classic rock legends such as The Doors, Deep Purple and Pink Floyd. Founder Theo Green (vocals/drums) sums up the band’s mission: “I wanted to start a band that will reflect the sound and energy of the old hard rock bands and combine it with modern sounds”. Their debut album, out November 23, radiates with homages to yester-rock sounds played with a sense of urgency and reverence.

As such, there is more emphasis here on the instrumentation than melody in most of the songs. Extended instrumental sections allow each member to shine at one point or another, but collectively this band gels very well. There’s no question that each band member has more than his fair share of musical talent and dexterity (listen to the epic opener, “Casino”), but what I sense most fans of this site will appreciate is the attention to crafting a good hook. Buried amongst the more progressive elements, the chorus usually leaps out as a pleasant surprise. Highlights for me included “Dreams”, “Visions”, “Routine”, and “Along The Way”.

Finally, there is a special treat for Dream Theater fans - “Music Factory” features a guest appearance by keyboardist Derek Sherinian. Fans of classic rock won’t want to miss this one.

Arrow Haze – Official site.

Check out the video for “Crisis”:

Review: Gavin Guss “On High”

Power pop

Power pop fans no doubt have heard Gavin Guss in some way already, whether it was as producer of Super Deluxe or as front man for TubeTop and The Tycoons. He's toured with Nada Surf and provided piano accompaniment for Jon Auer (Posies), Fountains of Wayne, and Harvey Danger. His long-awaited solo debut, “Mercury Mine” was released to wide acclaim in 2010 (reviewed here).

From the first note of “Avenue A” to the closing sounds of “Lesson One”, Guss takes us on a delightful power pop journey that is as equally uplifting as it is melancholy. This is a balance Guss achieves in his songwriting, as he puts it: like dancing in your socks. The songs are short and sweet, but make quite the impression, percolating with keen melodies that will stick with you for days. Guss also showcases his knack for crafting buoyant harmonies (check out “Voices Inside My Head” for a demonstration). While it is best digested whole, some of my favorite picks include “Come Over”, “Wonder Too”, “Will To Fly”, and “Parc Monceau”.

“On High” was released on vinyl by Fin Records, which comes with a special download code to access the mp3 files. A must for power pop fans, especially those who enjoy the Posies, Mike Viola, or Gigolo Aunts.

Gavin Guss - Official site.

Melodic rock CD of the week: Scandal Circus

By Stephen Kasenda

SCANDAL CIRCUS “In the Name of Rock N Roll” (2012)

SCANDAL CIRCUS is another Swedish band that plays a brilliant combination of 80s hard rock and classic heavy metal. A typical formula that many European bands play, but this time they focus more on the straight-forward heavy riffs and rhythm rather than sleazy and naughty hooks or highly melodic arrangement. The title track, 'In The Name of Rock N Roll' is a colossal start, blitzed with meaty riffs and a sing-along chorus, it's no wonder this track became my favorite together with another similar track called 'The Race'.

'In Your Mind' and 'Big Bad Clown' are also magnificent. Up to the fifth track, 'Rock Spirit', it seemed like SCANDAL CIRCUS would keep unleashing their best till I stumbled on the acoustical ballad of 'Dreams', which I think is a bit too average. 'Leaving Town' is the weakest track though, but 'Losing All Control' which has that POISON's 'Talk Dirty To Me' feel is nice and easy, and luckily the last two tracks are also brilliant. 'Society of Evil' is dark, heavy, and loaded with some monstrous rhythm. 'Freakshow' also makes a very nice closer!

The production is great, especially for an indie release. The guitar parts are awesome, Pelle Eliasson should be proud of delivering such magical performances. Overall, a promising band, a good start, and if you dig Scandinavian hard rock, this won't disappoint at all!

Read more of Stephen’s features at MetalMusicArchives.

Kelly Jones Releases Debut Christmas Single

Acclaimed Pop Singer-Songwriter Kelly Jones Releases Debut Christmas Single “Kissing Santa On Christmas Eve”

 

Make room in the Seasonal Songbook for a brand new classic . . . “Kissing Santa On Christmas Eve,” by pop singer-songwriter Kelly Jones (reviewed here) wraps its irresistible hooks around the playful notion of a secret midnight tryst with Ol’ St. Nick himself.

 

Written by Jones and produced by Mike Viola, the song has the familiar, but fresh sound of a timeless holiday favorite. A shimmering two-and-a-half minute bauble with flashes of Spector’s “Wall of Sound,” E.L.O and even '80s Madonna, it delivers its fun yuletide message in a gloriously ornate pop arrangement and ties it up with a bow of winking sensuality.

 

Best known for her acclaimed pop album SheBANG! (2008), Kelly Jones has released three solo albums, as well as a duet EP with Mike Viola, while collaborating with such artists as Daniel Lanois, Buddy Miller, Adam Schlesinger and Brian Blade. With a songwriting style and a warm, soulful singing voice that echoes everything from ‘60s girl groups to ‘70s Laurel Canyon singer-songwriters to ‘80s New Wave, Jones is that rare artist who can sound retro and completely modern at the same time.

 

“Kissing Santa On Christmas Eve” marks her debut holiday release. Available in online stores December 4th, 2012.

Review: Gun “Break The Silence”

Rock/Melodic hard rock

Some of you may remember the Scottish band Gun, a relative late-comer to the late 80s hard rock scene, whose debut album featured some great cuts like “Better Days” and “Inside Out”. It was a stunning debut that did well in the UK, but failed to find the band a big audience in the US. They’ve had a steady stream of follow-ups, most notably “Swagger”, which featured an awesome cover of Cameo’s funk hit “Word Up!”, and now they are back with a new record called “Break The Silence”.

“Break The Silence” is a marked detour for the band – they’ve changed singers and their general music direction. While the first two cuts sound like B-side classics from the Gun we used to know, the rest of the album is top notch melodic hard rock with a huge emphasis on the pop side of the coin. Gun did not recruit a new mate to the fold, but rather handed over the vocal duties to bassist Dante Gizzi (who has also done side work in the glam rock band El Presidente). Dante’s vocals fit the new sound well, possessing enough grit to be mistaken for former frontman Mark Rankin, with a touch of Axl Rose for good measure.

The band sings about a “brand new sound” on track 3, “Lost & Found”, and this is where the album really begins for me. From here on out, we’re treated to the new Gun sound, which keeps sharp choruses that you won’t forget front and center. Nearly every song sounds like it was produced to be a single, with all sorts of bells and whistles including lush orchestration or amazing harmony vocals by Catrin Wyn Southall. Additional highlights include “Caught In The Middle”, “Running Out Of Time”, and the title track. “How Many Roads” is the featured ballad this time out, which sways and swaggers with style and grace.

This is Gun reloaded with silver bullets – if you need a shot of melodic hard rock, Gun will satisfy and then some. Definitely one of the most pleasant surprises I’ve heard all year.

Gun – Official site.

Review: Menage “Menage”

Rock

Menage is a brother-sister trio originally from Portugal – their music has been described as “Arcade Fire’s anthemic songwriting meets The Smashing Pumpkins sonic bombast”. I couldn’t agree more with this assessment and find myself discovering new things to appreciate about their self-titled debut album with each listen.

The Ferreria siblings trade male and female lead vocals, and often complement one another with striking harmonies. The female lead exudes the warm charm of Jill Sobule, but with a great deal more power. The mix in the vocal performances made for a dynamic listening experience, but the band has a tight chemistry that gives Menage a trademark sound no matter who is at the mic. The 14 tracks are expertly recorded, with mixing by David Botrill (Muse, Peter Gabriel) and mastering by Ted Jensen (Radiohead, Bjork).

The songs explore themes related to chasing your dreams, growing up, and letting go, and they come at you with a youthful urgency that is hard to resist. Not every song has a sharp hook that sticks in your memory, but there is great potential to be heard here. When the band is firing on all cylinders, magic is the result. Just listen to the seductive power in tracks like “Promises” or “Home”, or the frantic energy in “Bury Us Young”. First single, “Tonight”, is also a wonderfully sharp duet that is instantly likeable, with a beautifully constructed chorus. My favorite is “These Are The Days”, which should be the second single in my opinion – it is a brilliant piece of pop rock. I haven’t been able to get this song out of my head for days!

Watch for “Menage” on November 13.

Menage – Official site.

Check out the video for “Tonight”:

Melodic rock CD of the week: Red Dawn

By Stephen Kasenda

RED DAWN “Never Say Surrender” (1993)

Red Dawn was formed in 1992 by former Rainbow keyboardist, David Rosenthal. At that time, Rosenthal sealed a contract with EMI/Toshiba but unfortunately had no band. He held an audition for the project and rumor has it that Mitch Malloy originally fronted the band before his place was permanently filled by Larry Baud. Joined by his fellow drummer from Rainbow, Chuck Burgi, and guitarist Tristan Avakian, Red Dawn released its sole album, "Never Say Surrender" in 1993.

The band's musical style is a mix between 80s AOR such as Survivor, Asia, and Foreigner and the pompous melodic hard rock such as House of Lords or Giant. All of the musicians are highly skillful and Baud's vocals will leave you in amazement. Rosenthal's dominating keyboards lush up the music and Avakian's enthusiastic playing adds to the album's value.

Several big numbers here include the uptempo melodic rock opener, "Flyin' High", with Rosenthal's keyboard standing on the spotlight. A laid-back ballad with a gigantic chorus is "I'll Be There". Midtempo rockers with catchy hooks include "Liar". "Promises" is an awesome heart-melter - like a lost track from Foreigner. "Take These Chains" is their biggest ballad and reminds me of Aerosmith's huge hit, "Angel". The rest is pretty good and probably only "She's On Fire" is a bit repetitive and my least favorite here. The title track is also has a cool AOR groove with the chorus constructed in the style of Van Hagar's "Dreams".

The year 1993 was a tough year for hard rock/glam fans as alternative/grunge spread out like crazy and I remember several albums that stood out high such as Harem Scarem's "Mood Swings", Gotthard's "Dial Hard", or Poison's "Native Tongue", and I honestly think that Red Dawn's "Never Say Surrender" belongs on that list. A truly remarkable album for fans of classic hard/melodic rock and AOR.

Read more of Stephen’s features at MetalMusicArchives.
 

Nirvana Home Videos from 1988

I found these videos very interesting - almost chilling - to watch. Check out very early Nirvana in rare form before they hit it big and ushered in an entirely new genre of rock music.

Check out the story at the original post via Open Culture here.

1988-era Nirvana performs "About A Girl"



And here the band switches instrument roles for a cover of the 1974 Terry Jacks hit "Seasons In The Sun". Who knew Kurt Cobain was such a fan?

Review: Jet City Vega “Jet City Vega” [EP]

Modern rock

Jet City Vega is a new modern rock band based in Philly consisting of Manian Van Hacker (vocals), Brandon Reece (guitar), Tim White (bass), and Keith Collins (drums). They’ve recently released their first self-titled 3 song EP, which was recorded and produced by Grammy award winner, Obie O'Brien (Bon Jovi). While there are only three songs, the band clearly has focused more on quality than quantity. There isn’t a bad song here, each being more seductive than the one before. “This One Kid” creeps into your ears, where the chorus eventually latches on tight with its graceful hook. “Blood Like Sugar” has some more muscle to it, with crunchy guitars driving the verses in a way that reminds me of Stone Temple Pilots. The chorus is decorated with such ear-pleasing backing vocals, they make this track stand out as my favorite. Last but not least, “Only Human” begins with a bouncy pop riff that sounds a little AM radio, before exploding into a powerful anthem of a chorus.

Definitely worth checking these guys out – keep an eye on this band!

Jet City Vega – Official site.

Review: Jimi Jamison “Never Too Late”

Melodic rock/AOR

If anyone needs no introduction in the melodic rock arena, it is Jimi Jamison. In addition to his solo career and early work with Cobra, Jamison helped maintain Survivor in the 80s limelight with huge hits like “Burning Heart”, “High On You”, “The Search Is Over”, and “Is This Love”. Jamison is singing once again with Survivor, but finds his voice in such demand that he’s somehow made the time for several outstanding side projects, such as Kimball Jamison (with Toto’s Bobby Kimball) and One Man’s Trash (with Fred Zahl).

During the Kimball Jamison project, he started working with Swedish songwriter and producer Erik Mårtensson (W.E.T., Eclipse, etc). An AOR pairing that seems like a match made in heaven, Jamison and Mårtensson deliver yet another infectious release full of rockers and ballads on “Never Too Late”.

“Everybody’s Got A Broken Heart” provides an energizing start to “Never Too Late”, sounding very much like a hit that Survivor could have had in the 80s – a wonderfully nostalgic track with a modern flair. “The Great Unknown” is another signature inspirational anthem that Jamison can add to his collection alongside “Burning Heart” and “Reach”. The title track is similar in theme, but has a pleasant mid-tempo pace that will have listeners nodding along to the beat. Fans of “American Heartbeat” (pre-Jamison Survivor) will detect a familiarity in the thumping keyboard intro to “Street Survivor”, but the song soon explodes with a racing rhythm and a rebel’s lyric. On the power ballad side, be sure to check out “The Air I Breathe” and the heartbreaking “Heaven Call Your Name”.

“Never Too Late” is another solid addition to the impressive Jamison discography that will appease old school fans and new fans of the melodic rock genre. His voice still sounds like one of the best in the business, proving once again that no matter who writes the songs, Jamison can make them sound like gold.

Jimi Jamison – Official site.

Check out the video for "Never Too Late":

Review: Neil Nathan “Sweep The Nation”

Rock

New York City-based singer/songwriter Neil Nathan charmed our socks off with his previous effort, “The Distance Calls”, a release that displayed his love for Jeff Lynne and Cat Stevens in a series of folky, Alt-Americana styled songs (review here). Fans might not recognize him at first on his follow-up, called “Sweep The Nation”, which may as well have been named “Sweep The Nathan” given how much of the former Neil Nathan has been swept aside to let his “Overlord” alter ego emerge to the fore.

Inspired by the avalanche of socio-economic protests around the world, and actually released under the name “Neil Nathan, Inc.”, “Sweep The Nation” is a “power to the people” concept album dissing corporate personhood. “Sweep The Nation” is a sharp turn in terms of style and influence, but Nathan’s trademark vocals and knack for melody provide a common thread to the artist’s past. This time out, Nathan was written a concept album that pays tribute to classic 70s rock – you’ll hear overt influences from David Bowie, The Stooges, and T. Rex.

This new style is immediate with the appropriately titled opener, “Jumpstart” – a short and sweet rocker in the vein of Matthew Sweet that sets the stage for what’s to come (I got the same impression later on the party tune “Everybody Everywhere”). The title track follows, digging its chorus hook into you right at the get-go. You can detect some of his trademark singer/songwriter attributes coming through in “Comin’ Round The Bend”, but this midtempo rocker quietly builds into a piece that could have fit comfortably on a 90s Collective Soul record. The foot-stomping anthem “I Ain’t No Company Man” strikes at the heart of the record’s themes, while “There Is No Time” is one of the catchiest songs in the collection and “Evey” gives a nod to Cheap Trick. Not everything is bombastic – even the Overlord has his somber moments with the beautiful “For The Lucky Ones” and the closer, “All We Need Is So Much More”.

“Sweep The Nation” is a satisfying trip down memory lane to a time when concept albums mattered – this record is to Nathan what “The Wall” was to Pink Floyd. Nathan’s songwriting sensibilities are as sharp as ever, crafting songs that stand alone remarkably well yet gel with the others to build an epic story. “Sweep The Nation” will sweep you off your feet and allow you to get your democracy on at the same time.

Neil Nathan – Official site.

 

Review: Research Turtles “Mankiller Part 2 of 2” [EP]

Alternative Rock

The Research Turtles come back out of their shell with the second part of their “Mankiller” EP set (the first is reviewed here). This follow-up was planned for a 2011 release, but the band admitted to some delays due to rising recording costs and reduced income from touring. I am sure fans were waiting with bated breath as “Mankiller Part 1” was so good. In short, Part 2 doesn’t impress as quickly as Part 1, but there are a couple gems not to miss. “Guy Like Me” sets the stage on Part 2, a haunting acoustic complement to the opening “Girl Like You” track from Part 1. “Break It Up” and “Space” are more upbeat and true to form for Research Turtles – solid songs, but not particularly memorable. The saving grace here is the outstanding track called “Into You”. “Into You” is a hugely catchy slice of pop rock – simple but amazingly addictive and a blast to play again and again. Research Turtles definitely hit a home run with “Into You”.

The band is making all of its music available in the form of FREE downloads on the web site below, along with Jud Norman’s new solo album, as of October 18.

Research Turtles – Official site.

Review: Electrolic “Live On Land”

Indie rock

Electrolic is the brainchild of Scott Gagner (reviewed here) and Steve Enstad. The pair have come together in a home studio among the redwoods near Big Sur, California to record a new psych-synth-power-pop set of tunes. The end result is an eclectic yet alluring album called “Live On Land”. As Steve Turnidge, who mastered the project, stated, “Usually, when I master, I’ll do a song and go on to the next one. In this case, I sat and listened to each track several times just for my own enjoyment”. I can say an analogous thing about the record itself. After a review, I’m usually reaching for the next artist in the queue, but there was something about “Electrolic” that made it difficult to hit eject so quickly.

If you are familiar with Scott Gagner’s previous work (either as a solo artist or as Cartographer), the music of Electrolic is not quite what you’d expect at first. But give it a chance. You’ll surely hear a lot of Ric Ocasek in the peppy opening track, “Hello Hello” – and their love for the The Cars is most overt in their decision to cover one of their biggest hits, “Drive”. Electrolic does a splendid reworking of “Drive” that ranks among one of the best cuts on the album for me. Other highlights include “Benefit Of The Doubt”, which is closest to the breezy pop style Gagner has charmed us with in the past. There is also a great energy propelling “Refreshing” and a catchy melody perforating the otherwise moody “After The Fall”.

Electrolic is recommended if you like Guided by Voices, The Shins, or The Flaming Lips.

Electrolic – Official site.

Check out the video for “Hello Hello”:

Review: Bos Taurus “In The Sun”

Indie rock/pop

Led by guitarist Steve Chesser, the Delaware-based band Bos Taurus released their latest album, “In The Sun”, earlier this year. He’s joined by a set of “who’s who” among the indie power pop and rock arena, including lead guitarist Shawn O'Neill (The Knobs), bassist Sam Musumeci (The Caulfields, Mercy River, The Knobs), multi-instrumentalist Phil Young (The Cocks, The Knobs, The Rubber Uglies), drummer Pete Romano, and backing vocalist Heather Plank.

Themes of loss, disappointment, and regret predominant on “In The Sun”. The sound of the band draws heavily from its influences, which include The Pixies, The Shins, and Yo La Tengo. If you’re into any of those bands, odds are you are going to dig Bos Taurus. Building from their recent success in earning a Spark Award for the Best Pop Band at the 2009 Delaware Music Awards, Bos Taurus is raising the bar on this sophomore effort. The songs here are meticulously crafted with well-placed harmonies and a mix of acoustic and jangle pop guitar tones. Highlights include the Posies-inspired “Even Now”, the bouncy and horn-laced “Just Like Lightning”, and the driving rocker “The Silence”. Reminiscent of R.E.M.’s heyday, the title track is one of my favorites, with Plank’s backing vocals providing the perfect accompaniment to this savory piece of ear candy. The back half wasn’t grabbing me as fast, but I sense that with repeated listens a deeper appreciation of the songwriting will reveal itself.

No sophomore jinx here – Bos Taurus has gone to new heights with “In The Sun”.

Bos Taurus – Official site.