Review: Bonaventure “Come Hell or High Water” [EP]

Pop rock

Formed in 2010, Bonaventure is a Nashville-based pop rock duo that recently released their debut EP, “Come Hell or High Water” on May 15th. Following the success of their previous bands, vocalist Andrew Albert (previously of Holiday Parade) and guitarist Dan Smyers (previously of Transition) have teamed up to create an explosive act in Bonaventure. The band has a diverse sound reminiscent of influences such as Kings of Leon, The Fray, and Carolina Liar.

Bonaventure's debut EP is a perfect soundtrack to kick off the summer. Lead off track “Gaining Speed” feels like a #1 radio hit with an uncanny resemblance to Train. “I Dare You” is another slick piece of commercial pop rock with a sweet hook and sound that pays homage to their love of The Fray. The title track breaks things down with some refreshing acoustic guitars before the power chords chime in to accentuate the storytelling lyrics. “These Shoes” is included as a bonus track - a beautifully sparse but radiating song with a Wildflowers-era Tom Petty vibe (see video below).

Bonaventure brings soulful vocals, melodic hooks, and outstanding modern production to your ears. There’s not much more required to satisfy pop rock fans. You can purchase the EP on iTunes.

Bonaventure – Official site.

Watch the official music video for "These Shoes" on AltPress.com here.

Melodic rock CD of the week: Alfonzetti

By Stephen Kasenda

ALFONZETTI “Here Comes The Night” (2011)

ALFONZETTI's 'Here Comes The Night' is his third solo offering, which came out pretty late in 2011. It steals the attention and I've seen some friends rate this pretty high, even up to their top 10 of that year. I do think this is a great album, but I'm not sure that it's really worth that extremely high rating because despite some killer tracks here such as 'Set Me Free', 'Heartbreaker', 'Don't Listen To Your Heart', and 'Lay Your Love On Me', there are few weaker moments such as 'Why Can't You Love Me', 'Losing You', or 'Rock N Roll Heart'.

This album was handled by only two guys. Matti himself played bass and guitar while singing the whole song and his other friend, Daniel Flores, plays drums and also keys. But to me, it doesn't sound like a one-time project and it still feels like a whole band playing a complete album. Alfonzetti still has that great vocal and I need to underline that the gems of this album are the ballads, so probably not really for those who prefer heavier music, even though you can still find some good uptempo tracks here as well. 'I Will Never Let You Fall' is also a great track.

My biggest complaint is that this album is just way too short. Clocking below 40 minutes, it reminds me of old SLAYER or TESTAMENT album, and I think providing a couple more songs would have been better. I give this a solid 80%, depends on the mood, probably swing as high as 85%. If you love melodic rock and AOR, I think Alfonzetti has done a pretty good job here.

Read more of Stephen’s features at MetalMusicArchives.

Under Cover: Hit Me Baby One More Time

Travis "Hit Me Baby One More Time" (Britney Spears)

Circa 2003, Brit-pop band Travis reworked this massive Britney Spears hit from a slick overproduced affair to a stripped down acoustic version.

Review: Wig Wam “Wall Street”

Melodic rock
Norwegian glam revival band, Wig Wam, is back with their fourth release, “Wall Street”. The boys in this band enjoyed their major breakthrough in 2005 when they presented their single "In My Dreams" to the Eurovision Song contest, beating all rivals and going straight to #1 on the national charts, where it stayed for over 21 weeks and went platinum. In 2006, Wig Wam recorded their follow up, “Wig Wamania”, and further cemented their reputation for big riffs and catchy hooks with the 2009 release of “Non Stop Rock N Roll” (reviewed here).

As you might surmise from the title, all the fun seems to have been sucked out of this party band. This time around, the band made a conscious effort to bring more depth to their lyrical themes. An admirable task, but it isn’t going to be compatible with what many of their fans expect – and might want. There is a greater sense of drama in the musical accompaniment to match the darker, more somber mood. Nothing wrong with a band evolving and experimenting, but I have to say it took me by surprise and I’m not sure it was a pleasant one.

The title track and “OMG! (Wish I Had A Gun)” almost seem too serious for their own good, and these are followed by a painfully boring ballad called “Victory Is Sweet” (but even more sleepy is “Tides Will Turn”). “The Bigger The Better” is more exemplary of what we’d expect from Wig Wam, but it feels strangely small in staying power. “Try My Body On” might have worked better on a previous record, but these lyrics just sound stupid sandwiched between the other songs. The only tracks that have a chance of being played again into my ears are the catchy “Wrong Can Feel So Right”, the funky rock fusion “One Million Enemies”, and the refreshing acoustic-based jam “Natural High”.

I really enjoyed the last Wig Wam record, but “Wall Street” is bankrupt – what a disappointment! A band should grow and explore more serious themes, but they don’t have to compromise memorable melodies to do so.

Wig Wam – Official site.

Review: SIVA Addiction “Bad Decisions”

Modern rock
Led by the powerhouse vocals of Bridgette Oliver, Oklahoma-based SIVA Addition released their sophomore effort, “Bad Decisions”, back in February of this year. Propelled by the head-banging single, “One Night Rodeo”, the band is raising eyebrows as fans raise their fists in the air at their shows. “Bad Decisions” was produced by Hinder's Cody Hanson, so if you’re familiar with Hinder you have a good idea of what SIVA Addiction sounds like. In addition to Bridgette Oliver on lead vocals, SIVA Addiction features Andy Hopkins on lead guitar, Jesse Slone on bass, Vince Lindstrom on rhythm guitar, and Brandon Fields on drums.

The title track serves to introduce us to what SIVA Addiction is all about – thick riffs, anthem choruses, and engaging lyrics and vocals. In addition to the terrific “One Night Rodeo”, other rocking highlights include “Hit Me”, “Night To 5”, and “When It’s Over”. The band can do more than rock out - “Gone Away” is a restrained and pleasant mid-tempo tune and “Take Me Home” is a solid power ballad.

Fans of Halestorm, Paramore, and Shinedown will want to check this one out for sure – lots of good tunes to feast on to satisfy modern hard rock appetites. You can catch the band on tour with Saliva.

SIVA Addiction – Official site.

Melodic rock CD of the week

By Stephen Kasenda

GOTTHARD “Human Zoo” (2003)

'Human Zoo' is a turning point for hard rock band GOTTHARD. Entering year 2000, the band seems to have convinced themselves to play a more European melodic rock style rather than the AC/DC driven no-frills hard rock. Both sides of GOTTHARD are interesting, as is trying to see them mix the two styles in the set list during their concerts.

This album is a slightly higher step than 'Homerun', and there are three insanely perfect songs here that give me chills when I hear them. 'Have A Little Faith' is a truly wonderful ballad with a beautiful violin that could make a perfect wedding song. 'Top of The World' is a roaring anthemic song and also an incredible gig opener. 'One In A Million' is a brilliant commercial track that I love a lot.

GOTTHARD also seems to focus more on the mid-tempo songs and ballads, even though some heavy rockin' songs like 'Human Zoo' and 'Where I Belong' add colors to the whole album. The mid-paced tunes such as 'Jamie's Not Alone', the acoustical ballad of 'First Time In A Long Time', and the closing song, 'What Can I Do' are other songs that I recommend. The production is also great and overall this one is a pleasant album and I'll gladly rate it a respectable 85%.

Read more of Stephen’s features at MetalMusicArchives.

Review: Wes Hollywood “Fantasy Arcade”

Power pop

Since 1999, Wes Hollywood has been honing his sound on the streets of Chicago, perfecting a mix of new wave and power pop that combines one part of the Kinks and two parts Cheap Trick. “Fantasy Arcade” is the culmination of lessons learned through the years, resulting in one of the most solid albums of his career.

In general, the music of Wes Hollywood is bouncy and upbeat, with melodies that feel inspired by Lennon and McCartney or Todd Rundgren. Highlights include “It’s Good To See You”, “Alfie”, “New Society”, and “City Streets”. While remarkably consistent, it could be argued that a few more dynamics would help prevent each song from sounding too similar to the last. Some additional harmonies would certainly take some of these songs to the next level.

“Fantasy Arcade” is a healthy dose of bright and cheery pop rock to start your summer off on the right foot – there is more than enough here to satisfy even the most discriminating power pop fan! And for your audiophiles, the record is available in both stereo and mono versions.

Wes Hollywood – Official site. 

Review: Sam Densmore “Ku-Thar’-Tik”

Singer/songwriter

Sam Densmore is a singer/songwriter from Portland, Oregon who has poured all he’s learned about love and loss during his first 40 years into his latest album, “Ku-Thar’-Tik”. “Ku-Thar’-Tik” is actually a double EP: the first entitled “Sad Songs For A Sad World” and the second called “Cat Years”. Together, they consist of 17 tracks that are recorded in the lo-fi format, reminiscent of the organic feel Paul Westerberg has been shooting for on his most recent efforts. Densmore earned a BA degree in music composition in 1996, and his abilities have been polished over the years in various bands including Slow Children, Frequency db, and Silverhawk.

I would characterize Sam’s vocals along the lines of Michael Stipe (R.E.M.) or Dave Pilner (Soul Asylum), and the music he crafts is in the neighborhood of Elliot Smith or Guster at times. While the arrangements are sparse, this isn’t to say the artistry is not sophisticated. Beautiful chord changes and harmonies are heard throughout the course of this album and the simplicity forces you to focus on the message without being distracted by the smoke and mirrors of glitzy production tricks. I would be lying, however, if I didn’t admit that there are several songs on here that would stand to benefit from a more climatic ending or added dynamics.

At 17 tracks, there is a lot to digest. If this style piques your interest, I’d encourage you to check out “So Complex”, “Groan”, and “Sophisticated” on the first half. The second portion is much fuzzier and less accessible to my ears, but I’d point you to “She’s Going To Want You” or “Live Another Life” for sampling.

“Ku-Thar’-Tik” will be available on June 19.

Sam Densmore – Facebook.

Melodic rock CD of the week: Big Life

By Stephen Kasenda


BIG LIFE “Big Life” (2011)

Big Life, a name that reminds me of Night Ranger's classic release, definitely won't surprise me if their songs have derivative influences from what the Ranger did in the 80s. But to top the cake, Steve Newman uses his tender melodic rock touch and Mark Thompon-Smith enhances the product with his metallic experiences he grabbed by fronting Praying Mantis in the early 90s. If you also have heard the prog/AOR mix of Slamer's "Nowhere Land" and the two classic Giant albums, there are a lot of similarities in style on this record as well.

Going through this album from top to finish for the first time, my initial impression was they have a very unique sound - not your everyday melodic rock. Many songs have unpredictable patterns but the good thing is that every single tune has hit potential. If you prefer their harder side, "Dying Day", "Close To You", "Calling", "Feel Alive", and "Takin' Me Down" are the best picks. If you're curious for the slower parts, "I'll Still Be Here", "Stop In Time", and "Nothing Without You" are ballads carefully crafted for maximum enjoyment. The crème de la crème of this record is the third track, "Better Man". Driven by piano, it has a strong Toto touch - the chorus is a champion, the harmony is utterly brilliant, and it’s simply a superb song!

I didn't expect this album to be that good, but after repetitive listening, this album just gets better and better. I even came to the point that Big Life even surpasses the already-great release of Newman's, "The Art of Balance" last year. It would be a total waste if this project is only a one off shot. For fans of melodic hard rock and AOR, it's an unforgivable crime to pass on this. Bottom line: Bigger than just Big!

Read more of Stephen’s features at MetalMusicArchives.

Review: Hardline “Danger Zone”

AOR/Melodic rock
Hardline was formed when brothers Johnny (vocals) and Joey (guitar) Gioeli teamed up with Journey/Bad English guitarist Neal Schon, Todd Jensen (David Lee Roth, Alice Cooper) on bass, and Deen Castronovo (also coming from Bad English) on drums. Their 1992 debut album “Double Eclipse” became a favorite among fans of polished AOR, but the change in musical tides did not help things commercially and the band soon parted ways.

In 2002, Johnny and Joey reignited Hardline with an all new line-up, resulting in the long-awaited follow-up album simply called album “II”. This time out, Josh Ramos (The Storm and Two Fires) took Neal Schon’s place on lead guitar. Another record, “Leaving the End Open” was released in 2009.

Frontiers Records President Serafino Perugino continued to champion the band and Gioeli decided to give Hardline another go with the Italian songwriter and producer Alessandro Del Vecchio (Edge of Forever). Hardline now has a European based line-up featuring Francesco Jovino (UDO), Thorsten Kohene (Code Of Perfection, Eden's Curse) and Anna Portalupi (Mitch Malloy).

While the band only retained one founding member, the sound on “Danger Zone” largely remains the same: driving verses, big choruses, and slick production. For fans of Journey, Europe, or Bad English, you are in for a nostalgic treat. There are plenty of juicy cuts for us melodic rockers to sink our teeth into and savor. Among the upbeat tunes, highlights include “10,000 Reasons”, “Never Too Late For Love”, “Stay”, “Look At You Now”, and “What I’d Like”. The band has always churned out high quality power ballads, and the big winner this time is “Stronger Than Me”. All in all, “Danger Zone” is a very strong record.

Hardline – Official site.

Check out the video for “Fever Dreams”:

You Were Robbed – Diving For Pearls

"You Were Robbed" features artists and bands that should have gotten much more recognition and fame than they did. Check them out now...better late than never!

The debut self-titled album from pop rock band Diving For Pearls came out in 1989, spawning the minor hit “Gimmie Your Good Lovin’”. Danny Malone was the key force behind this outfit, but despite their airplay, a top 20 ranking by KERRANG, and a CD filled with potential radio-friendly hits, the album barely made a blip on the radar screen.



After this opening track, the album just gets better and better. “Have You Forgotten?” is a terrific melodic rocker that holds you attention to the more sultry tune, “I Close My Eyes”.



The band could also deliver an excellent ballad – check out “New Moon” as an example.



And that is just the first half of the album! The second half kicks off with another driving rocker called “You’re All I Know”.



Other highlights include “Mystery To Me” and “Keep You Love Alive”, as well as another notable ballad, “I Don’t Want To Cry”.

Remarkably, Malone returned in 2006 with the long-awaited follow-up record called “Texas”. While using the Diving For Pearls name, it was really a Malone solo effort. It was a solid release, and Malone sounded great, but the songs just didn’t capture the magic of their debut. Track down the debut – no melodic rock collection is complete without this lost gem.

Review: Fallon Cush “April”

Rock/Americana

Fallon Cush returns in June with the release of his second album, “April”, which follows an acclaimed debut we reviewed in October, 2011 (review here). The songs on “April” set a different tone, as described in the words of singer/songwriter Steve Smith, "The record is really about reconciliation, fresh starts, tearing down walls, and building bridges”. In addition to exploring new lyrical themes, the musical styles on “April” flirt heavily with the type of Americana rock Tom Petty popularized.

Rounding out Fallon Cush are Scott Aplin (keys), Chris Vallejo (bass) and Josh Schuberth (drums, bass). With Glen Hannah on guitar and renowned vocalist Lily Dior on backing vocals, and mastering completed by Greg Calbi (Bruce Springsteen, John Lennon, The Antlers), the songs have a refreshingly organic feel not unlike the past couple Black Crowes records.

“April” begins with the spritely tune, “It’s Line”, which radiates radio-friendliness with its bright verses and catchy chorus – one of my favorites from Fallon Cush. “Honey Honey” also makes a favorable first impression with its simplicity and charm. The soulful delivery of “Sight To Remember” gives the song a distinctive Joe Cocker vibe. I loved how the breezy feel of “When You Say” was followed by the feisty charge of “Renegade Blues”. Finally, be sure not to overlook the beautiful “Where Your Name Is Carved”, which brings some piano into the mix along with some spectacular harmonies.

Overall, “April” represents a big step forward for this band – catch them while they are in bloom.

Fallon Cush – Official site.

Melodic rock CD of the week: Destine

By Stephen Kasenda

Destine “Illuminate” (2012)

I'm completely stunned with DESTINE's latest album, 'Illuminate', which really combines enchanting melodic rock with a twist of modern element. The band builds a perfect bridge to accommodate both fans from the 80s and the young generation of the 2000s. The balanced mix of uptempo and energetic tracks with ethereal ballads make 'Illuminate' a strong contender to stay on top of the mind of this genre's fans.

'Four Leaf Clover' is a massive start but 'Stay' kicks the ball even higher. The band sways into slower territory with 'All The People', a beautiful downtempo moment. It’s not really their best offering but I find it quite satisfying. 'Wait Forever' is flawlessly brilliant. I love everything from the splendid intro to the bombastic chorus. 'Thousand Miles' is another ballad pick and I think it's better than 'All The People'.

On the second half, I'm seeing an even better game played by the band. 'Unbreakable' is a solid fast-paced track, 'Best Kept Secret' has a different vibe with a slow start before erupting with an awesome beat, and the last two tracks are definitely winners. The production is also great and some folks might think this band is too young and light for their taste, but sweet melodies are the main attraction here and if you're into that thing, 'Illuminate' is one of the best picks of this year!

Read more of Stephen’s features at MetalMusicArchives.

Under Cover: Hot Stuff (In memory of Donna Summer)

Hard Candy "Hot Stuff" (Donna Summer)

The music community suffered another loss this week with the passing of Donna Summer. Here is a rocked up version of "Hot Stuff" by Hard Candy, a track featured on the soundtrack to The Full Monty.

Review: Great White “Elation”

Rock
Just when you thought it was safe to go back in the water…along comes Great White’s 12th studio album, “Elation”. While Great White is best known for their 80s hits “Once Bitten, Twice Shy”, “Rock Me”, “Save Your Love”, and “Call It Rock N Roll”, the band has been quietly churning out records regularly, featuring their trademark blues-tinged rock.

It can be argued that “Elation” is not really a Great White album – the band decided to record without founding member and distinctive vocalist Jack Russell while he was ill. Instead, XYZ singer Terry Ilous has stepped up to the mic. “This is a new birth of the band,” drummer Audie Desbrow says. “I wanted to call the album ‘Tabula Rasa’ which means rebirth, but we went for ‘Elation’ because of the euphoria in the atmosphere. It’s a fresh and healthier start than ever before. I’m like a kid in a candy store.” I’m not privy to all the politics of the band, so I’ll just comment on what I am qualified to talk about: the music.

First, I’d argue the record retains a great deal of the Great White sound despite the change in lead vocalist. Ilous is a fine lead singer and his tone fits into the band’s bluesy rock groove better than I expected. Another distinctive feature of Great White has always been Mark Kendall’s guitar licks, and they are front and center on “Elation”.

The record starts with “(I’ve Got) Something For You” – the song features some sizzling riffs and leads, but is kind of a lackluster beginning. “Feelin’ So Much Better” isn’t so much better, but at least has a somewhat memorable chorus. “Heart Of A Man” is a decent mid-tempo cut and the driving tale of “Shotgun Willie’s” is pretty good. Unfortunately, too many songs are way too long and just ramble into nowhere – the worst offenders being “Love Train”, “Resolution”, and “Lowdown”, which is probably the worst song Great White has ever done.

Overall, any euphoria the band experienced making this record doesn’t translate into “elation” - it’s pressing it just to call this record “nice”. A handful of tracks are fair to good, but too many are a chore to get through.

Great White – Official site.

Review: Art Kenyon “Cocoon” [EP]

Alternative rock
Art Kenyon is a singer/songwriter hailing from Vancouver, and he’s just released his emotive debut EP, “Cocoon”. A former psychology/philosophy major, his music is infused with rich, contemplative lyrics, set to a soundtrack of generally dark and moody rock. The grungy undertones and use of distorted vocals fit the themes of these six songs, but what makes the EP truly engaging are the subtle hooks buried under the dirt and dust.

The title tracks kicks things off and is one of the strongest in the batch – a groove driven song, this one sinks in faster than the others. “Cocoon” explores the obstacles we encounter through each phase of our life. “The Way They Try” features more introspective lyrics about existence, and the bed of guitars is draped with some experimental sounds. “This Girl’s Trouble” doesn’t really have a great hook or melody to latch on to, but there is something hypnotic about this haunting tune that makes you want to hear it again and again (check out the video below). “Tuesday Night” finds Kenyon in more of a laid back coffeehouse mode – the acoustic strumming and handclaps make it one of the more accessible numbers and is sure to have wider appeal. Riffing off some Shakespeare, “Juliet” is a crushing rock song that gets your pulse going before the comparatively gentle closer, “Always”, calms you down.

Art Kenyon has the poetic swagger of Jim Morrison and is cultivating a blend of alternative and modern rock that seems destined to break ground in new sonic territory.

Art Kenyon – Facebook.

Check out the video for “This Girl’s Trouble”

Melodic rock CD of the week - HEAT

By Stephen Kasenda

HEAT “H.E.A.T.” (2008)

Sweden continues to amaze me in the last couple of years, providing a lot of entertainment from almost all musical genres. This time, H.E.A.T. blew me away with enthralling, grandeur melodic rock in the vein of classic 80s heroes such as Bon Jovi, Europe, Survivor, and Giant. Most of the members are very young, probably in their early 20s, but thumbs up for their songwriting capability and musicianship. Kenny Leckremo, the singer, has a Joey Tempest pipe with a gentle blend of Jimi Jamison. His vocal range is phenomenal and at times we can hear a metallic edge on his voice.

Ignited by "There For You", this instant favorite has a memorable chorus. Then they take you to the higher level with "Never Let Go" – an anthemic chant mixing Talisman and Europe that stands out as the best track of the album for me. Guitarists Eric Rivers and Dave Dalone are twin killer combos, shredding swiftly throughout the songs, especially on tracks such as "Straight Up" and "Straight For Your Heart". "Cry" is a beautiful midtempo ballad with a heartfelt, passionate delivery and a thick 80s texture. "Follow Me" is another power ballad and no doubt, is a great song as well. "Bring The Stars" has an affecting emotional touch with massive vocal harmonies. If you can get the 2cd version, it worth your penny as the second disc contains the song, "1000 Miles", a huge and pompous 80s track.

If you like Europe's "Out" and "Prisoners" era or Giant's first two albums, you will love this amazing album instantly. Not to forget that Stormvox has done a splendid job with a flawless sound production. If this was released in 1988, H.E.A.T would have sold out a 30,000 capacity stadium and topped charts across the world. This is a five star album and a must-buy if you're into glam metal and melodic rock.

Read more of Stephen’s features at MetalMusicArchives.

Under Cover: Fight For Your Right (To Party)

Coldplay “Fight For Your Right (To Party)” (Beastie Boys)

Coldplay’s tribute to Beastie Boy Adam Yauch, who passed away last week.

Review: David Myhr “Soundshine”

Pop/powerpop
Once upon a time, there was an outstanding pop act called The Merrymakers. Hailing from Sweden, they generated some of the tastiest ear candy heard in modern times. Unfortunately, the duo had a falling out, but one half has just released his first solo effort, “Soundshine”.

David Myhr’s sound does not tread too far from Merrymakers territory, so fans of this underrated band are going to be thrilled. For those of you not familiar with the Merrymakers, 1) you need to get yourself familiar with them, and 2) you need to pick up Myhr’s new record as well. As its title suggests, “Soundshine” is radiating with sunny, feel good melodies reminiscent of the best of Jellyfish (even the album cover looks like a Jellyfish record). Gentle horns and glistening piano augment each song and keep things perky.

Virtually every song is a winner that I look forward to playing over and over, but key standouts include lead single “Looking For A Life”, “Got You Where He Wanted”, “Get It Right”, “Cut To The Chase”, and “Loveblind”. There are few breaks from the up-tempo pace, but if you’re in the mood for something slow and sweet, check out the beautifully orchestrated song “The One”.

David Myhr has made a terrific record that celebrates the glory of 70s bubblegum pop yet manages to sound like a timeless classic. If you’re not convinced, then head over to his web site for a free download and check it out for yourself.

David Myhr – Official site.

You Were Robbed – Choirboys

"You Were Robbed" features artists and bands that should have gotten much more recognition and fame than they did. Check them out now...better late than never!

Led by frontman Mark Gable, The Choirboys were one of the biggest bands in Australia during the 80s. Their debut album was a crunchy hard rock fest in the spirit of their AC/DC mates, but this was followed up by a markedly more melodic and commercial record, “Big Bad Noise” (1988). The band toured with the likes of Deep Purple and Bon Jovi, and scored a minor hit in the US with the anthem “Run To Paradise” – who remembers this terrific song?



The song was much more successful in their homeland and it is puzzling why it failed to raise more attention in the US. The strength of this song led me to check out the entire album and I was pleasantly surprised when track after track delivered strong, catchy melodies and unique baritone  harmony vocals. “Boys Will Be Boys” recalls a bit of their grit from the debut, but is very slick and radio-friendly.



The band exercised some storytelling muscle with the infectious track called “James Dale” – no video was made for this one, but I found a snippet of a live version of the song good enough to give you an idea of how great it is.



Unfortunately, there aren’t many Choirboys videos available, so I highly encourage you to seek out this band and give them a listen. Other highlights from the record include “Struggletown”, “Struck By Lightning”, and the title track. Beyond “Big Bad Noise”, their 2004 album “Evolver” is my second favorite, largely due to the amazing track “Fuel”. More recently, they released “Big Bad and Acoustic”, which contains beautifully reworked versions of their classics.

Review: The 99ers “Move It”

Rock/Punk/Rockabilly
The 99ers released their latest CD, “Move It” on April 17. Filled to the brim with 20 new tracks, the band is clearly one of the more prolific and hardworking acts in the genre. But as much as I love their trademark homage to vintage rock, after digesting twenty tracks I can’t help but feel like I am experiencing the musical equivalent of overeating.

For those not familiar with this Minnesota outfit, the 99ers spin yarns that are encased in vintage guitar tones popularized at the genesis of rock and roll. But you’ll hear some modern influences as well, not unlike Social Distortion, The Ramones, or even Green Day at times. These classic chord changes never get old, and the rotating lead vocalists (which include male and female leads) keep the record sounding fresh. The songs are generally short and sweet, coming at you fast, so there’s never a dull moment.

14 of the tracks are originals, and the band has thrown in some revved up covers of tunes originally done by Eddie Cochrane, Brenda Lee, Cliff Richard, and more. Some of the highlights on this one include the raw energy of “Miss Shannon”, “That’s The Way We Dance”, “Punk With Gretsches” (great harmonies on this one!), “St. Paul's A Lonely Town”, and “They Came, They Saw, They Rocked”, which sums up the record perfectly.

Records by the 99ers are more than just another fun ride – they are a history lesson. “Move It” reminds us – and teaches others – where rock got its start and why it has lasted so long.

The 99ers – Official site.

Melodic rock CD of the week - Aerosmith

By Stephen Kasenda

AEROSMITH “Get A Grip” (1993)

"Get A Grip" is the last gripping album of the 90s that I like by Aerosmith. The band takes you on a long and winding crazy ride – you’ll think you're in a wonderland and ain't comin' back. Apart from the sensational romancing trilogy, "Crazy", "Cryin", and "Amazing", this record has so much more to offer. There is a 50s rockabilly approach to "Fever", a raging and punky tune in "Walk On Down" (which feels like they're messin' with a GNR track), the high-rockin' ground shaker "Eat The Rich", and the longest-yet-best track of the album, "Livin' On The Edge".

You can't compare this to Rocks or Toys, this is a different era of Aerosmith. But considering that the record came out in 1993 - tough days for rock and roll – the band still managed to stay on the right road and the record even nailed the Grammy and sold over 20 million copies worldwide. "Get A Grip" is a likable album to many with a great span of commercial tracks - probably hated by classic fans, but also could be their guilty pleasure they won't admit.
Read more of Stephen’s features at MetalMusicArchives.

Under Cover: Smells Like Teen Spirit

The Ukulele Orchestra "Smells Like Teen Spirit" (Nirvana)

Here is a most unusual take on the grunge classic. The ukuleles I can live with...but the vocals? Geez...

 

Review: John Taglieri “Lucky #9” [EP]

Rock

On April 17, the unsung hero of working class rock and AOR, John Taglieri, released an EP called “Lucky #9” (Leap Dog Music). In his own words, he states, “I approached this EP a little differently. Being my ninth release, I think I am more in tune with what I wanted to say as an artist. I wrote songs that really meant a lot to me right now in life and tried to tell stories that would connect. Using my new studio and working with Lee [Lee J. Turner, who has production credits that include Darius Rucker, Jewel, Leann Rimes, and Bo Bice] again was awesome as well. There was a great vibe throughout the whole recording process. I'm very proud of 'Lucky #9', and I hope people enjoy it.”

We last heard from John not that long ago via his new band project, TAG (review here). The prolific singer/songwriter/producer makes a strong return with “Lucky #9”, although I don’t think John’s success has much to do with luck…he is one of the hardest working in the business and deserves the success. Speaking of which, upon its release, “Lucky #9” rocketed straight into the Adult Alternative charts, landing at #2 in the Hot New Release charts and #20 on the sites overall AA Chart. The single "Make Me Believe" has hit the top of the AA Hot New Releases, taking over the #1 position on the singles chart, as well as the #13 spot on AA Overall Best Seller charts, alongside Matchbox 20, The Fray, John Mayer, Sara Bareilles, Ray LaMontagne & Ingrid Michaelson. Not only that, but the track "Dying Alive" is currently sitting at #3 on the AA Hot New Releases chart.

The new songs largely contain the signature modern rock sound we expect from Taglieri – a mix of Bon Jovi and Bruce Springsteen. But this time there is a touch of country in some spots due to John’s recent collaboration with Nashville artists. First single and opening track, “Losing Me” is my instant favorite thanks to its mix of acoustic verses and an energetic, catchy chorus. Other highlights include the radio-friendly ballads “Without You” and "Not Gonna Be My Life." “Make Me Believe” is also not be overlooked – a sincere and peppy love song. As usual, the lyrics in John’s new songs speak to everyday themes most people can connect with easily.

Lucky #9 can be purchased on Amazon and iTunes.

John Taglieri – Official site.

You Were Robbed – Ratt

"You Were Robbed" features artists and bands that should have gotten much more recognition and fame than they did. Check them out now...better late than never!

After getting thrust into the limelight in 1984 with their remarkable full-length debut, “Out of the Cellar”, the L.A. based band Ratt struggled throughout the 80s to maintain that phenomenal out-of-the-box success. The efforts were mixed commercially speaking, but one thing is for sure: they built a devoted fan base that loved what they have termed Ratt N Roll. The fifth album, 1990’s “Detonator” was probably the most polarizing release the band made in their history to that date. Produced by Sir Arthur Payson, and bringing in monster AOR songwriters like Desmond Child and Diane Warren, represented a shift from the raw rock of their early days to a more radio-friendly melodic style. The album performed well, but this one should have been a huge crossover comeback for the band.

I think the album would have done even better had it not been for the two lead off singles, “Lovin’ You’s A Dirty Job” and “Shame Shame Shame”. They are what you’d expect from Ratt, but weren’t exciting or catchy enough to compete with the droves of hairbands fighting for airtime.



While perfectly good tracks, there are much stronger songs here that I believe would have charted well and pushed “Detonator” into the stratosphere. There was no one hotter than Bon Jovi at the time, so I am puzzled why his duet with Ratt on “Heads I Win, Tails You Lose” was not released as a lead single. This song is crazy infectious and Jon Bon Jovi’s guest vocals are brilliant.



Then there is the song, “One Step Away”, which contains one of the best choruses to grace a Ratt song, featuring a sugary sweet melody and some amazing harmonies.



Arena-ready power ballads were also ubiquitous on radio and MTV in the late 80s, and “Detonator” contained a whopper in “Givin’ Yourself Away”.



This record pretty much spelled the end for Ratt as most people remember. However, there was a reunion in 2009 that led to the recording of “Infestation”, which for many recaptured the essence of the band’s early days of Ratt N Roll.

Review: King Washington “The Gears”

Rock
Several years ago, the L.A.-based band King Washington impressed us with their debut EP, “Grenadine” (review here). On June 5, the band will release the first full-length record called “The Gears”, which builds from the acclaimed sound they managed to capture on “Grenadine” – a cross between the Beatles and Beach Boys with a hint of angst.

King Washington consists of Tyson Kelly (guitars/vocals), George Krikes (guitars/vocals), Dylan Cronin (bass/vocals), and Kyle Turek (drums/vocals). As you will notice, all of these guys lend vocal support, which explains the abundance of lush harmonies throughout each song – one of the key things you are sure to remember about King Washington. Together with their knack for moody melodies, the amazing harmonies create an otherworldly listening experience. At times you will feel like you’re back in the 60s, but then the next track sounds unequivocally contemporary. Helping with the creation of this atmospheric sound palate is Grammy-Award winning producer Joe Puerta (Ambrosia, Bruce Hornsby).

By far and away, the stand out track is the lead off and title track, “The Gears” – what a terrific creation. Soaring vocals surrounded by melodious guitar riffs usually make for a memorable listening experience, but what puts this song over the top is a catchy hook. While little else on the record made such an immediate impression, there are some gems here that surface after a few spins. Breezy verses flank an uplifting chorus on “Fourth Of July” and the witty “Bawl and Chain” masterfully incorporates 70s rock influences. The mandolin adds a nice touch to the syncopated beat that propels “Anybody Home”.

If you’re in the mood for something mellow, try “Right On”, “IGBR”, or “Fancy.” The subtle arrangements of these tunes make the harmonies stand out even more, at times reminding me of Crosby, Stills, and Nash.

King Washington should appeal to music fans spanning across 4 decades – check them out for a unique listening experience that you’ll be hard pressed to find anywhere else today.

King Washington – Official site.

Melodic rock CD of the week: Romeo's Daughter

By Stephen Kasenda

ROMEO'S DAUGHTER “Rapture” (2012)
After almost 20 years, ROMEO'S DAUGHTER returns to the scene, catching many fans off guard. Over the years, both of their previous albums have been praised as great underrated AOR records. 'Rapture' will surely please the longtime fans as the sound reference is totally like old times, with a slight updated sound to keep up with the era. But do the classic hooks and familiar voice of Leigh Matty make you turn your head and think 'is it 1988' again?

'Trippin' Out' may start with a patchy verse, but you know the chorus is right on track. 'Bittersweet' and 'Cannot Be The One' are instant faves. I spotted a bumpy road on 'Keep Walking', but the next tremendous slow ballad, 'Lightning' and the energetic track, 'Alive' are giving me a hint that this album will be a big success.

Turns out my intuition was right. 'Fly Away' is a huge contender to 'Lightning', 'Make My Dreams Come True' and 'Precious Thing' are two beautiful gems, 'Talking Love' is definitely the best track here, what a flawless tune! The last track, 'Will Be', is a splendid acoustical piece and the chorus is just mind-blowing.

The production is pretty good and I know some AOR fans might think this is too light. At some points, I swear I can sense the writing style of THE CORRS here, but if you ask me, this album has the quality needed to match the first two albums. Great job and very enjoyable album!

Read more of Stephen’s features at MetalMusicArchives.

Under Cover: Highway To Hell

Maroon 5 "Highway To Hell" (AC/DC)

Interestingly enough, this cut comes from Maroon 5's EP, "1.22.03. Acousitc". Tacked on as a bonus track, the boys plugged back in to cover this classic rock anthem originally done by AC/DC. Many wish that they didn't.

In case you're wondering, that is not Adam Levine singing - he played the drums on this track. Ryan Dusik took over the vocals. Ryan is no longer with the band.

Review: Tyketto “Dig In Deep”

Rock
Viable candidates for my “You Were Robbed” column, Tyketto is one of those bands that should have been huge during the late 80s and early 90s. They had some minor hits back in the day, churning out some very tasty melodic rock. Now they are back after eighteen years with a brand new record called “Dig In Deep”. The boys were moved to record once again after recent appearances at Sweden Rock, Download, Firefest, Hard Rock Hell and Hard in Rio, which opened their eyes to the fact that their fans were still rocking and yearning for more Tyketto. All four original members are along for the ride (Danny Vaughn - Lead vocals, Brooke St. James - Lead guitar & backing vocals, Jimi Kennedy - Bass guitar & backing vocals, Michael Clayton – Drums), but did they dig deep enough to recapture the magic of their classic sound?

Three years in the making, “Dig In Deep” doesn’t inspire much confidence with the lackluster cover art, but the music inside is what really counts, and this is where Tyketto delivers. While I don’t think there is much here that is going to rival the masterpiece of their debut, “Don’t Come Easy”, several cuts are destined to please the fans and hopefully draw more to this extremely talented group of songwriters and performers. The band has always championed uplifting and inspirational material, and that “Don't let anything stand in the way of what you want in life” mentality persists throughout “Dig In Deep”.

There are a number of songs that fall together perfectly, such as “Here’s Hoping It Hurts”, “Evaporate”, and “Monday”. There are others like the title cut, “Love To Love”, and “The Fight Left In Me” that have a great chorus but the verses don’t do it justice. There’s also a surprise treat or two like “Faithless”, which mixes some of the heaviest, modern riffs the band has done with their trademark acoustic strumming. If you’re looking for that grandiose power ballad like “Standing Alone”, you’re not going to find it here…but there is a country-flavored ballad at the end called, “This Is How We Say Goodbye”. The pleasant acoustic-based track “Battle Lines” comes closer.

After years of doing solo projects and carving out their own niches, each member of the band deserves credit for working together well as a team to revitalize the Tyketto sound for the fans. I’m hoping they do it again soon!

Tyketto – Official site.

Review: Trixter “New Audio Machine”

Rock
Formed in Paramus, New Jersey during 1983, Trixter nealy arrived a bit too late to capitalize on the ever expanding melodic rock scene in 1990. With their big hair and youthful anthems, Trixter had no trouble breaking into the mainstream with hits like “Give It To Me Good” and “One In A Million”, and soon found themselves touring with heavyweights like The Scorpions, Poison, and Kiss. Their follow-up effort, “Hear!” showed maturity, containing more complex melodies and arrangements, but the record was destined to be more of a cult classic than a commercial success since grunge had taken over the musical landscape. Trixter released of an independent covers album before calling it quits in 1995. Some of the members released solo projects, including the pop punkish band 40 Ft Ringo and the more power pop outfit, Stereo Fallout.

Fast forward to 2007 and we see the band reuniting to perform some gigs – it wasn’t long before aspirations to record a new record emerged. The band wanted to create a classic melodic hard rock album with great songs, big guitar riffs, catchy vocals and a huge bottom end. To meet their goal, the boys collaborated with Glen Burtnik (Styx) and Snake Sabo and Rachel Bolan of Skid Row to write songs for “New Audio Machine”.

The 2012 lineup features Pete Loran on lead vocals and guitar, Steve Brown on lead guitar, P.J. Farley on bass and Gus Scott on drums. “We take pride in the fact that we are one of the few bands of our genre that have all original members,” says Brown.

“New Audio Machine” definitely sounds like a proper third record from Trixter, although it contains welcome sonic updates. Fans of Stereo Fallout will also appreciate some of the more power pop cuts. The first single off the new album, “Tattoos and Misery” engages the rock fan immediately with thick riffs that lead up to a trademark Trixter chorus – a good choice to introduce folks to the band’s sound. “Drag Me Down” leads off with a bluesy, Blue Murder-like acoustic riff before kicking into high gear with roaring guitars. There’s also the obligatory homage to rock ‘n’ roll on the energetic “Save Your Soul”.

The best moments for me come on the mid-tempo tracks or ballads. While terribly clichéd, “Live For The Day” and “ The Coolest Thing” are guilty pleasures for sure. I also thought the album’s upbeat closer, “Walk With A Stranger” was a great storytelling piece with a healthy message and driving rhythm. There’s a handful of misses on “New Audio Machine”, that take place usually when the band degenerates into juvenile lyrics and tired jams (e.g. “Physical Attraction”, “Dirty Love”, “Machine”). But overall, I think this album is going to be a welcome treat for Trixter fans.

Trixter – Official site.

Check out the video for "Tattoos and Misery"

You Were Robbed: Child’s Play (RIP Brian Jack)

"You Were Robbed" features artists and bands that should have gotten much more recognition and fame than they did. Check them out now...better late than never!

I’ll never forget driving home from Baltimore one night in 1990 and hearing a song called “When Hell Freezes Over” playing on my favorite radio station at the time, 98 ROCK.


I soon learned this powerhouse rocker was by a band called Child’s Play, which featured Brian Jack on lead vocals and guitar, Nicky Kay on guitar, a guy named Idzi on bass, and John Allen on drums (and also some lead vocals). 98 ROCK soon started playing all sorts of cuts from the band’s major label debut, named after the single, “Rat Race”.

In addition to super catchy melodies, brilliant vocal tag-teaming by Jack and Allen, a thundering rhythm section, and sizzling guitar leads, what really drew me to the band were the amazing vocals of Brian Jack. When I finally saw the band live – probably at Hammerjacks – I couldn’t believe such a big sound was coming out of this guy. I guess I was expecting to see something like Hulk Hogan at the mic, but Jack looked - and acted - just like some buddy you’d befriend at the bar on any given night.

“Rat Race” featured 12 tracks of grade-A blue collar rock n roll. Nothing sums up the band’s philosophy better than the lead off anthem, “Good ol’ Rock n Roll”. Just good ol’ boys playing good ol’ Rock n Roll!



When considered with the single “Rat Race”, which features Jack and Allen trading lyrics every young man dreamed of singing, these Baltimore boys seemed destined to join the ranks of working class bands that hit the big time, like Bon Jovi or Skid Row.



While making an appearance or two on MTV, the song just didn’t take off…but no worries, there was an awesome acoustic-based ballad called “Wind” – surely that would seal the deal?



No, Child’s Play was robbed. Big time.

Other great tunes on this fantastic record included “Knock Me Out”, “Day After Night”, and “Girl Like You”. Child’s Play should have been remembered as a talented band of rock and roll purists, not a B movie horror flick. Brian Jack would go on to release a couple solo records that took a hard left turn from the Child’s Play sound into light rock territory. He transitioned into this format well and sold a ton of records without label support. I memory that still sticks in my mind to this day is seeing him play at a club in Ocean City, Maryland, doing an acoustic rendition of "No Woman, No Cry". It was utterly beautiful.

John Allen joined SR-71 and recently resurfaced in a hard rock band with Nicky Kay called “Charm City Devils”. There was a Child's Play reunion show in 2011, igniting hopes that we might get to hear some new material soon. But sadly, Brian Jack passed away last week. His music and stunning vocal prowess should be heard, so track down some Child's Play or his solo work today.

Review: Abba “The Visitors: Deluxe Edition”

Pop
1981’s “The Visitors” was the eighth and final studio album by the pop sensation ABBA. Despite disbanding shortly thereafter, this supremely talented group has never really faded from the limelight, and I suspect that their brilliant melodies and trademark harmonies continue to resonate with musicians and fans of all stripes even today – and will continue to do so for decades to come. With their songs appearing in numerous movies, the wildly successful musical Mamma Mia, and constant press about their refusing to reform despite being offered loads of cash, ABBA remains an unshakable musical phenomenon.

On April 23rd, “The Visitors”was reissued as a Deluxe Edition, complete with a DVD of archive material along with CD bonus tracks – including a 9 minute demo medley entitled, “From A Twinkling Star To A Passing Angel”. This is the first time since the “Thank You For The Music” box set in 1994 that ABBA have opened the vaults to release previously unheard music from the group’s heyday.

“The Visitors” was constructed during a time of great turmoil among the band members, resulting in a significantly different vibe than the light, sunny pop of earlier efforts. Additionally, the age of new wave and the heavy use of synthesizers had arrived, and ABBA began to experiment with these ideas. Other experiments include the epic opener and title track, which incorporates some progressive rock into the usual ABBA songwriting formula. Similarly, “I Let The Music Speak” introduces a haunting, operatic feel onto the record, while “Like An Angel Passing Through My Room” is a sparse piece with vocals supported with little more than the ticking clocks, a chilling reminder that time marches on even after we stop.

Closer to expectations, “Head Over Heels” and “One Of Us” are delightful pop gems with catchy melodies and stunning harmonies. Reflecting the strain on their relationships, the upbeat yet melancholy song“When All Is Said and Done” has bone-cutting lyrics and is one of the most underrated ballads the band has done. A runner up for this distinction could be“Slipping Through My Fingers”, whcih is a touching song about the bittersweet feelings associated with children growing up and gradually leaving the nest.

Among the bonus tracks, be sure to check out the pleasant mid-tempo song, “Should I Laugh Or Cry”, “You Owe Me One”, and “The Day Before You Came”. The demo medley provides fans with a fascinating listen to alternate takes of “Passing Angel”, including versions with the full band.

Full track listing and details from the Deluxe Edition can be found below. ABBA fans will certainly not want to miss this one!

Disc: 1
1. The Visitors
2. Head Over Heels
3. When All Is Said And Done
4. Soldiers
5. I Let The Music Speak
6. One Of Us
7. Two For The Price Of One
8. Slipping Through My Fingers
9. Like An Angel Passing Through My Room
10. Should I Laugh Or Cry
11. I Am The City
12. You Owe Me One
13. Cassandra
14. Under Attack
15. The Day Before You Came
16. From A Twinkling Star To A Passing Angel (demos)

Disc: 2 (DVD)
1. Two For The Price Of One (Dick Cavett Meets ABBA)
2. Slipping Through My Fingers (Dick Cavett Meets ABBA)
3. When All Is Said And Done (Original Promo Clip)
4. ABBA In London, November 1982 (The Late Late Breakfast Show, BBC)
5. ABBA In Stockholm, November 1982 (Nöjesmaskinen, SVT)
6. The Visitors TV commercial I (UK)
7. The Visitors TV commercial II (Australia)
8. The Singles - The First Ten Years TV commercial I (UK)
9. The Singles - The First Ten Years TV commercial II (Australia)
10. International Sleeve Gallery

Melodic rock CD of the week

By Stephen Kasenda

 
WILD FRONTIER “Stick Your Neck Out” (2003)
 
WILD FRONTIER is surely not a familiar name to many people outside melodic rock realm. Emerging from German where bands like SCORPIONS or ACCEPT are huge, this genre isn't a prospective career move, especially considering that 2003 was a pretty bad year for classic rock. But hats off to this band –they are carrying the torch of this music and 'Stick Your Neck Out' is really a very satisfying result.

'Wild Wind Blows' and 'Alive' open the album with a mid-tempo mood and both are wonderful attempts by the band. 'There For You' played and it really turned my head around. It's an acoustic-based, easy listening piece fit to be aired on an evening radio show…a very lovable tune. The singer's vocal is reminiscent of Joe Elliot, so it's a really friendly ride for fans of the 80s.

'Walkaway' is an astonishing ballad and so is 'I Can Hear You'. 'Through Your Eyes' might be the weakest ballad but that song itself is still quite okay too. 'Shake Your Body' is another winner with its groovy riffs; 'Life Has Just Begun' blew me away with its splendid chorus; 'We Will Be One' could be the heaviest - a big slab of great hard rock, but 'Hard To Control' conquers this album and rises as the best of the bunch.

Overall, a solid album. If you dig the melodic rock scene, this one is an awesome catch and deserves at least 80%!

Read more of Stephen’s features at MetalMusicArchives.

Under Cover: Little Wing

SKID ROW "Little Wing" (Jimi Hendrix)

This sizzling cover of the Jimi Hendrix classic closed out an EP of covers from Skid Row entitled, "B-Sides Ourselves" (released in 1992).

Review: TJ Courtney “Into The Sky” [EP]

Rock
From out of Boston, singer/songwriter TJ Courtney takes the classic grunge sound and gives it a modern overhaul on his new powerhouse of an EP, “Into The Sky”. One listen to the first single, “One Day”, and you can just feel the testosterone pumping through your veins. Even better, Courtney channels his angst into urgent messages relevant to the times. “One Day” tackles the impact of human activity on the globe and “Who Are They” reflects on the new obsession with online voyeurism.

The EP is a sonic joy thanks to producer Andrew Dixon (Colbie Callait and Ryan Cabrera) and mixer Mark Needham (The Killers, Neon Trees). The style of music is going to please fans missing the sounds of early Oasis, Soundgarden, and Foo Fighters, but still reel in the younger generation too. Incidentally, the EP features songs co-written by Jason "Space" Smith (Seether) and Waymon Boone (Splendor).

Misleadingly gentle at the beginning with delicate acoustic guitars, the title track soon explodes into a heavy riff fest in a highly engaging and melodic chorus. Courtney’s compelling vocals soar over the music, lifting each song to greater heights. “One Day” follows a similar formula, but incorporates a bit of an Alice In Chains meets Days Of The New feel. The EP closes with a sizzling cover of my favorite Duran Duran song, “Ordinary World”.

In a word, TJ Courtney is evidence that gritty rock can still be melodic without compromising on its ability to rattle your cage. In this context, “Into The Sky” is a win-win situation.

TJ Courtney – Official site.

In memory of Brian Jack (Child's Play)

I am sad to report that Brian Jack, frontman of the Baltimore-based rock group Child's Play, has passed away. RIP, Brian.

Be sure to check out our Tribute here.

Review: Joshua Ketchmark “The Bittersweet” [EP]

Modern rock
Joshua Ketchmark is a promising young modern rock and pop artist making his return with a new trifecta of three EPs. The first, due April 17, is called “The Bittersweet” and features four new songs that showcase Ketchmark’s eclectic musical influences. The EP was produced by long-time friend Denny Smith (fORMER/The Great Affairs) and Michael Saint-Leon (George Thorogood, Buddy Guy). The team is a sonic success whether producing emotive balladry or a crushing rocker.

"Covered in Roses" gets things off on a positive note, sounding like a song that would have fit comfortably on his winning debut record, “List of Regrets” (reviewed here). "All These Eyes" is the first single, which has some good lyrics and sounds radio-friendly enough, but gets a little cumbersome with its slow pace. "The Take" triumphantly storms back onto more solid, rocky ground, and is one of the most satisfyingly aggressive Ketchmark songs I’ve heard. On the closing piano-based ballad, "Cigarettes and Wine", Ketchmark is back with his heart on his sleeve, turning in a fantastically earnest vocal, one that has a high probability of inducing chills.

Joshua Ketchmark – Official site.

Melodic rock CD of the week

By Stephen Kasenda

SLAM ST. JOAN “Saved By Grace” (1993)

I bought this blindly from a friend without any information at all except a hint that they sounded like SKID ROW meets SPREAD EAGLE, which is a really interesting combo. At first listen, I did agree with that comparison, but I will add that they also have a LILLIAN AXE element, especially from their early days. Rob Creek's vocal reminds me a lot of Phil Lewis from L.A.GUNS, so it's a completely sleaze / hard rock style and I dig it a lot.

'Saved By Grace', which is also the album's title, is a brilliant tune. The chorus is awesome, but the next two tracks are a bit sloppy (even though I still think both are good). 'Emotional Suicide' is a unique acoustical ballad piece: again, the chorus is awesome and sounds very different than the typical slow song from a regular glam band. 'Just Like The Blues' shows their bluesy side with some chugging riffs. George Karl and Ray Rodriguez prove to be a lethal guitar combo here.

'Eyes' is another winner, highly addictive hard rock piece with fantastic riffs. 'Your Light' is a nice and smooth acoustical ballad and 'Best of Me' is a beautiful southern rock song. The production is good and I'm glad I checked this out for quite a cheap bargain. If you love sleaze and glam, I bet you'll like this one a lot.

Read more of Stephen’s features at MetalMusicArchives.

Under Cover: Sweet Child o' Mine

Scott Gagner "Sweet Child 'o Mine" (Guns N' Roses)

In honor of their induction into the Rock N Roll Hall Of Fame, this week we'll feature indie singer/songwriter Scott Gagner's stripped down version of the Guns N' Roses classic, "Sweet Child o' Mine" here. Be sure to check out his excellent original music too (reviewed here).

Sheryl Crow also did a nice cover of this one:

Review: Jeff Scott Soto “Damage Control”

AOR/Melodic rock
Rock veteran Jeff Scott Soto is back with this fifth official solo record, “Damage Control”. While no stranger to melodic rock circles, Soto has more than 60 album credits under his belt along with numerous collaborations and recordings across multiple musical genres. Solo started his 30 year rock tenure as the vocalist for guitar guru Yngwie Malmsteen, which led to his serving as frontman for a variety of rock bands including Talisman, Soul SirkUS, and even Journey for a time. In 1994 he released his first solo outing “Love Parade”, followed years later by the acclaimed “Prism” (2002) then “Lost In The Translation” (2005) and “Beautiful Mess” (2009).

A lot of “Damage Control” brings a bit of a grittier edge to Soto’s polished melodic rock voice. Sounding terrific as always, Soto rips right along into meaty songs like “Give A Little More”, “Krazy World”, “After World” and “Tears That I Cry”. The title track opens with a blistering riff before relaxing into an acoustic-based verse – a tasty dynamic that keeps this song engaging. “If I Never Let Her Go”, “How To Love Again”, and “Die A Little” are textbook examples of the perfect melodic rock song, catapulting us back to the 80s in style and substance. As for ballads, Soto pulls on the heartstrings like never before with “Bona Fide”.

There really isn’t a bad track in the bunch – gorgeous, catchy melodies that are brilliantly and passionately sung. There’s not much more you can ask for!

Jeff Scott Soto – Official site.

You Were Robbed – American Hi-Fi

"You Were Robbed" features artists and bands that should have gotten much more recognition and fame than they did. Check them out now...better late than never!

In 2001, the L.A. pop punk band American Hi-Fi splashed onto the scene with the hit “Flavor of the Week”. In many respects, the band unfortunately was a victim of that theme as they were rapidly crowded out by hundreds of similar bands capitalizing on this popular sound. “Hearts On Parade” was their third effort released in 2005. The band appeared poised for a major comeback – “Parade” took a markedly more mainstream approach and was produced by songwriting and recording guru Butch Walker (Marvelous 3). But this just didn’t happen – some long-time fans were not happy with the catchier tunes and the new label fumbled the release date stateside.

“Hearts On Parade” should be revisited by any fan of pop rock. There is no end to the string of ear candy on this record and it still sounds good after all these years. You can hear the switch to the pop end of the rock spectrum right at the get go in the chorus of the excellent lead off track, “Maybe Won’t Do”:



“The Geeks Get The Girls” was the official lead single that should have been a repeat performance of “Flavor of the Week”. Very Blink-182.



The band ventures into some sugary sweet harmonies with the near bubblegum feel of “We Can’t Be Friends” and explores some very tasty chord changes on the terrific “The Everlasting Fall”.



The record ends strong with the pleasant mid-tempo feel of “Where Do We Go Wrong” and an epic power ballad in the title track.



For just a penny, you can’t go wrong with this CD. What has become of the band? 2010 saw the release of a follow-up record called “Fight The Frequency” (reviewed here http://nowthisrocks.blogspot.com/2010/07/review-american-hi-fi-fight-frequency.html). While it didn’t reignite the band’s career, we’re excited about recent news of a fall 2012 release (press release follows).

March 28, 2012 – Goomba Music is proud to announce the signing of American Hi-Fi. The original line-up--Stacy Jones (singer/guitarist), Drew Parsons (bass), Jamie Arentzen (guitars) and Brian Nolan (drums)¬is currently recording their as-yet-untitled new album in Los Angeles, CA with an expected worldwide release date this fall. It's being produced by the band and John Fields (Switchfoot, Jimmy Eat World) and recorded at Stacy Jones' studio, The Deathstar.

"It feels great to make music with these guys,” exclaims Stacy Jones. “11 years in, American Hi-Fi is a brotherhood. We made this record because we feel like the world needs a few more guitar bands. We are just doing our small part to keep Rock-N-Roll alive!"

For the past six years, members of American Hi-Fi have been working with Miley Cyrus. Singer Stacy Jones has been her music director and drummer, Jamie Arentzen has been her guitarist and Drew Parsons has played bass at a few concerts. Stacy and Jamie have been featured in everything Miley Cyrus since the beginning of her “Hannah Montana” days, including the 2009 movie and “Best Of Both Worlds” concert film/DVD.

Over the course of their 10-year career, American Hi-Fi has sold over 1 million albums thanks to hit singles such as the Top 10 smash “Flavor Of The Weak,” “Another Perfect Day” (which was used as Coca-Cola's theme for the 2002 Winter Olympics) and “The Art Of Losing,” and they've toured the world with artists such as Elvis Costello, Matchbox Twenty, Bon Jovi, Sum 41 and Fall Out Boy. Before teaming up as American Hi-Fi, the band members performed as part of various influential bands from the '90s Alternative Rock scene, including Veruca Salt and Letters to Cleo, and with Tanya Donelly, Tracy Bonham, Aimee Mann, and Juliana Hatfield individually. Their songs have been heard on TV shows and commercials such as Coors, Labatt Blue, Verizon, “Boston Public,” “24” and “Dawson's Creek,” video games including “Guitar Hero 3,” and in movies including “American Pie 2,” “Freaky Friday,” “Van Wilder” and “Superman Returns.” And Stacy has produced albums at The Deathstar for such artists as The Downtown Fiction, Ingrid Michaelson, Meg & Dia, The Cab, Plain White T's, Hey Monday and Academy Is… and many others.

Tour dates and other news from American Hi-Fi here.

Review: MxPx “Plans Within Plans”

Punk rock
It’s hard to believe that MxPx has been cranking out their brand of “positive punk” for nearly two decades now. You might have thought they disappeared from the scene because we haven’t heard from them since 2007’s “Secret Weapon”. Furthermore, lead vocalist and bassist Mike Herrera has been busy with side projects like his punk western ensemble, Tumbledown (reviewed here).

But on April 3, MxPx returned with their ninth studio record, “Plans Within Plans”, mixed and mastered by punk rock legend and guitarist for the Descendents, Stephen Egerton (who also throws in a guest guitar spot on several tracks). Reflecting on the time off and the influences on the new record, Herrera states, “We all deal with changes differently. We’ve had to realize over the years that regardless of what those changes are, we’ve managed to remain true to the band and adjust things accordingly.”

“Aces Up” kicks the disc off with thundering, fast-paced drums and equally quick guitar riffs and vocals. This is followed by “Screw Loose”, which features thundering, fast-paced drums and equally quick guitar riffs and vocals. This is followed by “Nothing Left”, which features thundering, fast-paced drums and equally quick guitar riffs and vocals. I think you see the problem here.

But then comes “The Times” – a welcome change of pace that is smartly written with positive lyrics and a memorable hook. “Far Away” is the first single and considered the “flagship song” by the band. It is a trademark MxPx tune about overcoming obstacles and is just bursting with energy. As with most MxPx records, “Plans Within Plans” comes at you hard and fast, leaving you pumped, refreshed, and ready to take on the world. While dancing along the edges of monotony by stacking a lot of songs with the same hyper pace, there are several oases on “Plans” really worth writing home about. Those additional highlights include “Best Of Times” (no, not a Styx cover), “Cast Down My Heart”, and “When It Comes To You”.

MxPx – Official site.

Melodic rock CD of the week

By Stephen Kasenda

MOTLEY CRUE “Girls Girls Girls” (1987)

"Girls, Girls, Girls" is considered a pivotal point in Crue's career. After the fans condemned them for releasing the disappointing "Theater of Pain", Crue had to hold on and write a better album - otherwise this might be the end of their career. At that time, Nikki and the gang were at the height of their drug addiction and party-hard lifestyle. White dope, Harley, and naked women are the themes while musically they stripped down the heavy metal outfit and played with 60-70s rock and roll with an occasional bluesy bite, but still retain Crue's signature glam arrangements.

"Wild Side" and "Girls, Girls, Girls" are two singles that saved Crue's ass and since then, those two songs are almost never left out from their concert set list. "You're All I Need" is a big ballad that enjoyed a an appearance on the Billboard Hot 100. It is highly underrated compared to "Home Sweet Home", but both can be considered their all-time greatest ballads ever made. Funny thing is that most people, including Jon Bon Jovi, thought that this was a typical love song, but Nikki’s genius twist is that this song is about a psycho boyfriend instead.

"Dancing On Glass" and "All In The Name of..." are two other relatively unknown tracks that also made this album worthy. "Bad Boy Boogie" has that Aerosmith 70s feel, "Five Years Dad" is also good but somehow too similar to "Girls, Girls, Girls". "Sumthin' For Nuthin'" is perhaps the only filler but not bad at all, and the Elvis cover of "Jailhouse Rock" is a fun live cover to emphasize the rock and roll theme of this album.

Crue's fourth album was a commercial success, racking up 4 platinums in USA alone, and was their best selling album until "Dr.Feelgood" came in 1989 to break the record. Excellent release and I rank this as the Crue's third most fave album after "Shout" and "Feelgood".

Read more of Stephen’s features at MetalMusicArchives.