Melodic rock CD of the week - HEAT

By Stephen Kasenda

HEAT “H.E.A.T.” (2008)

Sweden continues to amaze me in the last couple of years, providing a lot of entertainment from almost all musical genres. This time, H.E.A.T. blew me away with enthralling, grandeur melodic rock in the vein of classic 80s heroes such as Bon Jovi, Europe, Survivor, and Giant. Most of the members are very young, probably in their early 20s, but thumbs up for their songwriting capability and musicianship. Kenny Leckremo, the singer, has a Joey Tempest pipe with a gentle blend of Jimi Jamison. His vocal range is phenomenal and at times we can hear a metallic edge on his voice.

Ignited by "There For You", this instant favorite has a memorable chorus. Then they take you to the higher level with "Never Let Go" – an anthemic chant mixing Talisman and Europe that stands out as the best track of the album for me. Guitarists Eric Rivers and Dave Dalone are twin killer combos, shredding swiftly throughout the songs, especially on tracks such as "Straight Up" and "Straight For Your Heart". "Cry" is a beautiful midtempo ballad with a heartfelt, passionate delivery and a thick 80s texture. "Follow Me" is another power ballad and no doubt, is a great song as well. "Bring The Stars" has an affecting emotional touch with massive vocal harmonies. If you can get the 2cd version, it worth your penny as the second disc contains the song, "1000 Miles", a huge and pompous 80s track.

If you like Europe's "Out" and "Prisoners" era or Giant's first two albums, you will love this amazing album instantly. Not to forget that Stormvox has done a splendid job with a flawless sound production. If this was released in 1988, H.E.A.T would have sold out a 30,000 capacity stadium and topped charts across the world. This is a five star album and a must-buy if you're into glam metal and melodic rock.

Read more of Stephen’s features at MetalMusicArchives.

Under Cover: Fight For Your Right (To Party)

Coldplay “Fight For Your Right (To Party)” (Beastie Boys)

Coldplay’s tribute to Beastie Boy Adam Yauch, who passed away last week.

Review: David Myhr “Soundshine”

Pop/powerpop
Once upon a time, there was an outstanding pop act called The Merrymakers. Hailing from Sweden, they generated some of the tastiest ear candy heard in modern times. Unfortunately, the duo had a falling out, but one half has just released his first solo effort, “Soundshine”.

David Myhr’s sound does not tread too far from Merrymakers territory, so fans of this underrated band are going to be thrilled. For those of you not familiar with the Merrymakers, 1) you need to get yourself familiar with them, and 2) you need to pick up Myhr’s new record as well. As its title suggests, “Soundshine” is radiating with sunny, feel good melodies reminiscent of the best of Jellyfish (even the album cover looks like a Jellyfish record). Gentle horns and glistening piano augment each song and keep things perky.

Virtually every song is a winner that I look forward to playing over and over, but key standouts include lead single “Looking For A Life”, “Got You Where He Wanted”, “Get It Right”, “Cut To The Chase”, and “Loveblind”. There are few breaks from the up-tempo pace, but if you’re in the mood for something slow and sweet, check out the beautifully orchestrated song “The One”.

David Myhr has made a terrific record that celebrates the glory of 70s bubblegum pop yet manages to sound like a timeless classic. If you’re not convinced, then head over to his web site for a free download and check it out for yourself.

David Myhr – Official site.

You Were Robbed – Choirboys

"You Were Robbed" features artists and bands that should have gotten much more recognition and fame than they did. Check them out now...better late than never!

Led by frontman Mark Gable, The Choirboys were one of the biggest bands in Australia during the 80s. Their debut album was a crunchy hard rock fest in the spirit of their AC/DC mates, but this was followed up by a markedly more melodic and commercial record, “Big Bad Noise” (1988). The band toured with the likes of Deep Purple and Bon Jovi, and scored a minor hit in the US with the anthem “Run To Paradise” – who remembers this terrific song?



The song was much more successful in their homeland and it is puzzling why it failed to raise more attention in the US. The strength of this song led me to check out the entire album and I was pleasantly surprised when track after track delivered strong, catchy melodies and unique baritone  harmony vocals. “Boys Will Be Boys” recalls a bit of their grit from the debut, but is very slick and radio-friendly.



The band exercised some storytelling muscle with the infectious track called “James Dale” – no video was made for this one, but I found a snippet of a live version of the song good enough to give you an idea of how great it is.



Unfortunately, there aren’t many Choirboys videos available, so I highly encourage you to seek out this band and give them a listen. Other highlights from the record include “Struggletown”, “Struck By Lightning”, and the title track. Beyond “Big Bad Noise”, their 2004 album “Evolver” is my second favorite, largely due to the amazing track “Fuel”. More recently, they released “Big Bad and Acoustic”, which contains beautifully reworked versions of their classics.

Review: The 99ers “Move It”

Rock/Punk/Rockabilly
The 99ers released their latest CD, “Move It” on April 17. Filled to the brim with 20 new tracks, the band is clearly one of the more prolific and hardworking acts in the genre. But as much as I love their trademark homage to vintage rock, after digesting twenty tracks I can’t help but feel like I am experiencing the musical equivalent of overeating.

For those not familiar with this Minnesota outfit, the 99ers spin yarns that are encased in vintage guitar tones popularized at the genesis of rock and roll. But you’ll hear some modern influences as well, not unlike Social Distortion, The Ramones, or even Green Day at times. These classic chord changes never get old, and the rotating lead vocalists (which include male and female leads) keep the record sounding fresh. The songs are generally short and sweet, coming at you fast, so there’s never a dull moment.

14 of the tracks are originals, and the band has thrown in some revved up covers of tunes originally done by Eddie Cochrane, Brenda Lee, Cliff Richard, and more. Some of the highlights on this one include the raw energy of “Miss Shannon”, “That’s The Way We Dance”, “Punk With Gretsches” (great harmonies on this one!), “St. Paul's A Lonely Town”, and “They Came, They Saw, They Rocked”, which sums up the record perfectly.

Records by the 99ers are more than just another fun ride – they are a history lesson. “Move It” reminds us – and teaches others – where rock got its start and why it has lasted so long.

The 99ers – Official site.

Melodic rock CD of the week - Aerosmith

By Stephen Kasenda

AEROSMITH “Get A Grip” (1993)

"Get A Grip" is the last gripping album of the 90s that I like by Aerosmith. The band takes you on a long and winding crazy ride – you’ll think you're in a wonderland and ain't comin' back. Apart from the sensational romancing trilogy, "Crazy", "Cryin", and "Amazing", this record has so much more to offer. There is a 50s rockabilly approach to "Fever", a raging and punky tune in "Walk On Down" (which feels like they're messin' with a GNR track), the high-rockin' ground shaker "Eat The Rich", and the longest-yet-best track of the album, "Livin' On The Edge".

You can't compare this to Rocks or Toys, this is a different era of Aerosmith. But considering that the record came out in 1993 - tough days for rock and roll – the band still managed to stay on the right road and the record even nailed the Grammy and sold over 20 million copies worldwide. "Get A Grip" is a likable album to many with a great span of commercial tracks - probably hated by classic fans, but also could be their guilty pleasure they won't admit.
Read more of Stephen’s features at MetalMusicArchives.

Under Cover: Smells Like Teen Spirit

The Ukulele Orchestra "Smells Like Teen Spirit" (Nirvana)

Here is a most unusual take on the grunge classic. The ukuleles I can live with...but the vocals? Geez...

 

Review: John Taglieri “Lucky #9” [EP]

Rock

On April 17, the unsung hero of working class rock and AOR, John Taglieri, released an EP called “Lucky #9” (Leap Dog Music). In his own words, he states, “I approached this EP a little differently. Being my ninth release, I think I am more in tune with what I wanted to say as an artist. I wrote songs that really meant a lot to me right now in life and tried to tell stories that would connect. Using my new studio and working with Lee [Lee J. Turner, who has production credits that include Darius Rucker, Jewel, Leann Rimes, and Bo Bice] again was awesome as well. There was a great vibe throughout the whole recording process. I'm very proud of 'Lucky #9', and I hope people enjoy it.”

We last heard from John not that long ago via his new band project, TAG (review here). The prolific singer/songwriter/producer makes a strong return with “Lucky #9”, although I don’t think John’s success has much to do with luck…he is one of the hardest working in the business and deserves the success. Speaking of which, upon its release, “Lucky #9” rocketed straight into the Adult Alternative charts, landing at #2 in the Hot New Release charts and #20 on the sites overall AA Chart. The single "Make Me Believe" has hit the top of the AA Hot New Releases, taking over the #1 position on the singles chart, as well as the #13 spot on AA Overall Best Seller charts, alongside Matchbox 20, The Fray, John Mayer, Sara Bareilles, Ray LaMontagne & Ingrid Michaelson. Not only that, but the track "Dying Alive" is currently sitting at #3 on the AA Hot New Releases chart.

The new songs largely contain the signature modern rock sound we expect from Taglieri – a mix of Bon Jovi and Bruce Springsteen. But this time there is a touch of country in some spots due to John’s recent collaboration with Nashville artists. First single and opening track, “Losing Me” is my instant favorite thanks to its mix of acoustic verses and an energetic, catchy chorus. Other highlights include the radio-friendly ballads “Without You” and "Not Gonna Be My Life." “Make Me Believe” is also not be overlooked – a sincere and peppy love song. As usual, the lyrics in John’s new songs speak to everyday themes most people can connect with easily.

Lucky #9 can be purchased on Amazon and iTunes.

John Taglieri – Official site.

You Were Robbed – Ratt

"You Were Robbed" features artists and bands that should have gotten much more recognition and fame than they did. Check them out now...better late than never!

After getting thrust into the limelight in 1984 with their remarkable full-length debut, “Out of the Cellar”, the L.A. based band Ratt struggled throughout the 80s to maintain that phenomenal out-of-the-box success. The efforts were mixed commercially speaking, but one thing is for sure: they built a devoted fan base that loved what they have termed Ratt N Roll. The fifth album, 1990’s “Detonator” was probably the most polarizing release the band made in their history to that date. Produced by Sir Arthur Payson, and bringing in monster AOR songwriters like Desmond Child and Diane Warren, represented a shift from the raw rock of their early days to a more radio-friendly melodic style. The album performed well, but this one should have been a huge crossover comeback for the band.

I think the album would have done even better had it not been for the two lead off singles, “Lovin’ You’s A Dirty Job” and “Shame Shame Shame”. They are what you’d expect from Ratt, but weren’t exciting or catchy enough to compete with the droves of hairbands fighting for airtime.



While perfectly good tracks, there are much stronger songs here that I believe would have charted well and pushed “Detonator” into the stratosphere. There was no one hotter than Bon Jovi at the time, so I am puzzled why his duet with Ratt on “Heads I Win, Tails You Lose” was not released as a lead single. This song is crazy infectious and Jon Bon Jovi’s guest vocals are brilliant.



Then there is the song, “One Step Away”, which contains one of the best choruses to grace a Ratt song, featuring a sugary sweet melody and some amazing harmonies.



Arena-ready power ballads were also ubiquitous on radio and MTV in the late 80s, and “Detonator” contained a whopper in “Givin’ Yourself Away”.



This record pretty much spelled the end for Ratt as most people remember. However, there was a reunion in 2009 that led to the recording of “Infestation”, which for many recaptured the essence of the band’s early days of Ratt N Roll.

Review: King Washington “The Gears”

Rock
Several years ago, the L.A.-based band King Washington impressed us with their debut EP, “Grenadine” (review here). On June 5, the band will release the first full-length record called “The Gears”, which builds from the acclaimed sound they managed to capture on “Grenadine” – a cross between the Beatles and Beach Boys with a hint of angst.

King Washington consists of Tyson Kelly (guitars/vocals), George Krikes (guitars/vocals), Dylan Cronin (bass/vocals), and Kyle Turek (drums/vocals). As you will notice, all of these guys lend vocal support, which explains the abundance of lush harmonies throughout each song – one of the key things you are sure to remember about King Washington. Together with their knack for moody melodies, the amazing harmonies create an otherworldly listening experience. At times you will feel like you’re back in the 60s, but then the next track sounds unequivocally contemporary. Helping with the creation of this atmospheric sound palate is Grammy-Award winning producer Joe Puerta (Ambrosia, Bruce Hornsby).

By far and away, the stand out track is the lead off and title track, “The Gears” – what a terrific creation. Soaring vocals surrounded by melodious guitar riffs usually make for a memorable listening experience, but what puts this song over the top is a catchy hook. While little else on the record made such an immediate impression, there are some gems here that surface after a few spins. Breezy verses flank an uplifting chorus on “Fourth Of July” and the witty “Bawl and Chain” masterfully incorporates 70s rock influences. The mandolin adds a nice touch to the syncopated beat that propels “Anybody Home”.

If you’re in the mood for something mellow, try “Right On”, “IGBR”, or “Fancy.” The subtle arrangements of these tunes make the harmonies stand out even more, at times reminding me of Crosby, Stills, and Nash.

King Washington should appeal to music fans spanning across 4 decades – check them out for a unique listening experience that you’ll be hard pressed to find anywhere else today.

King Washington – Official site.

Melodic rock CD of the week: Romeo's Daughter

By Stephen Kasenda

ROMEO'S DAUGHTER “Rapture” (2012)
After almost 20 years, ROMEO'S DAUGHTER returns to the scene, catching many fans off guard. Over the years, both of their previous albums have been praised as great underrated AOR records. 'Rapture' will surely please the longtime fans as the sound reference is totally like old times, with a slight updated sound to keep up with the era. But do the classic hooks and familiar voice of Leigh Matty make you turn your head and think 'is it 1988' again?

'Trippin' Out' may start with a patchy verse, but you know the chorus is right on track. 'Bittersweet' and 'Cannot Be The One' are instant faves. I spotted a bumpy road on 'Keep Walking', but the next tremendous slow ballad, 'Lightning' and the energetic track, 'Alive' are giving me a hint that this album will be a big success.

Turns out my intuition was right. 'Fly Away' is a huge contender to 'Lightning', 'Make My Dreams Come True' and 'Precious Thing' are two beautiful gems, 'Talking Love' is definitely the best track here, what a flawless tune! The last track, 'Will Be', is a splendid acoustical piece and the chorus is just mind-blowing.

The production is pretty good and I know some AOR fans might think this is too light. At some points, I swear I can sense the writing style of THE CORRS here, but if you ask me, this album has the quality needed to match the first two albums. Great job and very enjoyable album!

Read more of Stephen’s features at MetalMusicArchives.

Under Cover: Highway To Hell

Maroon 5 "Highway To Hell" (AC/DC)

Interestingly enough, this cut comes from Maroon 5's EP, "1.22.03. Acousitc". Tacked on as a bonus track, the boys plugged back in to cover this classic rock anthem originally done by AC/DC. Many wish that they didn't.

In case you're wondering, that is not Adam Levine singing - he played the drums on this track. Ryan Dusik took over the vocals. Ryan is no longer with the band.

Review: Tyketto “Dig In Deep”

Rock
Viable candidates for my “You Were Robbed” column, Tyketto is one of those bands that should have been huge during the late 80s and early 90s. They had some minor hits back in the day, churning out some very tasty melodic rock. Now they are back after eighteen years with a brand new record called “Dig In Deep”. The boys were moved to record once again after recent appearances at Sweden Rock, Download, Firefest, Hard Rock Hell and Hard in Rio, which opened their eyes to the fact that their fans were still rocking and yearning for more Tyketto. All four original members are along for the ride (Danny Vaughn - Lead vocals, Brooke St. James - Lead guitar & backing vocals, Jimi Kennedy - Bass guitar & backing vocals, Michael Clayton – Drums), but did they dig deep enough to recapture the magic of their classic sound?

Three years in the making, “Dig In Deep” doesn’t inspire much confidence with the lackluster cover art, but the music inside is what really counts, and this is where Tyketto delivers. While I don’t think there is much here that is going to rival the masterpiece of their debut, “Don’t Come Easy”, several cuts are destined to please the fans and hopefully draw more to this extremely talented group of songwriters and performers. The band has always championed uplifting and inspirational material, and that “Don't let anything stand in the way of what you want in life” mentality persists throughout “Dig In Deep”.

There are a number of songs that fall together perfectly, such as “Here’s Hoping It Hurts”, “Evaporate”, and “Monday”. There are others like the title cut, “Love To Love”, and “The Fight Left In Me” that have a great chorus but the verses don’t do it justice. There’s also a surprise treat or two like “Faithless”, which mixes some of the heaviest, modern riffs the band has done with their trademark acoustic strumming. If you’re looking for that grandiose power ballad like “Standing Alone”, you’re not going to find it here…but there is a country-flavored ballad at the end called, “This Is How We Say Goodbye”. The pleasant acoustic-based track “Battle Lines” comes closer.

After years of doing solo projects and carving out their own niches, each member of the band deserves credit for working together well as a team to revitalize the Tyketto sound for the fans. I’m hoping they do it again soon!

Tyketto – Official site.

Review: Trixter “New Audio Machine”

Rock
Formed in Paramus, New Jersey during 1983, Trixter nealy arrived a bit too late to capitalize on the ever expanding melodic rock scene in 1990. With their big hair and youthful anthems, Trixter had no trouble breaking into the mainstream with hits like “Give It To Me Good” and “One In A Million”, and soon found themselves touring with heavyweights like The Scorpions, Poison, and Kiss. Their follow-up effort, “Hear!” showed maturity, containing more complex melodies and arrangements, but the record was destined to be more of a cult classic than a commercial success since grunge had taken over the musical landscape. Trixter released of an independent covers album before calling it quits in 1995. Some of the members released solo projects, including the pop punkish band 40 Ft Ringo and the more power pop outfit, Stereo Fallout.

Fast forward to 2007 and we see the band reuniting to perform some gigs – it wasn’t long before aspirations to record a new record emerged. The band wanted to create a classic melodic hard rock album with great songs, big guitar riffs, catchy vocals and a huge bottom end. To meet their goal, the boys collaborated with Glen Burtnik (Styx) and Snake Sabo and Rachel Bolan of Skid Row to write songs for “New Audio Machine”.

The 2012 lineup features Pete Loran on lead vocals and guitar, Steve Brown on lead guitar, P.J. Farley on bass and Gus Scott on drums. “We take pride in the fact that we are one of the few bands of our genre that have all original members,” says Brown.

“New Audio Machine” definitely sounds like a proper third record from Trixter, although it contains welcome sonic updates. Fans of Stereo Fallout will also appreciate some of the more power pop cuts. The first single off the new album, “Tattoos and Misery” engages the rock fan immediately with thick riffs that lead up to a trademark Trixter chorus – a good choice to introduce folks to the band’s sound. “Drag Me Down” leads off with a bluesy, Blue Murder-like acoustic riff before kicking into high gear with roaring guitars. There’s also the obligatory homage to rock ‘n’ roll on the energetic “Save Your Soul”.

The best moments for me come on the mid-tempo tracks or ballads. While terribly clichéd, “Live For The Day” and “ The Coolest Thing” are guilty pleasures for sure. I also thought the album’s upbeat closer, “Walk With A Stranger” was a great storytelling piece with a healthy message and driving rhythm. There’s a handful of misses on “New Audio Machine”, that take place usually when the band degenerates into juvenile lyrics and tired jams (e.g. “Physical Attraction”, “Dirty Love”, “Machine”). But overall, I think this album is going to be a welcome treat for Trixter fans.

Trixter – Official site.

Check out the video for "Tattoos and Misery"

You Were Robbed: Child’s Play (RIP Brian Jack)

"You Were Robbed" features artists and bands that should have gotten much more recognition and fame than they did. Check them out now...better late than never!

I’ll never forget driving home from Baltimore one night in 1990 and hearing a song called “When Hell Freezes Over” playing on my favorite radio station at the time, 98 ROCK.


I soon learned this powerhouse rocker was by a band called Child’s Play, which featured Brian Jack on lead vocals and guitar, Nicky Kay on guitar, a guy named Idzi on bass, and John Allen on drums (and also some lead vocals). 98 ROCK soon started playing all sorts of cuts from the band’s major label debut, named after the single, “Rat Race”.

In addition to super catchy melodies, brilliant vocal tag-teaming by Jack and Allen, a thundering rhythm section, and sizzling guitar leads, what really drew me to the band were the amazing vocals of Brian Jack. When I finally saw the band live – probably at Hammerjacks – I couldn’t believe such a big sound was coming out of this guy. I guess I was expecting to see something like Hulk Hogan at the mic, but Jack looked - and acted - just like some buddy you’d befriend at the bar on any given night.

“Rat Race” featured 12 tracks of grade-A blue collar rock n roll. Nothing sums up the band’s philosophy better than the lead off anthem, “Good ol’ Rock n Roll”. Just good ol’ boys playing good ol’ Rock n Roll!



When considered with the single “Rat Race”, which features Jack and Allen trading lyrics every young man dreamed of singing, these Baltimore boys seemed destined to join the ranks of working class bands that hit the big time, like Bon Jovi or Skid Row.



While making an appearance or two on MTV, the song just didn’t take off…but no worries, there was an awesome acoustic-based ballad called “Wind” – surely that would seal the deal?



No, Child’s Play was robbed. Big time.

Other great tunes on this fantastic record included “Knock Me Out”, “Day After Night”, and “Girl Like You”. Child’s Play should have been remembered as a talented band of rock and roll purists, not a B movie horror flick. Brian Jack would go on to release a couple solo records that took a hard left turn from the Child’s Play sound into light rock territory. He transitioned into this format well and sold a ton of records without label support. I memory that still sticks in my mind to this day is seeing him play at a club in Ocean City, Maryland, doing an acoustic rendition of "No Woman, No Cry". It was utterly beautiful.

John Allen joined SR-71 and recently resurfaced in a hard rock band with Nicky Kay called “Charm City Devils”. There was a Child's Play reunion show in 2011, igniting hopes that we might get to hear some new material soon. But sadly, Brian Jack passed away last week. His music and stunning vocal prowess should be heard, so track down some Child's Play or his solo work today.

Review: Abba “The Visitors: Deluxe Edition”

Pop
1981’s “The Visitors” was the eighth and final studio album by the pop sensation ABBA. Despite disbanding shortly thereafter, this supremely talented group has never really faded from the limelight, and I suspect that their brilliant melodies and trademark harmonies continue to resonate with musicians and fans of all stripes even today – and will continue to do so for decades to come. With their songs appearing in numerous movies, the wildly successful musical Mamma Mia, and constant press about their refusing to reform despite being offered loads of cash, ABBA remains an unshakable musical phenomenon.

On April 23rd, “The Visitors”was reissued as a Deluxe Edition, complete with a DVD of archive material along with CD bonus tracks – including a 9 minute demo medley entitled, “From A Twinkling Star To A Passing Angel”. This is the first time since the “Thank You For The Music” box set in 1994 that ABBA have opened the vaults to release previously unheard music from the group’s heyday.

“The Visitors” was constructed during a time of great turmoil among the band members, resulting in a significantly different vibe than the light, sunny pop of earlier efforts. Additionally, the age of new wave and the heavy use of synthesizers had arrived, and ABBA began to experiment with these ideas. Other experiments include the epic opener and title track, which incorporates some progressive rock into the usual ABBA songwriting formula. Similarly, “I Let The Music Speak” introduces a haunting, operatic feel onto the record, while “Like An Angel Passing Through My Room” is a sparse piece with vocals supported with little more than the ticking clocks, a chilling reminder that time marches on even after we stop.

Closer to expectations, “Head Over Heels” and “One Of Us” are delightful pop gems with catchy melodies and stunning harmonies. Reflecting the strain on their relationships, the upbeat yet melancholy song“When All Is Said and Done” has bone-cutting lyrics and is one of the most underrated ballads the band has done. A runner up for this distinction could be“Slipping Through My Fingers”, whcih is a touching song about the bittersweet feelings associated with children growing up and gradually leaving the nest.

Among the bonus tracks, be sure to check out the pleasant mid-tempo song, “Should I Laugh Or Cry”, “You Owe Me One”, and “The Day Before You Came”. The demo medley provides fans with a fascinating listen to alternate takes of “Passing Angel”, including versions with the full band.

Full track listing and details from the Deluxe Edition can be found below. ABBA fans will certainly not want to miss this one!

Disc: 1
1. The Visitors
2. Head Over Heels
3. When All Is Said And Done
4. Soldiers
5. I Let The Music Speak
6. One Of Us
7. Two For The Price Of One
8. Slipping Through My Fingers
9. Like An Angel Passing Through My Room
10. Should I Laugh Or Cry
11. I Am The City
12. You Owe Me One
13. Cassandra
14. Under Attack
15. The Day Before You Came
16. From A Twinkling Star To A Passing Angel (demos)

Disc: 2 (DVD)
1. Two For The Price Of One (Dick Cavett Meets ABBA)
2. Slipping Through My Fingers (Dick Cavett Meets ABBA)
3. When All Is Said And Done (Original Promo Clip)
4. ABBA In London, November 1982 (The Late Late Breakfast Show, BBC)
5. ABBA In Stockholm, November 1982 (Nöjesmaskinen, SVT)
6. The Visitors TV commercial I (UK)
7. The Visitors TV commercial II (Australia)
8. The Singles - The First Ten Years TV commercial I (UK)
9. The Singles - The First Ten Years TV commercial II (Australia)
10. International Sleeve Gallery

Melodic rock CD of the week

By Stephen Kasenda

 
WILD FRONTIER “Stick Your Neck Out” (2003)
 
WILD FRONTIER is surely not a familiar name to many people outside melodic rock realm. Emerging from German where bands like SCORPIONS or ACCEPT are huge, this genre isn't a prospective career move, especially considering that 2003 was a pretty bad year for classic rock. But hats off to this band –they are carrying the torch of this music and 'Stick Your Neck Out' is really a very satisfying result.

'Wild Wind Blows' and 'Alive' open the album with a mid-tempo mood and both are wonderful attempts by the band. 'There For You' played and it really turned my head around. It's an acoustic-based, easy listening piece fit to be aired on an evening radio show…a very lovable tune. The singer's vocal is reminiscent of Joe Elliot, so it's a really friendly ride for fans of the 80s.

'Walkaway' is an astonishing ballad and so is 'I Can Hear You'. 'Through Your Eyes' might be the weakest ballad but that song itself is still quite okay too. 'Shake Your Body' is another winner with its groovy riffs; 'Life Has Just Begun' blew me away with its splendid chorus; 'We Will Be One' could be the heaviest - a big slab of great hard rock, but 'Hard To Control' conquers this album and rises as the best of the bunch.

Overall, a solid album. If you dig the melodic rock scene, this one is an awesome catch and deserves at least 80%!

Read more of Stephen’s features at MetalMusicArchives.

Under Cover: Little Wing

SKID ROW "Little Wing" (Jimi Hendrix)

This sizzling cover of the Jimi Hendrix classic closed out an EP of covers from Skid Row entitled, "B-Sides Ourselves" (released in 1992).

Review: TJ Courtney “Into The Sky” [EP]

Rock
From out of Boston, singer/songwriter TJ Courtney takes the classic grunge sound and gives it a modern overhaul on his new powerhouse of an EP, “Into The Sky”. One listen to the first single, “One Day”, and you can just feel the testosterone pumping through your veins. Even better, Courtney channels his angst into urgent messages relevant to the times. “One Day” tackles the impact of human activity on the globe and “Who Are They” reflects on the new obsession with online voyeurism.

The EP is a sonic joy thanks to producer Andrew Dixon (Colbie Callait and Ryan Cabrera) and mixer Mark Needham (The Killers, Neon Trees). The style of music is going to please fans missing the sounds of early Oasis, Soundgarden, and Foo Fighters, but still reel in the younger generation too. Incidentally, the EP features songs co-written by Jason "Space" Smith (Seether) and Waymon Boone (Splendor).

Misleadingly gentle at the beginning with delicate acoustic guitars, the title track soon explodes into a heavy riff fest in a highly engaging and melodic chorus. Courtney’s compelling vocals soar over the music, lifting each song to greater heights. “One Day” follows a similar formula, but incorporates a bit of an Alice In Chains meets Days Of The New feel. The EP closes with a sizzling cover of my favorite Duran Duran song, “Ordinary World”.

In a word, TJ Courtney is evidence that gritty rock can still be melodic without compromising on its ability to rattle your cage. In this context, “Into The Sky” is a win-win situation.

TJ Courtney – Official site.

In memory of Brian Jack (Child's Play)

I am sad to report that Brian Jack, frontman of the Baltimore-based rock group Child's Play, has passed away. RIP, Brian.

Be sure to check out our Tribute here.

Review: Joshua Ketchmark “The Bittersweet” [EP]

Modern rock
Joshua Ketchmark is a promising young modern rock and pop artist making his return with a new trifecta of three EPs. The first, due April 17, is called “The Bittersweet” and features four new songs that showcase Ketchmark’s eclectic musical influences. The EP was produced by long-time friend Denny Smith (fORMER/The Great Affairs) and Michael Saint-Leon (George Thorogood, Buddy Guy). The team is a sonic success whether producing emotive balladry or a crushing rocker.

"Covered in Roses" gets things off on a positive note, sounding like a song that would have fit comfortably on his winning debut record, “List of Regrets” (reviewed here). "All These Eyes" is the first single, which has some good lyrics and sounds radio-friendly enough, but gets a little cumbersome with its slow pace. "The Take" triumphantly storms back onto more solid, rocky ground, and is one of the most satisfyingly aggressive Ketchmark songs I’ve heard. On the closing piano-based ballad, "Cigarettes and Wine", Ketchmark is back with his heart on his sleeve, turning in a fantastically earnest vocal, one that has a high probability of inducing chills.

Joshua Ketchmark – Official site.

Melodic rock CD of the week

By Stephen Kasenda

SLAM ST. JOAN “Saved By Grace” (1993)

I bought this blindly from a friend without any information at all except a hint that they sounded like SKID ROW meets SPREAD EAGLE, which is a really interesting combo. At first listen, I did agree with that comparison, but I will add that they also have a LILLIAN AXE element, especially from their early days. Rob Creek's vocal reminds me a lot of Phil Lewis from L.A.GUNS, so it's a completely sleaze / hard rock style and I dig it a lot.

'Saved By Grace', which is also the album's title, is a brilliant tune. The chorus is awesome, but the next two tracks are a bit sloppy (even though I still think both are good). 'Emotional Suicide' is a unique acoustical ballad piece: again, the chorus is awesome and sounds very different than the typical slow song from a regular glam band. 'Just Like The Blues' shows their bluesy side with some chugging riffs. George Karl and Ray Rodriguez prove to be a lethal guitar combo here.

'Eyes' is another winner, highly addictive hard rock piece with fantastic riffs. 'Your Light' is a nice and smooth acoustical ballad and 'Best of Me' is a beautiful southern rock song. The production is good and I'm glad I checked this out for quite a cheap bargain. If you love sleaze and glam, I bet you'll like this one a lot.

Read more of Stephen’s features at MetalMusicArchives.

Under Cover: Sweet Child o' Mine

Scott Gagner "Sweet Child 'o Mine" (Guns N' Roses)

In honor of their induction into the Rock N Roll Hall Of Fame, this week we'll feature indie singer/songwriter Scott Gagner's stripped down version of the Guns N' Roses classic, "Sweet Child o' Mine" here. Be sure to check out his excellent original music too (reviewed here).

Sheryl Crow also did a nice cover of this one:

Review: Jeff Scott Soto “Damage Control”

AOR/Melodic rock
Rock veteran Jeff Scott Soto is back with this fifth official solo record, “Damage Control”. While no stranger to melodic rock circles, Soto has more than 60 album credits under his belt along with numerous collaborations and recordings across multiple musical genres. Solo started his 30 year rock tenure as the vocalist for guitar guru Yngwie Malmsteen, which led to his serving as frontman for a variety of rock bands including Talisman, Soul SirkUS, and even Journey for a time. In 1994 he released his first solo outing “Love Parade”, followed years later by the acclaimed “Prism” (2002) then “Lost In The Translation” (2005) and “Beautiful Mess” (2009).

A lot of “Damage Control” brings a bit of a grittier edge to Soto’s polished melodic rock voice. Sounding terrific as always, Soto rips right along into meaty songs like “Give A Little More”, “Krazy World”, “After World” and “Tears That I Cry”. The title track opens with a blistering riff before relaxing into an acoustic-based verse – a tasty dynamic that keeps this song engaging. “If I Never Let Her Go”, “How To Love Again”, and “Die A Little” are textbook examples of the perfect melodic rock song, catapulting us back to the 80s in style and substance. As for ballads, Soto pulls on the heartstrings like never before with “Bona Fide”.

There really isn’t a bad track in the bunch – gorgeous, catchy melodies that are brilliantly and passionately sung. There’s not much more you can ask for!

Jeff Scott Soto – Official site.

You Were Robbed – American Hi-Fi

"You Were Robbed" features artists and bands that should have gotten much more recognition and fame than they did. Check them out now...better late than never!

In 2001, the L.A. pop punk band American Hi-Fi splashed onto the scene with the hit “Flavor of the Week”. In many respects, the band unfortunately was a victim of that theme as they were rapidly crowded out by hundreds of similar bands capitalizing on this popular sound. “Hearts On Parade” was their third effort released in 2005. The band appeared poised for a major comeback – “Parade” took a markedly more mainstream approach and was produced by songwriting and recording guru Butch Walker (Marvelous 3). But this just didn’t happen – some long-time fans were not happy with the catchier tunes and the new label fumbled the release date stateside.

“Hearts On Parade” should be revisited by any fan of pop rock. There is no end to the string of ear candy on this record and it still sounds good after all these years. You can hear the switch to the pop end of the rock spectrum right at the get go in the chorus of the excellent lead off track, “Maybe Won’t Do”:



“The Geeks Get The Girls” was the official lead single that should have been a repeat performance of “Flavor of the Week”. Very Blink-182.



The band ventures into some sugary sweet harmonies with the near bubblegum feel of “We Can’t Be Friends” and explores some very tasty chord changes on the terrific “The Everlasting Fall”.



The record ends strong with the pleasant mid-tempo feel of “Where Do We Go Wrong” and an epic power ballad in the title track.



For just a penny, you can’t go wrong with this CD. What has become of the band? 2010 saw the release of a follow-up record called “Fight The Frequency” (reviewed here http://nowthisrocks.blogspot.com/2010/07/review-american-hi-fi-fight-frequency.html). While it didn’t reignite the band’s career, we’re excited about recent news of a fall 2012 release (press release follows).

March 28, 2012 – Goomba Music is proud to announce the signing of American Hi-Fi. The original line-up--Stacy Jones (singer/guitarist), Drew Parsons (bass), Jamie Arentzen (guitars) and Brian Nolan (drums)¬is currently recording their as-yet-untitled new album in Los Angeles, CA with an expected worldwide release date this fall. It's being produced by the band and John Fields (Switchfoot, Jimmy Eat World) and recorded at Stacy Jones' studio, The Deathstar.

"It feels great to make music with these guys,” exclaims Stacy Jones. “11 years in, American Hi-Fi is a brotherhood. We made this record because we feel like the world needs a few more guitar bands. We are just doing our small part to keep Rock-N-Roll alive!"

For the past six years, members of American Hi-Fi have been working with Miley Cyrus. Singer Stacy Jones has been her music director and drummer, Jamie Arentzen has been her guitarist and Drew Parsons has played bass at a few concerts. Stacy and Jamie have been featured in everything Miley Cyrus since the beginning of her “Hannah Montana” days, including the 2009 movie and “Best Of Both Worlds” concert film/DVD.

Over the course of their 10-year career, American Hi-Fi has sold over 1 million albums thanks to hit singles such as the Top 10 smash “Flavor Of The Weak,” “Another Perfect Day” (which was used as Coca-Cola's theme for the 2002 Winter Olympics) and “The Art Of Losing,” and they've toured the world with artists such as Elvis Costello, Matchbox Twenty, Bon Jovi, Sum 41 and Fall Out Boy. Before teaming up as American Hi-Fi, the band members performed as part of various influential bands from the '90s Alternative Rock scene, including Veruca Salt and Letters to Cleo, and with Tanya Donelly, Tracy Bonham, Aimee Mann, and Juliana Hatfield individually. Their songs have been heard on TV shows and commercials such as Coors, Labatt Blue, Verizon, “Boston Public,” “24” and “Dawson's Creek,” video games including “Guitar Hero 3,” and in movies including “American Pie 2,” “Freaky Friday,” “Van Wilder” and “Superman Returns.” And Stacy has produced albums at The Deathstar for such artists as The Downtown Fiction, Ingrid Michaelson, Meg & Dia, The Cab, Plain White T's, Hey Monday and Academy Is… and many others.

Tour dates and other news from American Hi-Fi here.

Review: MxPx “Plans Within Plans”

Punk rock
It’s hard to believe that MxPx has been cranking out their brand of “positive punk” for nearly two decades now. You might have thought they disappeared from the scene because we haven’t heard from them since 2007’s “Secret Weapon”. Furthermore, lead vocalist and bassist Mike Herrera has been busy with side projects like his punk western ensemble, Tumbledown (reviewed here).

But on April 3, MxPx returned with their ninth studio record, “Plans Within Plans”, mixed and mastered by punk rock legend and guitarist for the Descendents, Stephen Egerton (who also throws in a guest guitar spot on several tracks). Reflecting on the time off and the influences on the new record, Herrera states, “We all deal with changes differently. We’ve had to realize over the years that regardless of what those changes are, we’ve managed to remain true to the band and adjust things accordingly.”

“Aces Up” kicks the disc off with thundering, fast-paced drums and equally quick guitar riffs and vocals. This is followed by “Screw Loose”, which features thundering, fast-paced drums and equally quick guitar riffs and vocals. This is followed by “Nothing Left”, which features thundering, fast-paced drums and equally quick guitar riffs and vocals. I think you see the problem here.

But then comes “The Times” – a welcome change of pace that is smartly written with positive lyrics and a memorable hook. “Far Away” is the first single and considered the “flagship song” by the band. It is a trademark MxPx tune about overcoming obstacles and is just bursting with energy. As with most MxPx records, “Plans Within Plans” comes at you hard and fast, leaving you pumped, refreshed, and ready to take on the world. While dancing along the edges of monotony by stacking a lot of songs with the same hyper pace, there are several oases on “Plans” really worth writing home about. Those additional highlights include “Best Of Times” (no, not a Styx cover), “Cast Down My Heart”, and “When It Comes To You”.

MxPx – Official site.

Melodic rock CD of the week

By Stephen Kasenda

MOTLEY CRUE “Girls Girls Girls” (1987)

"Girls, Girls, Girls" is considered a pivotal point in Crue's career. After the fans condemned them for releasing the disappointing "Theater of Pain", Crue had to hold on and write a better album - otherwise this might be the end of their career. At that time, Nikki and the gang were at the height of their drug addiction and party-hard lifestyle. White dope, Harley, and naked women are the themes while musically they stripped down the heavy metal outfit and played with 60-70s rock and roll with an occasional bluesy bite, but still retain Crue's signature glam arrangements.

"Wild Side" and "Girls, Girls, Girls" are two singles that saved Crue's ass and since then, those two songs are almost never left out from their concert set list. "You're All I Need" is a big ballad that enjoyed a an appearance on the Billboard Hot 100. It is highly underrated compared to "Home Sweet Home", but both can be considered their all-time greatest ballads ever made. Funny thing is that most people, including Jon Bon Jovi, thought that this was a typical love song, but Nikki’s genius twist is that this song is about a psycho boyfriend instead.

"Dancing On Glass" and "All In The Name of..." are two other relatively unknown tracks that also made this album worthy. "Bad Boy Boogie" has that Aerosmith 70s feel, "Five Years Dad" is also good but somehow too similar to "Girls, Girls, Girls". "Sumthin' For Nuthin'" is perhaps the only filler but not bad at all, and the Elvis cover of "Jailhouse Rock" is a fun live cover to emphasize the rock and roll theme of this album.

Crue's fourth album was a commercial success, racking up 4 platinums in USA alone, and was their best selling album until "Dr.Feelgood" came in 1989 to break the record. Excellent release and I rank this as the Crue's third most fave album after "Shout" and "Feelgood".

Read more of Stephen’s features at MetalMusicArchives.

Under Cover - How Long

Rod Stewart – How Long (Ace)

This week we feature a young (middle-aged?) Rod Stewart covering Ace's big hit, "How Long". Paul Carrack (Squeeze, Mike + The Mechanics) sang the original.

Review: Candlebox “Love Stories and Other Musings”

Rock
Multi-platinum rockers Candlebox keep the rock 'n' roll flame alive with their first studio album in nearly four years, “Love Stories & Other Musings”, due April 3. Produced by Ken Andrews (Pete Yorn, A Perfect Circle, Tenacious D, Beck), “Love Stories & Other Musings” features nine new tracks and five bonus tracks, which are re-recordings of some of their biggest hits including "Far Behind", “You”, and "Cover Me."

I must admit I’ve always carried a torch for Candlebox. Sometimes referred to as that “other Seattle band”, these guys never struck me as a grunge outfit, but more of a modern band with classic rock influences. The musicianship is a cut above the rest and Kevin Martin always sings his lungs out with his amazing voice. Best of all, the band knows that a good hook is necessary to make a song memorable, and they can write such melodies without compromising one iota of their rock bravado.

"I haven't felt this way about a release from Candlebox since our first record. The feeling for this record is both refreshing and stimulating," said guitarist Peter Klett. "I can't be more excited to release this music to the fans who have been with us for so long." Kevin Martin adds, "This record…is our music and our love for what a great gift we have been given. 'Love Stories & Other Musings' is a new direction for us and I couldn't be happier to share it with our fans." Fans need not worry – the band doesn’t stray too far from what you are salivating for. The new direction is a natural evolution – an evolution towards even better songwriting. Tighter, more melodious, and more eventful.

You can feel the band’s renaissance in the energetic lead off track, “Youth In Revolt”, which is an anthem in the making and quickly reminds us of the musical power this band can wield. For “Sweet Summertime”, the band downshifts to an infectious mid-tempo beat that is perfect for cruising down the highway with the top rolled down. “Believe In It”, the first single, is another winner – instantly gripping and dripping with inspirational lyrics. As you might surmise from the record’s title, the band showcases its softer side quite a bit on this record. The good news is that Candlebox is a band that can write a genuine love song without it sounding silly or oozing with cheese. There is a sultry and haunting song in “Turn Your Heart Around”, but even better is the aching “Come Home”, which contains some of the best chorus harmonies the band has ever performed. “Baby Love” begins with a tender piano and guitar riff, but kicks into a wonderfully pleasant upbeat song soon enough.

I would have preferred a couple more new rocking tracks rather than the “bonus re-recordings”, but can’t complain because the nine new songs really bring it. Another excellent job from an underrated band. Get the record, and be sure to catch Candlebox on the road beginning April 7 – check their web site for details.

Candlebox – Official site.

Check out “Believe In It”:

You Were Robbed – Dada

"You Were Robbed" features artists and bands that should have gotten much more recognition and fame than they did. Check them out now...better late than never!

1995 was a tough time for Dada. After exploding onto the alternative rock music scene with the unlikely hit, “Dizz Knee Land”, the band went on to obtain critical acclaim for the other cuts on their remarkable 1992 debut, “Puzzle”. Despite an outstanding sophomore release, the band was beginning to lose its foothold and got caught in the crossfire of its label’s demise. MCA picked them up and a revitalized Dada released their fourth album (self-titled) in late 1998. With famed producer Danny Kotchmar at the helm, the band had a promising launch pad for a massive comeback.

But that didn’t happen. Not at all. The first single is probably to blame: “California Gold” is a lackluster and confusing tune, more experimental than melodic. Hearing this song probably made a lot of fans – not to mention radio – write the band off. Shame. The vast majority of the other songs on this fantastic record are nothing short of amazing and should have been all over late 90s radio. Take the lead-off track for instance, “Information Undertow”. The topic is even more relevant today and the infectious chorus keeps you coming back for more.

The band lets its thoughtful, reflective side shine through all of these songs, and the trademark harmonies of Michael Gurley and Joie Calio have never sounded better. I really miss hearing these two sing together like this. The quality of the songwriting and performance is exemplified on the track “Beautiful Turnback Time Machine”.



Unfortunately, I can’t find any other videos for the songs here, but go to Amazon and sample these spectacular cuts: “Where You’re Going”, “Spinning My Wheels”, and “The Ballad Of Earl Grey And Chamomile”. Highlights of the band’s balladry can be heard on “Goodbye” and “Outside”. Don’t let another day go by without discovering the majesty of this wonderful record.

Keep up with Dada here.

Review: Jack Blades “Rock ‘N’ Roll Ride”

Rock/AOR
On the heels of a new comeback album with Night Ranger, Jack Blades is already back with a fresh set of tunes constituting his second solo record, “Rock ‘N’ Roll Ride”. The man should need no introduction, so if you want to get to the album review, just skip to the next paragraph. For those who aren’t aware, Blades achieved multi-platinum success with five studio albums by Night Ranger in the 80s. Jack then co-founded the super group Damn Yankees with Tommy Shaw (Styx). In 1995, he continued his budding collaboration with Shaw to form Shaw/Blades. Across these three successful groups, Blades has earned a gold star for his songwriting skills, and has penned tunes for many other artists including Aerosmith, Cher, Alice Cooper, Roger Daltrey, Great White, Journey, Ozzy Osbourne, and Styx, many appearing in major films.

Like his solo debut in 2003, “Rock ‘N’ Roll Ride” contains an abundance of potent rock anthems and includes a few notable guests. In addition to some of his Night Ranger band mates, the new release features Robin Zander (Cheap Trick) on “Anything For You” – one of the best tunes on the record - and some beats laid down by Brian Tichy (Whitesnake). The record plays like a celebration of the art of rock n’ roll, full of bright, positive energy from start to finish. True to his own words, Blades commented, “’Rock ‘N’ Roll Ride’ is an extension of what my music has been for the last 30 years. It has been quite a rock n’ roll ride and I decided to lay it all down on a record!”

In addition to “Anything For You”, there are many highlights on this record to mention. Blades charges back into action with the take-no-prisoners opener, “Back In The Game”. The tune harps back to his gritty rock roots, but shines with an optimistic attitude and radio-friendly melody – it is hard not to be invigorated by this one. The classics 80s AOR riffs of “Love Life” brought back some pleasant nostalgia, and the arena ready rocker “Say You Will” and mid-tempo affirmation “Don’t Give Up” will get you off your feet. On the tender side, Blades delivers as expected on the magnificent “Hardest Word To Say”.

“Rock ‘N’ Roll Ride” will be available in late March (Frontiers Records), promising to be one of the greatest joyrides of the season!

Jack Blades – Official site.

Melodic rock CD of the week

By Stephen Kasenda

BRASS KITTEN “Across America” (2001)

BRASS KITTEN was revived by Perris in 2001 for a blitzing glam release, 'Across America' and I'm going to say, judging by the year of its release, this is definitely an oasis in the desert. Steve Philbrook has an amazing vocal and a wide range - the songs are mostly energetic, very melodic, and right in-your-face. 'Crossfire' is a mind blowing opener; 'Can't Hold Back The Young' is reminiscent of PRETTY BOY FLOYD’s style; 'Too Far Gone' is a nice and simple ballad; and 'Bite The Bullet' is a great no-frills hard rock tune.

There are some fillers scattered here such as the second track, 'Sweet Love Affair' or the eighth track, 'Can't Get Enough', but those are the only the weak songs I spotted. 'Fit To Be Tied' and 'Wait Another Day' are still pretty good. 'Country Song' is an easy listening acoustical piece - I love this track and 'Quit Your Bitchin' is an ass-kicking sleazy tune similar to DANGEROUS TOYS.

Unfortunately the volume is quite low but the production isn't bad considering it's an indie recording. This album isn't going to win any award, but for fans of glam yearning for some serious rock and roll salvo, BRASS KITTEN is a good catch.

Read more of Stephen’s features at MetalMusicArchives.

Under Cover: Bohemian Rhapsody

Ever wonder what Queen's classic, "Bohemian Rhapsody", would sound like if performed by a hip-hop group? Yeah, me neither. But if you did, this is a great example of being careful what you wish for...

The Braids "Bohemian Rhapsody" (Queen)

Review: Bunny Austin “Shadow Life”

Rock/Power pop
Named after the British tennis player from the 1930s, the Birmingham-based rock band Bunny Austin is hoping to score with their first album, “Shadow Life”. Their influences mainly include power pop, but you’ll hear a smattering of retro garage rock and punk in their sound too. Bunny Austin includes Charles Arndt (Plaid Camels) on guitar and vocals, Rich Albright (Altamont, Muddy King) on bass, Tony Oliver on keys, and Tommy Prewitt (Month of Sundays) on the drums.

Some strong suits in the band include excellent dynamic bass lines, with lively piano or organ augmenting the predominant fuzzy guitars. There is a palpable urgency in the band’s playing, not unlike the great Jim Carroll Band. Nothing on the record is unlistenable (although “Let The Power Fall” gets tedious) but I do wish more tracks had sharper, better developed hooks. I hasten to add that there are plenty songs that get under your skin. “Sparks” is the most accessible, radio-friendly track. Also notable is the dance rock of “I Can’t Take It No More”, the harmonious “Myra”, the breezy “You Were The One”, and the Knack inspired “Make It Last For Now”.

The chemistry is just starting to brew for Bunny Austin. “Shadow Life” is exuberant, radiating with the energy typically associated with that first record. With continued honing of their craft and development of more harmonies, Bunny Austin stands a good chance of hopping out of the shadows of their influences to become an influence themselves.

Bunny Austin – Official site.

You Were Robbed – White Lion

"You Were Robbed" features artists and bands that should have gotten much more recognition and fame than they did. Check them out now...better late than never!

The band White Lion roared onto the late 80s melodic rock scene with their “Pride” record, which featured big hits like the catchy “Wait” and the tender acoustic ballad, “When The Children Cry”. The band inexplicably fell prey to the sophomore jinx with their excellent follow up, “Big Game". What should have been the comeback of the year, the band’s third album “Mane Attraction” was tragically ignored.

I was inspired to write this post when I heard that an American Idol contestant actually did a cover of “Broken Heart”, one of the first songs White Lion wrote as a band (and was incidentally re-recorded for “Mane Attraction”).



Here is White Lion’s version from “Mane Attraction”:


The real surprise was that the super catchy leadoff single, “Love Don’t Come Easy”, with a great video to boot, failed to ignite a third chapter in this band’s career.



Infinitely popular at the time was the majestic power ballad – White Lion delivered big time on these with the beautiful acoustic “You’re All I Need” and the piano-driven tune “Till Death Do Us Part”, which I’ve heard at several weddings.



“Mane Attraction” also shows the bad evolving a harder edge with epic cuts like “Lights and Thunder” and “Warsong”. "It's Over" is another well done melodic song. In listening to the closing track, “Farewell To You”, I get the sense that perhaps the band had a gut feeling that the ride was coming to an abrupt end.



The record also contains a stunning instrumental called “Blue Monday”, a tribute to Stevie Ray Vaughan. This song, like all the others on the record, is testament to the sheer brilliance of Vito Bratta as a guitarist. His retirement soon after this record is a catastrophic loss to the entire music community. Anyone know what he is doing now? As for lead singer/songwriter Mike Tramp, he’s gone on to release a number of solid solo records, and his latest work with Rock N Roll Circuz is just fantastic (see review here).

Review: Jim Ivins Band “Everything We Wanted” [EP]

Pop rock
Richmond, Virginia pop rockers The Jim Ivins Band have released a new 7 song EP called “Everything We Wanted”, the follow up to their 2009 Ace Enders-produced self-titled set. The EP was produced by fellow Richmond native Pedro Aida (The Riot Before, Ann Berretta, Carbon Leaf), and features “Sight of Fire” as the first single (stream it here).

The Jim Ivins Band formed in 2007 and have been steadily cultivating a large base of fans hungering for their bright acoustic-based rock formula. They have shared the stage with national acts such as Parachute, Carolina Liar, The Rocket Summer, Cracker, The Ataris, Mae, Carbon Leaf, and Pat McGee Band, and showcased at the 2009 Miami Music Festival. “Everything We Wanted” draws inspiration from opening for Switchfoot and The Airborne Toxic Event; consequently, Ivins has dug deeper to carve out more emotional and reflective lyrics.

The EP begins with “Run”, which is driven by Ivins’ trademark acoustic strumming, accentuated with some funky wah pedal in the verses. The chorus is a dream – so bright and sunny you might need to apply sunscreen while listening to it. “The Sight Of Fire” touches on the theme of addiction…and becomes quite the addiction in the process. “Rollercoaster” gets back to the band's sentimental side, touching on the ups and downs permeating our relationships. The EP continues to impresses as it comes to a close with the optimistic rocker “It’s Getting Better” and the contemplative title track. The only dispensable item here is the aimless but thankfully brief “Emergency”.

In short, another big winner for the Jim Ivins Band and a treat for those of us who are missing the heyday of bands like Crowded House, Toad The Wet Sprocket, and Vertical Horizon.

The Jim Ivins Band - Facebook

Melodic rock CD of the week

By Stephen Kasenda

UNRULY CHILD “Unruly Child” (1992)

Unruly Child was formed by Mark Free after Signal split up in 1989. Bruce Gowdy and Guy Allison joined him after they left World Trade. Musically, they continued the AOR path that was derived from Signal's sound and mixed it with the glam sound of Giant and some Bon Jovi. Mark Free, whom later transformed into Marcie Free, definitely has one of the truly magical voices and he's the shining star of this album.

The ultimate reason to buy this album is because of Free's voice singing two insanely beautiful tunes, "Who Cries Now" and "Is It Over". While "Who Cries Now" is more of an uptempo track with an unbelievably awesome chorus, "Is It Over" puts their tender side ahead. You can hear the sadness and emotion wrapped tight inside the arrangement - this is the type of song that'll be loved by many, and is it very nostalgic.

Some other wonderful tracks to check out include the ballad "To Be Your Everything", which features a superb sing-along chorus; "When Love Is Gone" – with another stunning delivery by Free; "Wind Me Up", a great hard rock effort by the band; and "Lay Down Your Arms", a groovy midtempo song with a strong chorus. The rest are also listenable, although nothing is really spectacular, with "Tunnel of Love" and "Long Hair Woman" being the worst fillers.

The production level is very good and you can catch every detail of Mark Free's great voice. The band's musicianship is quite decent, but Gowdy did throw in some memorable riffs and solos. For fans of AOR, pop-metal, or Mark Free, the debut of Unruly Child is undoubtedly their greatest release. It has been out of print for a long time, so it's gonna be a tough job looking for this in the market.

Read more of Stephen’s features at MetalMusicArchives.

Under Cover: Eye of The Tiger

The Temptations “Eye of the Tiger” (Survivor)

Check out this rendition of Survivor’s classic, “Eye of the Tiger”, performed by The Temptations at the Oscars in 1982!

Review: Sunstorm “Emotional Fire”

Melodic rock/AOR
Joe Lynn Turner is back with the third album from his Sunstorm project, entitled “Emotional Fire”. Joe Lynn Turner, who has a voice like Jimi Jamison (Survivor), is no stranger to both fans of classic rock as well as AOR - his career began in the legendary bands Fandango and Rainbow, and then he worked with the likes of Deep Purple and Yngwie Malmsteen. Interspersed in all of this work, he has built a solid fan base around his solo career (his first solo album was 1985’s “Rescue You”).

Sunstorm released their self-titled debut in 2006 and followed this up with “House of Dreams” 3 years later. Each became instant favorites in melodic rock circles. “Emotional Fire” is poised to add another favorite to the catalogue. The third album draws inspiration from various sessions Turner did in the 80’s as background vocalist for other artists. Consequently, Turner has redone Michael Bolton’s AOR gems such as “Gina” (originally included on “The Hunger” album, where Turner contributed with background vocals), and the title track, which Bolton penned for Cher’s “Heart of Stone” album (Turner performed background vocals on that record too). “Emotional Fire” also contains some great songs written by Soren Kronkvist (Crash the System, Issa), Tom and James Martin (Vega, Sunstorm, Khymera) and Daniel Palmqvist (Xorigin, The Murder of My Sweet).

The album blasts into action with the energetic anthem of encouragement, “Never Give Up”, which quickly reminds us of Turner’s startling vocal prowess. The part-ballad, part-arena rocker “Lay Down Your Arms” is quite captivating, exuding a darker edge without compromising on melody. “You Wouldn’t Know Love” and “Wish You Were Here” are spot on throwbacks to the golden age of 80s AOR. Additional highlights include “Follow Your Heart” and “Torn In Half”.

As expected, Turner turns in another AOR winner the likes of Journey, Survivor, and Night Ranger and I give it a strong recommendation for fans of the melodic rock genre.

Joe Lynn Turner - Official site.

You Were Robbed – Richie Sambora

"You Were Robbed" features artists and bands that should have gotten much more recognition and fame than they did. Check them out now...better late than never!

Richie Sambora has gotten plenty of love in the context of Bon Jovi, but his first solo record, 1991’s “Stranger In This Town”, didn’t capitalize on his fame to the extent that I expected. The record barely cracked the top 40 on the Billboard charts and its rousing lead single, “Ballad Of Youth” struggled to reach a dismal 63 on the singles chart. The subsequent singles, the soulful ballad “One Light Burning” and title track, didn’t even chart. Admittedly, the choice of singles was a bit perplexing, and probably has a lot to do with why the album wasn’t as warmly received as similar melodic rock records dominating the time period.

“Stranger In This Town” contains plenty of Bon Jovi-ish anthems (for example, “Ballad of Youth” and “Rosie”), but infuses the blues and a touch of soul that distinguish it from his day job output. In fact, the one and only Eric Clapton guests on the track, “Mr. Blueman”. Sambora’s voice harmonizes with Jon Bon Jovi perfectly, but this record shows he can stand on his own vocally. His voice also has more of an everyday man’s quality to it that exudes a charm all on its own.





Two of my favorite cuts on his debut solo record are saved until the end. “Father Time” is a huge power ballad that continues to resonate with me to this day, and “The Answer” is a rare and beautiful acoustic treat that makes us wonder why Sambora doesn’t put down his electric guitar more often.





Some other cool bits of trivia – Randy Jackson (American Idol dawg judge) played bass on “One Light Burning”, Desmond Child co-wrote “Rosie” and “Father Time”, and Dean Fasano (Message/Prophet) contributing backing vocals.

Bottom line: I would take this solo release from Sambora over any of Jon Bon Jovi’s solo efforts. This record is no "New Jersey", but surely should have performed much better than it did.

Review: Brixton Riot “Palace Amusements”

Rock
“More power, less pop” is the mantra of Brixton Riot, a New Jersey quartet readying their new record, “Palace Amusements” for release. This full-length record follows the band’s 2007 debut EP, “Sudden Fiction”, which helped to grow a solid fanbase throughout the northeastern US. Engineer Frank Marchand (The Thermals, Bob Mould) was behind the mixing board for the new release.

The songs of Brixton Riot are lyrically sharp, and the band creates a sonic landscape that is very reminiscent of the post-grunge era. Bands back then were rediscovering melody but weren’t quite ready to surrender the gritty guitar tones. It’s not unusual to hear juxtapositions of 70s powerpop and classic garage rock even on the same song. Many of the tunes revolve around life as a modern musician, but anyone who is working for a living is going to relate to the themes the band puts under the microscope.

Among the highlights is the energetic and catchy lead off track “Signal To Noise”, the driving rocker “Hard To See The Sun”, the savory “Canvas Shoes”, and the sweet satire of “Hipster Turns 30”.

With its heady blend of Lemonheads meets Gin Blossoms, Brixton Riot sounds like a long lost friend from the late 90s alt rock scene. Both the vocals and the songwriting style remind me of The Caulfields a great deal. “Palace Amusements” will be available March 13 on Modern Hymnal Recordings.

Brixton Riot – Official site. Bandcamp.

Melodic rock CD of the week

By Stephen Kasenda

WHITE WIDDOW “Serenade” (2011)

Melbourne-based melodic rockers WHITE WIDDOW return with even stronger output in 'Serenade'. Sounding almost identical to their debut, the band kicks up the bar to a higher level with a more polished sound and well-crafted songs in the vein of Def Leppard's Hysteria/Adrenalize era, wrapped up with European smooth AOR.

You can't find any fillers here - if you're really a fan of AOR, really it's just amazing to hear some heartburning songs like 'Cry Wolf', 'Strangers In The Night', or 'Serenade'. Granted there are few weaker songs such as 'Show Your Cards' or 'Mistake', but even those songs are still enjoyable. 'Do You Remember' is the most obvious Leppardized track, 'Reckless Night' is flawless, and 'How Far I Run' is also stunning (although the chorus is too similar to JOURNEY's 'Never Walk Away').

This album is full of sugar-coated hooks and sing-along choruses that might remind you to the hey-day of arena rock back in the 80s…and the production is excellent. Definitely better than the debut, a 90% from me that got it into my final top ten list last year. Superb!

Read more of Stephen’s features at MetalMusicArchives.